Michael Robotham - Bleed For Me

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She's standing at the front door. Covered in blood. Is she the victim of a crime? Or the perpetrator?
A teenage girl--Sienna, a troubled friend of his daughter--comes to Joe O'Loughlin's door one night. She is terrorized, incoherent-and covered in blood.
The police find Sienna's father, a celebrated former cop, murdered in the home he shared with Sienna. Tests confirm that it's his blood on Sienna. She says she remembers nothing.
Joe O'Loughlin is a psychologist with troubles of his own. His marriage is coming to an end and his daughter will barely speak to him. He tries to help Sienna, hoping that if he succeeds it will win back his daughter's affection. But Sienna is unreachable, unable to mourn her father's death or to explain it.
Investigators take aim at Sienna. O'Loughlin senses something different is happening, something subterranean and terrifying to Sienna. It may be something in her mind. Or it may be something real. Someone real. Someone capable of the most grim and gruesome murder, and willing to kill again if anyone gets too close.
His newest thriller is further evidence that Michael Robotham is, as David Baldacci has said, "the real deal - we only hope he will write faster."
All characters and events in this publication, other than those clearly in the public domain, are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

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‘Does he flirt back?’

‘Not really.’

Charlie pulls a sock over her foot. ‘Why are you so interested in Mr Ellis?’

‘It’s nothing.’

‘I’m not stupid, Dad. You never talk about nothing.’

Another game is about to start. The teams are warming up, doing short sprints and passing drills.

‘What do you think of Mr Ellis?’ I ask.

‘He’s cool.’

‘What makes him cool?’

‘You can talk to him. He listens.’

‘About what?’

‘Stuff.’

‘What sort of stuff?’

‘Stuff. Problems. It’s like he understands because he’s been there.’

We’ve all been there, I feel like saying.

‘Gordon doesn’t judge us. He doesn’t look down on us. He doesn’t treat us like children. And if anyone has a problem, he says they should come and see him. He’s a good listener.’

‘You call him Gordon?’

‘Yeah, he lets us, but only during drama classes.’

‘Do you ever talk to him?’

Charlie’s shoulders rise and fall. The gesture says all I need to know.

‘Was Sienna close to Mr Ellis?’

‘She used to be.’

‘What happened?’

‘He started picking on her. Criticising her. Saying she wasn’t trying hard enough. Sienna didn’t seem to mind. I don’t think she cared.’

‘That surprises you?’

‘Yeah, I guess. It’s not like her.’

A whistle blasts and the game is underway. Charlie watches the action, aware that I’m studying her profile. Normally she complains when I look at her like this - accusing me of trying to read her mind.

‘Was Sienna seeing Mr Ellis outside of school?’

‘She used to babysit for him. He has a little boy. Billy. He’s adorable.’

Charlie doesn’t understand what I’m asking.

‘Was Mr Ellis Sienna’s boyfriend?’

Charlie’s head snaps around. ‘What gave you that idea?’

‘Sienna was seeing someone outside of school. Not the boyfriend she claimed to have. Somebody older.’

She laughs. ‘And you think it was Mr Ellis?’

‘What’s so funny?’

‘You’re right. It’s not funny. It’s tragic. Gordon said this might happen.’

‘What might happen?’

‘He said that people sometimes make up stories because they’re jealous or they’re hurt. It happened at his last school. He had to leave.’

‘He told you that?’

‘Yeah.’

‘Did he say what happened?’

‘He said one of the girls made a complaint and said that he’d kissed her. She took it back but it was too late. The school told him he had to leave.’

Why would Gordon tell Charlie something like that?

She goes back to looking at the game.

‘Sienna was having sex,’ I say.

‘So?’

‘You knew?’

A shrug. Indifferent. ‘A lot of girls are having sex, Dad. Maybe not the full monty, but they’re doing plenty of other stuff.’

Glancing at me sideways, she checks to see if I’m shocked. The silence stretches out, punctuated by the scoring of a goal and celebrations on the sidelines.

