William Gresham - Nightmare Alley

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Nightmare Alley: краткое содержание, описание и аннотация

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Stan Carlisle could read people, standing along the sidelines of the main carny attractions where he worked, watching the washed up geek eaten by alcoholism. The clairvoyant with her frightening pack of cards, the strong man with the muscles of a Greek god, the twisted leg acrobat who walked on his arms, and the charming ‘lectric bulb girl whose blazing body defied lightning: they all performed beneath the gaze of the crowd at the Ten-in-One show. The audience oooohed in awe and astonishment, averted their eyes in horrified embarrassment, forever applauding the appalling, falling for the oldest gag in the book, yet always coming back, like ghosts called up from the past, wondering what the future would hold. Stan understood them, saw through them, and knew he could go further. He was a convincer, not a pretender. He was a master with words and could pawn off more than palmistry. He would prophesize, proselytize, see his profits rise. The Great Stanton. If he played his cards right he could leave for much bigger and better things. All he needed was a jumping off point, and from there, a chance to climb.
With a little magic-or was it murder?-a mentalist was born and transformed into a full-blown Spiritualist, greedy for glamour and a wallet full of rich and gullible worshippers. Soon, with hefty donations piling in from a growing congregation-all inspired by fraudulent transmogrifications-the ordained Reverend Stanton Carlisle was at the top of his game. But remember the tarot card of the hanged man, whose downward headed fate is strung up for all to see: fame is known to falter, and a low life is never far from reach.
“Mr. Gresham yanked the reviewer into the midst of his macabre and compelling novel, and kept him a breathless captive until the tour was over. It’s a truly rewarding whirl through his nightmare alley…All of it adds up to Grade-A guignol with a touch of black magic about it…If you enjoy hundred-proof evil-and a cogent analysis of same with your nightcap-then, in the words of the Ten-in-One barker, hurry, hurry, hurry!” -The New York Times
Nightmare Alley inspired a film in 1947 starring Tyrone Power and Joan Blondell, a graphic novel by the legendary underground cartoonist Spain Rodriguez, and a new musical adaptation now playing at the Geffen Theater in Los Angeles.

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He tied Gyp up to the kennel and set out for the woods where the old loggers’ road cut into them. He moved in a dream and the shine of the sun seemed to hold back its warmth. At the top of the Glade he paused and then slid doggedly down its slope. Around him the trees rose straight and innocent in the sun and the sound of a woodpecker came whirring through them. The grass was crushed in one place; close by Stan found a handkerchief with “C” embroidered in a corner.

He looked at it with a crawling kind of fascination and then scooped out a hole in the earth and buried it.

When he got back he kept catching himself thinking about things as if nothing had happened, then stopping and the wave of desolation would sweep over him.

Mother was in her room when he came upstairs.

But something was lying big and square on his bed. He raced in.

There it was. The “Number 3” set-Marvello Magic. A full hour’s entertainment, suitable for stage, club, or social gathering, $15.00. Its cover was gay with a picture of Mephistopheles making cards rise from a glass goblet. On the side of the box was a paper sticker which read, “Myers’ Toy and Novelty Mart” and the address downtown. The corners of the box were shiny with imitation metal bindings, printed on the paper.

Stan knelt beside the bed, gazing at it. Then he threw his arms around it and beat his forehead against one of the sharp corners until the blood came.

Outside the trolley had approached and slid under the hotel window, groaning its lonely way through the night. Stan was trembling. He threw back the covers, switched on the bed light and stumbled into the bathroom. From his fitted case he took a vial and shook a white tablet into his hand. He found the tooth glass, swallowed the tablet with a gulp of tepid water.

When he got back in bed it was several minutes before the sedative began to work and he felt the peaceful grogginess stealing up to his brain.

“Christ, why did I have to go thinking of that?” he said aloud. “After all these years, why did I have to see her? And Christmas only a week off.”

CARD VII

The Emperor
carved on his throne the name of power and on his scepter the sign of power - фото 9

carved on his throne the name of power and on his scepter the sign of power .

“STAN, honey, I’m scared.”

He slowed the car and bent to look at the road signs. Sherwood Park-8 miles. “We’re nearly there. What are you scared of? Because these people have a lot of jack? Whistle the eight bars of our opener and you’ll snap out of it.”

“I’ve tried that, Stan. Only-gosh, it’s silly. But how’ll I know which fork to grab? The way they lay out these fancy dinners looks like Tiffany’s window.”

