John Lindqvist - Handling The Undead

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Something very peculiar is happening in Stockholm. There's a heatwave on and people cannot turn their lights out or switch their appliances off. Then the terrible news breaks. In the city morgue, the dead are waking up…What do they want? What everybody wants: to come home. "Handling the Undead" is a story about our greatest fear and about a love that defies death. Following his success with "Let the Right One In", this novel too has been a bestseller in his native Sweden.

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Elvy sank back on the couch, staring at the crystal vase on the coffee table that she and Tore had been given by Margareta and Goran on their fortieth wedding anniversary. Orrefors, Heinous; probably very expensive. A couple of withered condolence-roses hanging from it doubled-over.

It started with a twitch at the corners of her mouth, a trembling in the lips. Then she felt her mouth tugged back, irresistibly back and up, until a grin wide enough to strain her cheeks covered Elvy's face.

'Nana? What is it?'

Elvy wanted to laugh. No. More than that. She wanted to jump out of her seat, do a few dance steps and laugh. But Flora's head drew back ten centimetres, as you might draw away from an uncertain phenomenon, and Elvy used her right hand to wipe the smile mechanically from her face. The corners of her mouth wanted to turn up again, but she kept them in place by sheer force of will. She didn't want to cause alarm.

'It's the Resurrection,' she said with suppressed glee. 'Don't you see? It is the Resurrection. The raising of the dead. What else could it be?'

Flora tilted her head. 'You think?'

There weren't words for it. Elvy could not explain. Her joy and anticipation were too great to be contained in mere language, so she said, 'Flora, 1 don't want to talk about this right now. 1 don't want to discuss it. I just want to sit undisturbed for a little while.'

'Why? What for?'

'I just want to be alone. A little while. Can you do that for me?'

'Yes. Sure.'

Flora walked to the window, stood looking out either at the faint outline of the fruit trees outside, or at Elvy's reflection in the glass.

Elvy savoured her bliss in silence. After a while Flora smacked the metal wind chimes hanging in the window, opened the french doors and walked out. The sound of her steps mingled with the clanging of the chimes, but after several seconds both had died away.

The heavenly kingdom. And on the last day ye shall all…

Euphoria. There was no other word to describe what was bubbling in Elvy's breast.

As if it were the last evening before a long, long trip. You've got a ticket in your pocket and at last everything is packed. And you can simply sit and feel the nearness of distant lands…

Yes. Like that. Elvy tried to visualise the distant land she would soon be travelling to, that everyone would soon be travelling to, but here there were no travel brochures to pore over, everything was up to her and she couldn't see. It slipped away, defied description.

But she sat there and felt that … soon… soon…

A couple of minutes went by in this way, and then some drops of guilt began to drip into her goblet of joy. Flora was with her. Here. Now. Where had the girl got to? As she stood up out of the couch in order to go and look, she caught sight of the armchair pushed up against the bedroom door and had time to think why is that there? before she remembered why. Because Tore was sitting in there. At his desk. Shuffling papers. As in life. Elvy stopped in the middle of the floor and a dark suspicion trickled in.

If this is the way it is.

When Flora had returned from the telephone and told her what she wanted to know, Elvy had imagined that silent army of the resurrected, hundreds, thousands striding in dignity down the streets, a beautiful sign of what was to come. Even though she'd known better. She walked over to the bedroom door. Paper sliding, being turned. Unclipped toenails on bare feet, the icy hands, the smell. No exalted host of angels, but flesh and blood bodies forcing their way all over the place, creating problems.

But the ways of the Lord…

·… are mysterious, yes. We know nothing. Elvy shook her head, said it out loud, 'We know nothing', and that would have to suffice. She walked out on the verandah to look for Flora.

The August night was dark and not a breeze was moving the leaves. It is night but so still that the light burns without flickering. When Elvy's eyes had grown accustomed to the dark, she picked out Flora's dark silhouette leaning against the trunk of the apple tree. She walked down the stairs and over to her.

'You're sitting out here?' she said.

It wasn't really a question; Flora didn't reply. 'I've been thinking,' she said and got to her feet, picking a half-ripe apple from the tree and tossing it back and forth between her hands.

'What have you been thinking?'

The apple went up into the air, hung for a moment in the light from the living room and then fell back into Flora's hand with a slap.

'What the hell will they do?' Flora said, and laughed. 'Everything is different now. Nothing makes sense. You know? Everything they've based all their shit on… pfff! Gone! Death, life. Nothing makes sense.'

'No,' said Elvy. 'That's true.'

Flora's bare legs took a few prancing steps across the lawn.

Suddenly she sent the apple high and far into the air. Elvy watched it fly in a wide arc across the hedge and heard it thud onto the neighbour's roof, roll across the brick tiles.

'Don't do that,' she said.

'Or what? Or what ?' Flora threw her arms wide as if she wanted to embrace the night, the world. 'What will they do? Call in the National Guard, arrest someone? Call the Pentagon and ask them to bomb the place? I want to see…I really want to see how they fix this one.'

Flora picked a new apple, threw it in the other direction. This time it didn't hit a roof.

'Flora…'

Elvy tried to lay her hand on Flora's arm, but the girl pulled away.

'I don't get it,' she said. 'You think this is Armageddon, don't you? I don't know the story, but the dead come to life, the seals are broken and the whole deal and then it's all over-that it?'

Elvy felt a strong resistance to this description of her beliefs, but said, 'Well… yes.'

'OK. I don't believe it. But say you did believe it, then what the hell does it matter if an apple gets on a neighbour's roof?'

'Show some common courtesy. Please Flora, pull yourself together.'

Flora roared with laughter, but not meanly. She hugged Elvy, rocking her side to side as if she were a foolish child. Elvy could take that. She allowed herself to be rocked.

'Nana, Nana,' Flora whispered. 'You think the whole world is about to end and you're telling me to pull myself together.'

Elvy snorted. It actually was quite funny. Flora let go of her, took a step back and held her palms pressed together in front of her, bobbing in an Indian greeting.

'Like you said before, I don't share your beliefs. But what I believe, Nana, is that there is going to be a fucking incredible amount of mayhem. You should have heard the woman's voice, at the call centre; It was as if the zombies were panting down her neck. It is going to be chaos, it is going to be something else, and damn if I don't think that's good.'

The ambulance arrived like a thief in the night. No sirens; not even the emergency lights. It glided up the street in front of the house, the front doors opened and two paramedics in light blue shirts stepped out. Elvy and Flora walked out to meet them.

The one who had come out of the driver's side nodded to Elvy and pointed at the house.

'Is he in there?'

'Yes,' Elvy said. 'I…I locked him in the bedroom.’

'You're not the only one, believe me.'

They pulled on rubber gloves and continued up the stairs. Elvy didn't know what to do. Should she follow them in and help or would she be in the way?

She stood there, rocking on her feet, when the backdoors of the ambulance opened and yet another man stepped out. He was quite unlike the paramedics; older, rounder. His shirt was black. He stood for a moment outside the ambulance and took stock of his surroundings. Or rather, enjoyed them. Perhaps he had been shut in too long.

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