John Lindqvist - Let The Right One In aka Let Me In

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Oskar and Eli. In very different ways, they were both victims. Which is why, against the odds, they became friends. And how they came to depend on one another, for life itself. Oskar is a 12 year old boy living with his mother on a dreary housing estate at the city's edge. He dreams about his absentee father, gets bullied at school, and wets himself when he's frightened. Eli is the young girl who moves in next door. She doesn't go to school and never leaves the flat by day. She is a 200 year old vampire, forever frozen in childhood, and condemned to live on a diet of fresh blood. John Ajvide Lindqvist's novel, a huge bestseller in his native Sweden, is a unique and brilliant fusion of social novel and vampire legend; and a deeply moving fable about rejection, friendship and loyalty.

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"Can I try?"

Tommy looked at Oskar as if to evaluate his worthiness, then handed over the remote, pointing at his upper lip.

"You been hit? You've got blood. There."

Oskar wiped his lip. A few brown crusts came off on his index finger.

"No, I just…"

Don't tell. There was no point. Tommy was three years older, a tough guy. He would only say something about fighting back and Oskar would say "sure" and the end result would be that he lost even more respect in Tommy's eyes.

Oskar played with the car for a while, then watched Tommy steer it. He wished he had the money so they could have made a deal. Have that between them. He pushed his hands into his pockets and felt the candy.

"Do you want a Daim?"

"No, I don't like those."

"A Japp?"

Tommy looked up from the remote. Smiled.

"You have both kinds?"

"Yeah."

"Swiped 'em?" yeah.

"OK."

Tommy put his hand out and Oskar gave him a Japp that Tommy slipped into the back pocket of his jeans.

"Thanks. See you." Bye.

Once Oskar made it into the apartment he laid out all the candy on his bed. He was going to start with the Dajm, then work his way through the double bits and end with the Bounty, his favorite. Then the fruit-flavored gummy cars that kind of rinsed out his mouth.

He sorted the candy in a long line next to the bed in the order it would be eaten. In the refrigerator he found an opened bottle of Coca-Cola that his mom had put a piece of aluminum foil over. Perfect. He liked Coke even more when it was a little flat, especially with candy.

He removed the foil and put the bottle next to the candy, flopped belly down on his bed, and studied the contents of his bookcase. An almost complete collection of the series Goosebumps, here and there augmented by a Goosebumps anthology.

The bulk of his collection was made up of the two bags of books he had bought for two hundred kronor through an ad in the paper. He had taken the subway out to Midsommarkransen and followed the directions until he found the apartment. The man who opened the door was fat, pale, and spoke in a low, hoarse voice. Luckily he had not invited Oskar to come in, just carried out the two bags, taken the two hundred, nodded, said "Enjoy," and closed the door.

That was when Oskar had become nervous. He had spent months searching for older publications in the series in the used comics stores along Gotgatan in South Stockholm. On the phone the man had said he had precisely those older volumes. It had all been too easy.

As soon as Oskar was out of sight he put the bags down and went

through them. But he had not been cheated. There were forty-five in all, from issue number two to forty-six.

You could no longer get these books anywhere. And all for a paltry two hundred';

No wonder he had been afraid of that man. What he had done was no less than rob him of a treasure.

Even so, they were nothing compared to his scrapbook.

He pulled it out from its hiding place under a stack of comics. The scrapbook itself was simply a large sketchbook he had swiped from the discount department store Ahlens in Vallingby; simply walked out with it under his arm-who said he was a coward?-but the contents…

He unwrapped the Dajm bar, took a large bite, savoring the familiar crunch between his teeth, and opened the cover. The first clipping was from The Home Journal: a story about a murderess in the US in the forties. She had managed to poison fourteen old people with arsenic before she was caught, tried, and sentenced to death by electric chair. Understandably, she had requested to be executed by lethal injection instead, but the state she was in used the chair and the chair it was.

That was one of Oskar's dreams: to see someone executed in the electric chair. He had read that the blood started to boil, the body contorted itself in impossible angles. He also imagined that the person's hair caught on fire but he had no official source for this belief.

Still, pretty amazing.

He turned the page. The next entry was from the newspaper Afton-bladet and concerned a Swedish murderer who had mutilated his victims' bodies. Lame passport photo. Looked like any old person. But he had murdered two male prostitutes in his home sauna, butchered them with an electric chain saw, and buried them out back behind the sauna. Oskar ate the last piece of Dajm and studied the man's face closely. Could have been anybody.

Could be me in twenty years.

***

Hakan had found a good place to stand watch, a place with a clear view of the path in both directions. Further in among the trees he had found a

protected hollow with a tree in the middle and there he had left the bag of equipment. He had slipped the little halothane gas canister into a holster under his coat.

Now all he had to do was wait.

Once I also wanted to grow up

To know as much as Father and Mother…

He hadn't heard anyone sing that song since he was in school. Was it Alice Tegner? Think of all the wonderful songs that had disappeared, that no one sang anymore. Think of all the wonderful things that had disappeared, for that matter.

No respect for beauty-that was characteristic of today's society. The work of the great masters were at most employed as ironic references, or in advertising. Michelangelo's "The Creation of Adam," where you see a pair of jeans in place of the spark.

The whole point of the picture, at least as he saw it, was that these two monumental bodies each came to an end in two index fingers that almost, but not quite touched. There was a space between them a millimeter or so wide. And in this space: life. The sculptural enormity and richness of detail of this picture was simply a frame, a backdrop, to emphasize the crucial void in its center. The point of emptiness that contained everything.

And in its place someone had superimposed a pair of jeans.

Someone was coming up the path. He crouched down with the sound of his heart beating in his ears. No. An older man with a dog. Two wrongs from the outset. First a dog he would have to silence, then poor quality.

A lot of screams for so little wool, said the man who sheared the pig.

He looked at his watch. In less than two hours it would be dark. If no one suitable came along in the next hour he would have to settle for whatever was available. Had to be back home before it got dark.

The man said something. Had he seen him? No, he was talking to the dog.

"Does that feel better, sweetpea? You really had to go, didn't you. When we get home daddy will give you some liverwurst. A nice thick slice of liverwurst for daddy's good little girl."

The halothane container pressed against Hakan's chest as he leaned

his head into his hands and sighed. Poor bastard. All these pathetic lonely people in a world without beauty.

He shivered. The wind had grown cold over the course of the afternoon, and he wondered if he should take out the rain jacket he had stowed away in his bag as protection against the wind. No. It would restrict his movement and make him clumsy where he needed to be quick. And it could heighten peoples' suspicions.

Two young women in their twenties walked by. No, he couldn't handle two. He caught fragments of their conversation.

"… she's going to keep it now…"

"… is a total ape. He has to realize that he…"

"… her fault because… not taking the pill…"

"But he, like, has to…"

"… you imagine?… him as a dad…"

A girlfriend who was pregnant. A young man who wasn't going to take responsibility. That's how it was. Happened all the time. No one thought of anything but themselves. My happiness, my future was the only thing you heard. Real love is to offer your life at the feet of another, and that's what people today are incapable of.

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