The Great Stanton turned off the highway. Late light of summer evening lay over the sky; his headlights threw back the pale undersides of leaves as the roadster sped up the lane. On either side elms stood in columns of dignity.

“Nothing to it. Watch the old dame at the head of the table. Just stall until she dives in and she’ll cue you on the hardware. My mother’s folks had barrels of jack once. The old lady knew her way around. That’s what she used to tell my old man whenever they went anywhere.”

The house rose out of the dusk behind a sweep of lawn as big as a golf course. At the door a Negro butler with tiny brass buttons said, “Let me rest your coat and hat, sir.”

“My name is Stanton. Stanton the Mentalist.”

“Oh. Mis’ Harrington say to show you right upstairs. She say you be wanting to have dinner upstairs, sir.”

Stan and Molly followed him. Through an archway they could see women in evening dresses. A man in a dinner jacket stood with his back to a dark, enormous fireplace. He held a cocktail glass, gripping it by the foot instead of the stem.

The room was on the top floor, rear; the ceiling slanted.

“Dinner’ll be served right soon, sir. Anything you want, just pick up that phone and push button eight on the box. That’s butler’s pantry.”

When he had closed the door Stan locked it. “Relax, kid,” he said wryly, “we’re eating private. Let’s get loaded first and try out the batteries.”

He opened their traveling bags; Molly drew her dress over her head and hung it in a closet. From one of the bags she shook out a black net evening gown laden with sequins. “Hold the wires, honey, so they won’t catch in my hair.”

Expertly Stan eased the dress over her head. It was high-cut in the back with a ruff. He took a curved metal band attached to a flat earphone and slipped it over her head while the girl held her hair forward. When she threw it back the hair covered her ears so that the compact headset was completely hidden. Stan reached into the low V of the neck, found a miniature plug, and connected the headset. From his own suitcase he took his tails and began to stud a dress shirt.

“Go slow on that makeup, kid. Remember-you’re not working behind foots now. And don’t do any bumps or grinds while you’re supposed to be hypnotized.”

Standing in his underwear, he put on a linen vest with pockets like a hunting jacket’s. They bulged with flat flashlight batteries. A wire dangled; strapping it to his leg in three places, he carried it down and drew on a black silk sock, feeding the wire through a tiny hole. His shoe followed, then the wire plugged into a socket at the side of the shoe. Finally he put on his shirt. Moistening his fingers, he rubbed them on a handkerchief, took from a wax paper envelope a spotless white tie, and tied it, frowning in the mirror of the dresser. In his coat a spider web of fine wire was sewed into the lining as an aerial; another plug connected it with the hidden vest which held the transmitter.

The Great Stanton adjusted his suspenders, then buttoned his waistcoat; he gave his hair a touch with the brushes and handed Molly a whiskbroom so that she could dust his shoulders for him.

“Gee, honey, you look handsome.”

“Consider yourself kissed good and hard. I don’t want to get smeared up. For God’s sake take some of that lipstick off.”

Under the toes of his left foot was the reassuring bulge of the contact key. Stan reached under his white vest and threw an invisible switch. He walked across the floor. “Get any buzz?”

“Not yet.”

“Now.” He pressed hard with his toes inside his shoe; but Molly made no sign. “God damn! If I’d been able to get a line on who was going to be at this shindig I’d have worked a straight crystal routine. There’s too many things to come loose in this damn wireless gimmick.” He ran his hands over the girl’s dress, checking. Then he said, “Hold up your hair.” The headset plug had slipped out. Stan spread its minute prongs with the point of a nail file and rasped them bright with irritable strokes. He connected it and Molly rearranged her hair.

On the other side of the room he again pressed with his left toes.

“I’ve got it, honey. Nice and clear. Now walk and see if it buzzes when you don’t want it to.”

Stan paced back and forth, keeping his weight off his toes, and Molly said she couldn’t hear a thing, only when he wiggled his toes and made the contact.

“Okay. Now I’m in another room. What are the tests?”

“A card, a color, and a state.”

“Right. What’s this?”

Molly closed her eyes. From the earphone came a faint buzz three times-spades. Then a long buzz and three short ones-five plus three is eight. “Eight of spades.”

“Right.”

A tap from the door made Stan hiss for her to keep quiet.

“Dinner is served, sir. Mis’ Harrington send her respects. She’ll let you know on the phone when it’s time for you all to come down. Better let me open up this bottle now, sir; we’s powerful busy downstairs.” He eased the cork out, his polished fingers dark against the napkin.

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