Michael Robotham - The Night Ferry

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A gripping tale of betrayal, murder, and redemption.
Detective Alisha Barba hadn't heard from her long lost friend Cate in years, but when she receives a frantic letter pleading for help, she knows she must see her. “They want to take my baby. You have to stop them,” Cate whispers to Alisha when they finally meet. Then, only hours later, Cate and her husband are fatally run down by a car.
At the crime scene, Alisha discovers the first in a series of complex and mysterious deceptions that will send her on a perilous search for the truth, from the dangerous streets of London's East End to the decadent glow of Amsterdam's red-light district.

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His shoulders lift and drop. “Who knows? Maybe you just like burning shit.”

The whole street has been woken. Neighbors are standing on the pavement in dressing gowns and overcoats. Children are jumping on a hose and dancing away from a leak that sprays silver under the streetlight.

A black cab pulls up outside the ring of fire engines. Ruiz emerges. He steps through the ring of rubberneckers, ignoring the constable who is trying to keep them back.

After pausing to appraise the house, he continues along the road until he reaches me. The white eye patch makes me look like a reverse pirate.

“Do you ever have a normal day?” he asks.

“Once. It was a Wednesday.”

He looks me up and down. I’m putting most of my weight on one leg because of my thigh. Surprisingly, he leans forward and kisses my cheek, an absolute first.

“I thought you retired,” says Billy Marsh.

“That’s right, son.”

“Well, what are you doing here?”

“I asked him to come,” I explain.

Ruiz is sizing up the detectives. “Mind if I listen in?”

It sounds like a question only it isn’t. The DI manages to do that sometimes—turn questions into statements.

“Just don’t get in the bloody way,” mumbles Softell.

Marsh is on the phone calling for a Scene of Crime team to sweep the house and garden for clues. The fire brigade will launch its own investigation. I hobble away from the ambulance, which has another call. Ruiz takes my arm.

Hari is still here. “You can go home now,” I tell him.

“What about you?”

“I could be a while.”

“You want me to stay?”

“That’s OK.”

He glances at Softell and whispers, “Do you know that prick?”

“He’s OK.”

“No wonder people dislike coppers.”

“Hey!”

He grins. “Not you, sis.”

There are more questions to answer. Softell becomes less interested in what I was doing in the house and more interested in Brendan Pearl.

“So you think this arson attack is linked to the deaths of the Beaumonts?”

“Yes.”

“Why would Pearl burn down their house?”

“Perhaps he wanted to destroy evidence—letters, e-mails, phone records—anything that might point to him.”

I explain about Cate’s fake pregnancy and the money missing from Cate’s account. “I think she arranged to buy a baby, but something went wrong.”

Marsh speaks: “People adopt foreign kids all the time—Chinese orphans, Romanians, Koreans. Why would you buy a child?”

“She tried to adopt and couldn’t.”

“How do you buy one?”

I don’t have the answers. Softell glances at Billy Marsh. There is a beat of silence and something invisible passes between them.

“Why didn’t you report any of this earlier?”

“I couldn’t be sure.”

“So you went looking for evidence. You broke into the house.”

“No.”

“Then you tried to cover your tracks with a can of lighter fluid and a cock-’n’-bull story.”

“Not true.”

Ruiz is nearby, clenching and unclenching his fists. For the first time I notice how old he looks in a shapeless overcoat, worn smooth at the elbows.

“Hey, Detective Sergeant, I know what you’re thinking,” he says. “You want some kitchen-sink, bog-standard example of foul play you can solve by nine o’clock and still make your ballet lesson. This is one of your colleagues, one of your own. Your job is to believe her.”

Softell puffs up, too stupid to keep his mouth shut. “And who do you think you are?”

“Godzilla.”

“Who?”

Ruiz rolls his eyes. “I’m the monster that’s going to stomp all over your fucking career if you don’t pay this lady some respect.”

Softell looks like he’s been bitch-slapped. He takes out his mobile and punches in a number. I overhear him talking to his superintendent. I don’t know what he’s told. Ruiz still has a lot of friends in the Met, people who respect what he’s done.

When the call finishes Softell is a chastened man. A task force investigation has been authorized and a warrant issued for the arrest of Brendan Pearl.

“I want you at the station by midday to make a statement,” he says.

“I can go?”

“Yeah.”

Ruiz won’t let me drive. He takes me home in my car. Squeezed behind the wheel of my hatchback, he looks like a geriatric Noddy.

“Was it Pearl?”

“Yes.”

“Did you see him?”

“Yes.”

Taking one hand off the wheel, he scratches his chin. His ring finger is severed below the first knuckle, courtesy of a high-velocity bullet. He likes to tell people his third wife attacked him with a meat cleaver.

I tell Ruiz about the boarding passes and the brochure for the New Life Adoption Center. We both know stories about stolen and trafficked babies. Most stray into the realm of urban myth—baby farms in Guatemala and runaways snatched from the streets of São Paulo for organ harvesting.

“Let’s just say you’re right and Cate Beaumont organized some sort of private adoption or to buy a baby. Why go through the pretense of pregnancy?”

“Perhaps she wanted to convince Felix the baby was his.”

“That’s a pretty ambitious goal. What if the kid looks nothing like him?”

“A lot of husbands are happy to believe they’ve fathered a child. History is littered with mistakes.”

Ruiz raises an eyebrow. “You mean lies.”

I rise to the bait. “Yes, women can be devious. Sometimes we have to be. We’re the ones who get left changing nappies when some bloke decides he’s not ready to commit or to get rid of his Harley or his porn collection.”

Silence.

“Did that sound like a rant?” I ask.

“A little.”

“Sorry.”

Ruiz begins thinking out loud, trawling through his memory. That’s the thing about the DI—nothing is ever forgotten. Other people grimace and curse, trying to summon up the simplest details but Ruiz does it effortlessly, recalling facts, figures, quotes and names.

“Three years ago the Italian police smashed a ring of Ukrainian human traffickers who were trying to sell an unborn baby. They ran a kind of auction looking for the highest bidder. Someone offered to pay £250,000.”

“Cate traveled to Amsterdam in February. She could have arranged a deal.”

“Alone?”

“I don’t know.”

“How did they communicate with her?”

I think back to the fire. “We might never know.”

He drops me home and arranges to meet me in the morning.

“You should see an eye specialist.”

“First I have to make a statement.”

Upstairs, I pull the phone jack from the wall and turn off my mobile. I have talked to enough people today. I want a shower and a warm bed. I want to cry into a pillow and fall asleep. A girl should be allowed.

13

Wembley Police Station is a brand-new building decked in blue and white on the Harrow Road. The new national stadium is almost a mile away with soaring light towers visible above the rooftops.

Softell keeps me waiting before taking my statement. His attitude has changed since last night. He has looked up Pearl on the computer and the interest sparks in his eyes like a gas ring igniting. Softell is the sort of detective who goes through an entire career with his head under his armpit, not understanding people’s motives or making any headline arrests. Now he can sense an opportunity.

The deaths of Cate and Felix Beaumont are a side issue. A distraction. I can see what he’s going to do: he’ll dismiss Cate as a desperate woman with a history of psychiatric problems and a criminal record. Pearl is the man he wants.

“You have no evidence a baby ever existed,” he says.

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