John Lindqvist - Little Star

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Little Star: краткое содержание, описание и аннотация

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One autumn day in 1992, former pop singer Lennart Cederstrom finds something unexpected in the forest: a baby girl in a plastic bag, partially buried. He gives her the kiss of life, and her first cry astounds him; it is a clear, pure musical note. He takes her to his wife and persuades her that they should keep this remarkable child. But the baby becomes a strange girl, made more unusual by their decision to hide her in their basement to keep her from the prying eyes of government departments. When she reaches puberty, a terrifying scene sees her kill both her parents. When her scheming adopted brother returns to find her over their bodies, he seizes the opportunity and enters her into an X Factor-style talent competition. She quickly becomes famous. In spite of this, she remains very lonely, until she befriends another damaged girl on the internet. They form a powerful bond and soon create a growing gang of other disgruntled girls and, calling themselves the Wolves, they set out to take revenge for all they've ever suffered.

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It took several weeks, but eventually it happened. The girl began to associate the symbol with the sound. When Laila held up the piece of paper with U on it on front of her face, there was silence for a little while as the girl waited for the note. When it didn’t come she supplied it herself, a humming but perfectly clear ‘Uuuu…’

Lennart was in the middle of one of his studio periods again, but listened to Laila’s stories of the girl’s progress and made encouraging comments and suggestions. For example, when Laila explained that she was having a problem with the consonants, he suggested that she should use lyrics the girl already knew, isolating individual words and getting the girl to sing them.

Laila decided on the Swedish version of ‘Strangers in the Night’ by Lasse Lönndahl, as Lasse had a tendency to extend the vowels, but still enunciated the consonants clearly, which made it easier to sing individual words.

Tusen och en natt, låg jag allena

Drömmande och matt…

Laila began with the word ‘en’, extending the word as she held the piece of paper with the word on it in front of her. ‘Eeennn…eeennn…’ She had to repeat it over and over again, and go through the song many times with sudden interruptions and much scribbling on the paper, but eventually the girl was singing from the same hymn sheet, so to speak.

As they approached the summer, Laila could hold up a piece of paper with the word ‘tusen’ or ‘natt’ on it, and the girl would sing what was written there.

Laila had rung and rung, she had even gone to Jerry’s apartment, struggled up the stairs and rung the bell. No one had opened the door, but when Laila peered through the letterbox she could see that there was no post or junk mail on the floor. Jerry was still around somewhere. She had shouted through the letterbox, but there was no response.

And then one day in early June, there he was standing on the porch steps. Laila hardly recognised him; it was a stranger she invited to sit down at the kitchen table. When Lennart emerged from the studio he reacted the same way, and seemed on the point of asking who he was.

If Laila had lost maybe ten kilos by watching what she ate since the winter, Jerry had lost three times as much in less time. There were bags under his eyes, and a few grey hairs had come in at his temples. A badly healed scar ran across his right cheek. The air of self-evident authority with which he had commanded a room was gone. He had begun to look like Lennart.

They sat in silence for a while. Then Laila asked, ‘What’s happened to you, love?’

A shadow of his former ironic smile passed over Jerry’s lips. ‘You might well ask. I’m on a disability pension, for a start.’

‘A disability pension? But you’re only thirty-three!’

Jerry shrugged his shoulders. ‘I managed to convince them.’

‘Of what?’

‘That I can’t work. That I’m finished. That I can’t be around people.’

Laila reached across the table to stroke Jerry’s arm, but he moved it away. She said, ‘But why, love?’

Jerry scratched the scar, pale beneath the stubble, looked her in the eye and said, ‘Because I hate them. Because I can’t cope with seeing them. Because I’m scared of them. Will that do?’

Jerry got up from the table and when Laila tried to stop him, he pulled away from her. He picked up the guitar he had left in the hallway and went down to the cellar.

***

It was a kind of homecoming. When he caught the familiar smell of wood, smoke, soap powder and general cellar aroma, it took him straight back to his childhood. He felt like an empty shell; he accepted the sensory awareness gratefully because it made him feel as if he contained something after all.

He had thought things would go all right with Lennart and Laila, but he could hardly bear to look at them either. Behind every face was another face, behind every sentence uttered, dark motives lurked. Yes, he had paranoid delusions. He’d even got a piece of paper to prove it.

The girl was waiting for him in the dimly lit room. Straight back, arms down by her sides and a drill in her hand. Jerry sat down on the bed and opened the guitar case.

‘Hi there, sis. Did you miss me?’

The girl didn’t reply. Jerry relaxed slightly. He played E-major seventh, and the girl picked up the note. A few more chords, an improvised sequence and the girl sang a melody. Jerry breathed a long sigh. The girl was standing in the darkness over by the CD player; he could only see her outline.

‘Bloody hell, sis,’ he said. ‘At least I can hang out with you.’

He put down the guitar and went over to the window to remove the blanket. When he lifted one corner, the girl whacked him on the thigh with the drill and screamed, ‘No!’

Jerry jerked backwards and let go of the blanket, which fell down. ‘What the fuck are you doing-’

He broke off. The girl was curled up in the corner, holding the drill in front of her as she peered up at the window. Jerry crouched down in front of her. ‘What’s the matter? You’re crazier than me, for fuck’s sake. Are you scared of the window?’

‘Big,’ said the girl. ‘Dangerous outside. Want to eat up Little One.’

‘What are you talking about? Are there big people out there who want to eat you up?’

‘Yes.’

Jerry nodded. ‘You’re not wrong there, sis. That’s the right attitude to have. I only wish I’d realised it earlier. So why do they want to do that, then?’

‘Hate in head.’

Jerry had an idea of what was going on here. He had been wondering how the hell Lennart and Laila were going to keep the girl indoors. Evidently they had come up with a solution.

‘So what about me, then? Why don’t I want to eat you up?’

‘Love in head.’

‘Love in…Are you saying I love you, kind of?’

The girl didn’t reply. A shadow flickered across the wall as, out in the garden, Lennart or Laila walked past. The girl jumped and curled up in a tighter ball. When Jerry hung the blanket up again, she relaxed and said, ‘Play. Sing.’

They jammed for a while. Jerry played songs in a minor key, and the girl made them even gloomier with her clear, flowing loops, transforming them from simple melodies into a lament on the whole of life and the human race. For a good fifteen minutes Jerry didn’t feel afraid at all. He could have gone on much longer if his increasingly robust efforts hadn’t broken one of the guitar strings.

His back was covered in sweat as he put the guitar back in its case and clicked the lock shut. ‘You know what?’ he said, without looking at Theres. ‘However fucking crazy you might be, you’re right. If I love anyone, it’s you.’

***

After that, Jerry’s visits became more regular again. It grieved Laila that he couldn’t really be bothered with her and Lennart anymore, but she took solace from the fact that spending time with the girl seemed to be doing Jerry good. The dark cloud that hung over him had always dispersed a little when he came up from the cellar.

Laila carried on teaching the girl. In time she was able to read words in both upper and lower case letters that had nothing to do with a song, although she did read with a strange, musical diction. It was time for the next step: teaching the girl to make the letters herself. To write.

This turned out to be an even harder labyrinth to negotiate. The girl could hold a pen, but flatly refused to draw the letters Laila wrote on a pad. When Laila tried to guide her hand, the girl growled or yelled out some swear word she had presumably picked up from Jerry. It might have been funny hearing her scream ‘Bloody hell!’ or ‘For fuck’s sake!’ if the words hadn’t been spewed out with such aggression, frequently accompanied by a blow as Laila tried to hold onto her hand. Laila abandoned that approach.

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