Michael Robotham - Bleed For Me

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She's standing at the front door. Covered in blood. Is she the victim of a crime? Or the perpetrator?
A teenage girl--Sienna, a troubled friend of his daughter--comes to Joe O'Loughlin's door one night. She is terrorized, incoherent-and covered in blood.
The police find Sienna's father, a celebrated former cop, murdered in the home he shared with Sienna. Tests confirm that it's his blood on Sienna. She says she remembers nothing.
Joe O'Loughlin is a psychologist with troubles of his own. His marriage is coming to an end and his daughter will barely speak to him. He tries to help Sienna, hoping that if he succeeds it will win back his daughter's affection. But Sienna is unreachable, unable to mourn her father's death or to explain it.
Investigators take aim at Sienna. O'Loughlin senses something different is happening, something subterranean and terrifying to Sienna. It may be something in her mind. Or it may be something real. Someone real. Someone capable of the most grim and gruesome murder, and willing to kill again if anyone gets too close.
His newest thriller is further evidence that Michael Robotham is, as David Baldacci has said, "the real deal - we only hope he will write faster."
All characters and events in this publication, other than those clearly in the public domain, are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

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‘No.’

‘Good. Are they treating you OK?’

I nod and glance at his watch. It’s after midnight. He must have driven down from London.

‘OK, here’s the plan, Oprah. Your case is listed for the morning. We won’t plead. I’ll make an application for bail, which should be a formality. Do you have any savings?’

‘Not really.’

‘Family who can put up a surety?’

‘My parents, maybe.’

‘Good.’

Eddie starts making notes on a pad. He asks me about Julianne and the girls, my job and whether I’m involved in any charities.

‘Have you ever been arrested?’

‘Once. It was a misunderstanding.’

Eddie rolls his eyes and scrubs out a note.

‘Can’t you get this stuff dismissed?’ I ask.

‘You didn’t piss in a phone box, Professor.’

‘He broke into my house.’

‘And you tried to remove his head.’

‘Surely we can cut a deal?’

‘In case you haven’t noticed, Dorothy, we’re not in Kansas any more.’

Eddie stands and readjusts his hanging bits before tossing his raincoat over his arm.

‘Is that it?’

‘For now.’

‘Don’t you want to know what happened?’

‘Right now, I want to find a king-sized bed, a twelve-ounce Porterhouse and a mini-bar. You’ll be paying for all of them.’

Picking up his briefcase, he lifts the flap and inserts the notepad before doing up the buckle.

‘By the way, the guy you hit needed thirty stitches and a blood transfusion. I hope he had it coming.’

31

Bristol Crown Court looks almost whitewashed in a burst of sunshine grinning through a gap in the clouds. Resting my forehead against the window of the police van, I watch clusters of shivering workers smoke cigarettes in doorways.

The van has to stop at a police checkpoint. Barricades have blocked off either end of the street, guarded by officers in riot gear standing almost shoulder-to-shoulder. Protesters, carrying placards and banners, have been funnelled on to the footpath and kept well away from the entrance to the courthouse.

Glancing ahead, I can see another group at the far end of the street forming a makeshift honour guard for a larger prison van. Some of the crowd are carrying political posters and placards with slogans about ‘taking back our country’. They’re a strange mixture of shaven-headed youths with tattoos, middle-aged men in zip-up jackets and pensioners still wearing war medals. Among them is a woman with a baby in a sling and a grandmother carrying a picnic basket and vacuum flask.

My eyes pick out a familiar face in the crowd. It takes me a moment to place it. Lance Hegarty is in the front row, taunting refugee advocates and pro-immigration protesters. The crowd surges forward, trying to follow the prison van. The police link arms and force them back.

A woman yells, ‘We love you, Novak!’

Someone else shouts, ‘It’s a stitch-up! A state fucking conspiracy!’

TV crews and reporters record the moment, filming from the safety of no man’s land, between the groups of protesters.

Large wooden doors swing open and the prison van pulls down a narrow concrete ramp. The prisoners disembark and walk single file into the bowels of the building.