‘You want to ask me, don’t you?’ A slight smile plays on her lips. My daughter is challenging me. Every fibre of my professional being says I shouldn’t rise to the bait. I should end the conversation now. But a small pilot light of parental concern flares in my chest. I have to know.

‘Are you having sex, Charlie? I don’t mind. What I mean is, I’d be a little worried. You’re underage. Too young.’

She shakes her head. Disappointed. Proven right.

‘Can we go home now?’ she asks.

‘You haven’t answered my question.’

‘Here’s the thing, Dad. I can say no and I could be lying or I could be telling you the truth. That’s a fifty-fifty chance of disappointing you. Or I could say yes and definitely disappoint you. The odds aren’t in my favour, so I figure I’ll just say nothing.’

‘I want you to answer.’

‘And I want another horse.’

‘What’s that got to do with anything?’

‘We both want something we’re not going to get.’

She tosses her ponytail over one shoulder and gazes at me resolutely. ‘I’m a good kid, Dad. Trust me.’

And that’s it - end of conversation. I drive her home, aware more than ever before that she is her mother’s daughter and equally mysterious.

21

Robin Blaxland lives in a semi in the shadows of St Saviour’s Church in Bath. After dropping Charlie at the cottage I drive back into town, pulling up outside a neat front garden, glowing under the streetlights.

I ring the bell. Three children open the door, shoulder to shoulder. The eldest is about eight. She has glasses, milky white skin, red hair and freckles - the Royal Flush of embarrassing attributes for a child. Her younger brothers look alike enough to be twins.

A woman follows them down the hall, wiping her hands on an apron. Three pregnancies past her optimum weight, she has a pretty round face and the same red hair as her daughter.

‘Can I help you?’

‘I’m looking for your husband.’

‘Of course, just one moment. Janie, go and get your daddy.’

Janie scampers up the stairs. The two boys stare at me. One has a bruise on his forehead and a sticking plaster above his eye.

‘You’re in the wars.’

‘He ran into a tree,’ says his brother. ‘It was sooo funny.’

‘Shush,’ says their mother.

I notice suitcases in the hallway. One of them is open and still being packed.

‘Are you going somewhere?’ I ask.

‘Skiing. We leave in the morning.’

‘Where are you going?’

‘Italy.’

‘The Dolomites?’

She mentions a resort that I haven’t heard of before.

Her husband appears on the stairs. Robin Blaxland is three sizes smaller than his wife and is wearing braces that cross at his back and are clipped to his trousers. He blinks at me from behind frameless glasses.

‘I’m Joseph O’Loughlin. I left messages for you. You didn’t get back to me.’

He blinks again. ‘How did you get this address?’

I lie to him. ‘From the school.’

‘I didn’t know the school had my private address.’

‘Yes.’

Blink. Blink.

‘I wanted to talk about Sienna Hegarty.’

‘I couldn’t possibly comment on a patient.’

‘You heard what happened?’

‘Yes, of course, but our sessions were private. It’s a matter of patient confidentiality.’

‘I’m preparing a psych report on Sienna for a bail hearing.’

Blink. Blink. The information is being processed.

‘You’re a psychologist?’

‘Yes.’

Finally he steps back, inviting me upstairs to his study on the first floor. I can hear the children being called to dinner by his wife.

‘What branch of psychotherapy do you specialise in?’ I ask.

‘I studied under a Jungian.’

‘Dream analysis?’

‘Among other things. I also offer hypnotherapy and cognitive behavioural therapy. How is Sienna?’

What should I tell him? She’s confused. Frightened.

‘She hasn’t been entirely forthcoming. There are three missing hours in the timeline. Was she with you that afternoon?’

‘No.’

‘You don’t have to check your diary?’

‘The police have already asked me that question.’

He sits up very straight in his chair as though posing for a photograph.

‘Who organised for Sienna Hegarty to come and see you?’

‘Her school counsellor.’

‘Annie Robinson?’

‘Yes.’

‘How often did she come?’

‘Once a week.’

‘When did you last see her?’

‘Nearly three weeks ago. She missed our last appointment.’

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