Michael Robotham - Lost

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Lost: краткое содержание, описание и аннотация

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Detective Inspector Vincent Ruiz can’t remember how he got to the hospital. He was found floating in the Thames with a gunshot wound in his leg and a picture of missing child Mickey Carlyle in his pocket. But Mickey’s killer is already in jail. Add to this the blood stained boat found near where Ruiz was pulled from the water, and the pieces just don’t add up. Now, accused of faking amnesia and under investigation, Ruiz reaches out to psychologist Joseph O’Loughlin to help him unlock his memory, clear his name, and solve this ominous puzzle. Michael Robotham is one of the finest new thriller writers working today. Marked by vivid characters and full of unexpected turns, Lost is a hair-raising journey of vengeance, grief, and redemption through the dark London underworld.

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“No. He has just forgotten a few things.”

“You were seeing her upstairs, I suppose.”

“Do you know why?”

Her laugh rasps like a violin. “Do I look like your social secretary?”

She's about to shut the door but thinks of something else. “I remember you now. You was always looking for that little girl got murdered. It's her fault, you know.”

“Whose fault?”

“People like her shouldn't have kids if they can't control them. I don't mind my taxes going to sick kiddies in hospitals and to fix the roads but why should I pay for single mothers, sponging on welfare and spending their money on cigarettes and booze?”

“She didn't need handouts.”

Mrs. Swingler hitches up her caftan. “Once an alkie, always an alkie.”

I step toward her. “You think so?”

Suddenly she's less sure of her ground.

“I'll be sure to tell my mother. One day at a time, eh?”

The Professor pulls the cage door closed and the lift jerks into motion. When we reach the foyer, I turn back toward the stairs. I have searched this building dozens of times—in reality and in dreams—but I still want to search it again. I want to take it apart, brick by brick.

Rachel is missing. So are the people who left bloodstains on the boat. I don't know what any of it means but a twitch of the brain, a nervous shudder and something like instinct tells me to worry.

It's getting late. Streetlights are beginning to blink and taillights glow. We skirt along the side path and reach the rear garden—a narrow rectangle of grass surrounded by brick walls. A child's wading pool lies upturned in the shadows and outdoor furniture has been stacked outside a shed.

Beyond the rear fence is Paddington Recreation Ground where muddy puddles dot the turf. To the left is a lane with garages, while to the right, across half a dozen walls, is the Macmillan Estate, a drab, postwar council housing estate. There are ninety-six flats, with laundry hanging from the balconies and satellite dishes bolted to the walls.

This is the spot where Mickey and Sarah used to sunbathe. Above is the window Howard watched them from. On the day Mickey disappeared I came to the garden to find some shade and quiet. I knew then that she hadn't just wandered off. And a child doesn't accidentally go missing in a five-story mansion block. It felt like a kidnapping or something worse.

Missing children, you see, no good news can come of them. Dozens disappear every day, mostly runaways or throwaways. A seven-year-old is different because the only possibilities are the stuff of nightmares.

I crouch gingerly and stare into the pond where ornamental carp are lazily circling. I have never understood why people keep fish. They're indifferent, expensive, covered in scales and have such a fragile hold on their lives. My second wife, Jessie, was like that. We were married for six months and then I went out of fashion faster than male thongs.

As a kid I bred frogs. I used to collect the spawn from a pond on our farm and keep them in a forty-four-gallon drum cut down the middle. Baby frogs are cute but put a hundred of them in a bucket and you have a squirming, slippery mass. They finished up invading the house. My stepfather told me I was “fantastic” at raising tadpoles. I'm assuming he didn't mean “fantastic” in a good way.

Ali is standing next to me. She pushes hair behind her ears. “You thought she might already be dead on that first day.”

“I know.”

“We hadn't done background checks and SOCO hadn't arrived. There were no bloodstains or suspects, but you still had a bad feeling.”

“Yes.”

“And right from the outset you noticed Howard. What was it about him?”

“He was taking photographs. Everyone else in the building was searching for Mickey but he went back to get his camera. He said he wanted to have a record.”

“A record?”

“Of all the excitement.”

“Why?”

“So he could remember it.”

5

By the time I get back to the hospital it's almost dark. The whole place has a sour smell like the dead air in closed-up rooms. I have missed a physiotherapy session and Maggie is waiting to change my bandages.

“Somebody took some pills from the pharmacy cart yesterday,” she says, cutting the last of the bandages. “It was a bottle of morphine capsules. My friend is in trouble. They think it's her fault.”

Maggie isn't accusing me but I know there's a subtext. “We're hoping the capsules might turn up. Maybe they were misplaced.”

She withdraws, walking backward, the tray with bandages and scissors held before her.

“I hope your friend doesn't get into too much trouble,” I say.

Maggie nods, turns and is gone without a sound.

Lying back, I listen to the carts and gurneys rattling to distant rooms and someone waking from a nightmare with a scream. Four times during the evening I try to phone Rachel Carlyle. She's still not home. Ali has promised to run her name and vehicle through the Police National Computer.

There's nobody in the corridor outside my room. Maybe the weasels from the ACG have grown tired of watching me.

At 9:00 p.m. I call my mother at Villawood Lodge. She takes a long while to answer the phone.

“Were you sleeping?” I ask.

“I was watching TV.” I can hear it buzzing in the background. “Why haven't you come to see me?”

“I'm in the hospital.”

“What's wrong with you?”

“I hurt my leg, but I'm going to be fine.”

“Well if it's not serious you should come to see me.”

“The doctors say I have to be here for another week or so.”

“Do the twins know?”

“I didn't want to bother them.”

“Claire sent me a postcard from New York. She went to Martha's Vineyard last weekend. And she said Michael might be doing a yacht transfer to Newport, Rhode Island. They can catch up with each other.”

“That's nice.”

“You should call them.”

“Yes.”

I ask her a few more questions, trying to make conversation, but she isn't concentrating on anything except the TV. Suddenly, she starts sniffling. It feels like her nose is right in my ear.

“Good night, Daj.” That's what I call her.

“Wait!” She presses her mouth to the phone. “Yanko, come and see me.”

“I will. Soon.”

I wait until she hangs up. Then I hold the receiver and contemplate calling the twins—just to make sure they're OK. It's the same call I always imagine making but never do.

I imagine Claire saying, “Hi, Dad, how are you doing? Did you get that book I sent you? No, it's not a diet book; it's about lifestyle . . . cleansing your liver, purging toxins . . .” Then she invites me around for a vegetarian dinner that will purge more toxins and clear entire rooms.

I also imagine calling Michael. We'll get together for a beer, swapping jokes and talking football like a normal father and son. Only there is nothing normal about any of this. I'm imagining someone else's life. Neither of my children would waste a phone conversation, let alone an evening, on their father.

I love my children fit to bust—I just don't understand them. As babies they were fine, but then they turned into teenagers who drove too fast, played music too loud and treated me like some fascist conspirator because I worked for the Metropolitan Police. Loving children is easy. Keeping them is hard.

I fall asleep watching a vacation program on TV. The last thing I remember is seeing a woman with a permanent smile drop her sarong and dive into a pool.

Some time later the pain wakes me. There's a lethal swiftness in the air, like the vortex left behind by a passenger jet. Someone is in the room with me. Only his hands are in the light. Draped over the knuckles are polished-silver worry beads.

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