I’m driven down the same ramp and forced to wait as the doors close behind us. A police officer takes me inside to a holding cell. Other prisoners have lawyers to talk to. I can’t see Eddie Barrett anywhere.

‘O’Loughlin,’ yells a guard. ‘You’re second up.’

Twenty minutes later I’m being led down corridors and upstairs before emerging directly into the courtroom. The dock is set off to one side and separated by glass partitions. Opposite is an empty jury box. Half a dozen lawyers in black robes and horsehair wigs are standing at the bar table like crows hovering around road kill. Eddie Barrett is not among them.

A hush falls over the courtroom as the judge arrives, climbing three steps to the bench. The bailiff calls the courtroom to order. Judge Spencer is in attendance, looking down from his enormous leather chair like a headmaster who has summoned miscreants to his study. His round face is blotched with blood vessels that break across his nose and cheeks in a claret-coloured blush.

‘If it pleases Your Honour, my name is Mellor, I appear for the Crown. We have an application for bail and two matters for mention. If we can dispense with them first you can proceed with the trial.’

The judge turns to the clerk. ‘Has the jury been informed?’

‘Yes, Your Honour.’

At that moment Eddie Barrett pushes through a heavy door and swaggers to the bar table.

‘Barrett for the accused, Your Honour.’

‘Have you had an opportunity to talk to your client, Mr Barrett?’

‘I have, Your Honour.’

Eddie’s hair is still wet from the shower and one untucked shirt-tail flaps up and down as he pulls out a chair.

‘We’re happy to waive the reading of the charge, Your Honour, and won’t be entering a plea at this time, but we do wish to discuss the issue of bail.’

Nobody has addressed me or even acknowledged my presence.

Mr Mellor speaks.

‘The prosecution doesn’t object to bail, Your Honour, but we will be seeking a substantial surety and other guarantees. This was a savage, unprovoked assault, which has left a young school teacher with severe facial injuries. The victim is still in hospital and may require plastic surgery.’

Eddie is on his feet. ‘My client was defending himself and his property after an intruder entered his house illegally.’

‘The victim was unarmed.’

‘He was trespassing.’

‘The injuries are horrific.’

‘I haven’t seen a medical report.’

Judge Spencer interrupts. ‘You’ll get your chance to speak, Mr Barrett.’

Eddie holds up his hands in surrender, his short blunt fingers pointing to the ceiling.

‘Carry on, Mr Mellor.’

‘Thank you, Your Honour. The prosecution will also be seeking a protection order. The defendant has threatened and harassed Gordon Ellis and his wife. We ask the court to order that Mr O’Loughlin not approach either of them at their home or their places of work . . .’

Unshaven and exhausted, I can barely keep up with the arguments and feel no emotion other than abject humiliation. Eddie Barrett is waxing lyrical, describing me as a fine, upstanding member of the community, a university professor, married with two daughters . . . an unblemished record . . . close ties to the community . . . a history of public service . . . blah, blah, blah.

No mention of the separation.

‘This is a case of a home invasion. The defendant found an intruder hiding in his house. It was dark. He was frightened. He acted to protect himself and his property.’

Eddie pulls out a handkerchief and waves it like a white flag. It’s a nice touch.

‘This is an outrage. A travesty. To incarcerate a man whose privacy has been violated. A man who has selflessly served the community . . .’

Judge Spencer raises his hand. ‘All right, Mr Barrett, you’ve made your point. Save the speeches for the trial.’

At that moment I sense I’m being watched and glance over my shoulder. The public gallery is deserted but there is a blind spot to the right of the main doors, an area of shadow big enough to hide a person.

Someone pushes through the door, throwing light into the dark corner. Julianne is watching me. Her hair is brushed back from her face, the fringe falling diagonally across her forehead. She’s wearing a dark trouser suit she bought when she worked in London.

I raise my hand, but she turns away and pulls open the door.

Judge Spencer has finished. Eddie Barrett signals me to the edge of the dock.

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