Scott Nicholson - The Farm

The original residents were the buffalo that trampled ruts across the hilltops as they made their way from Kentucky in the summer to the Piedmont flatlands of Carolina in the winter. The herds numbered in the thousands, and the ground shook as their hooves bit into the earth. The Cherokee and Catawba visited the region only in the fall, when meat was available. Otherwise, the natives had the good sense to stay off those cold and forlorn mountaintops. Then the whites came along and poured across the slopes like albino fire ants.

Daniel Boone and the early European trappers and hunters were cold-blooded enough to hang out on the trails and slaughter their quarry across the seasons, with no sense of a circular food chain. In a few short decades, the buffalo and elk that had sustained the natives for centuries were gone, remembered only in the occasional place name or flea-ridden floor skin. The Cherokee had their own problems, driven at gunpoint to Oklahoma, where the landscape was as alien to them as if they had been dropped onto the surface of Mars. The federal government later felt guilty enough to grant them control of gambling casinos, but by then their heritage and souls had been all but lost. They dreamed of spiritual journeys where they met up with buffalo, but they woke up to an artificially inflated Britney Spears, an artificially inflated Barry Bonds, and a cynical, media-inflated Republican leadership that encouraged fear in every sector of society, especially among the outcast.

Not that modern Solom paid any attention. The inhabitants were mostly the offspring of farm and lumber workers, the women thick and faithful, the men prone to drink when they weren't in church. All were raised with a sense of duty, and church records were often the final statement on the quality of a life lived. A man's obituary was set down by a barely literate family member, and if the man lived a good life, he was noted as a solid provider, a friend of the church and community, and an honest trader. If he failed in any of those areas, his obituary was nothing more than an opportunity to question the eventual resting place of his soul.

Women were measured within a narrower yet more sophisticated set of parameters. Were her hips broad enough to bear a goodly number of children? Did she sit quietly on her side of church, raising her singing voice only at the appropriate time, after the males had established the proper cadence? Did she keep the Bible on her lap instead of the shelf? Did her obituary list more than a dozen grandchildren?

No obit had ever been written for Harmon Smith, and his name was marked in no family Bible.

Many testimonials had once been recorded about the work of Good Harmon Smith, a Methodist minister who had crossed denominational lines in the late 1800s, whose horse Old Saint had touched half of three states. A rival minister, the Reverend Duncan Blackburn, had attended to the needs of Episcopalians and the few mountain Catholics. Blackburn had earned a resting place on holy ground while Smith had died on the slopes of what became known as Lost Ridge. Legend held he was on his way to a January bedside appointment with a dying widow when a blizzard swept down from the Canadian tundra and paid his holy debt in full. In the twenty-first century, Blackburn had a line-drawing portrait tucked in the back pages of a university library while Smith occupied graves in three different churchyards. No one knew where Smith's real remains were buried.

And some questioned if there were any remains left worth returning to the dirt

But this was Solom, home of an old river, and questions only came from those who didn't know any better. From outsiders, and newcomers, and those who heard the soft sound of distant twilight hoofbeats.

Katy hated the stuff. When cooked, it stank almost as much as swordfish. But Gordon had grown it in the garden, and therefore it achieved all the sacred status of a scapegoat. She could cop out and make slaw, a little mayo, celery seed and paprika and she'd be done. But she wanted Gordon to know she had broken a sweat, and she might accidentally cut her thumb in the bargain and prove herself a worthy mountain farm wife.

She lifted the heavy knife and was about to snick a fat green-white wedge when the scream pierced the air.

Jett.

Not from upstairs, so it couldn't be Jett.

Outside.

Maybe the cat had gotten a baby rabbit. Katy had been startled by the first bunny scream she'd ever heard on a Sunday morning several weeks back. It was the keening of a raped woman, the grunt of a gutted man, and the mournful wail of an abandoned child all rolled into one. Gordon had chuckled at her leap from the bed. "City girl," he'd admonished.

But Gordon wasn't here and this was no laughing matter.

The scream came again, and this time it did sound like Jett, and it came from the barn, muffled by the chestnut walls.

Time for Supermom without a cape, her uniform stained blue jeans and beige sleeveless blouse instead of blue-and-red tights with a yellow S across her boobs.

She burst onto the porch, raising the knife as if she meant business.

Katy made a direct line toward the barn, kicking away the dormant lilies that had grown around the Smith house for decades. She plowed through the garden, her flip-flops throwing up brown bits of dirt and dead vegetation. The gate was at the end of the driveway, but it was thirty yards out of the way. The fence was right in front of her, sparkling silver in the sunset, but seemed as ephemeral as a spiderweb. Her heart beat monkey rhythms.

Where was Jett?

She was unaware of leaping the fence, though one foot had probably reached the top strand of hog wire, but she stumbled on the other side, the knife flying from her hand as she fell to her knees. The barn rose before her, a haunted vault of straw and cow manure, as ancient as the family that had erected it. Her daughter, her life, her soul was in there.

She scrambled to her feet and found the knife. Her breath was a sick series of dry heaves in her chest. As she entered the barn, she raised the blade like a talisman.

"Jett?"

No answer, only the wooden echo of her pulse.

The inside of the barn had gone to a bruised shade of purple with sunset.

Creeeeeek.

The loft.

She squinted and found the stairs and was halfway to them when a blur of motion came from her left.

"Jett?"

Katy's gasp tasted of dust. She stepped back as the body fell from above, its arms flailing in the half-light, the waist bent at an obscene angle. She cringed, waiting for it to fall in a splintering heap of bones on the crooked steps. Instead, the body bounced and sprawled on the dirt floor at her feet. She jumped away, slamming her back into a locust support beam.

The body was too large to be Jett's. It was facedown, the limbs askew. Katy waited for breathing or a wheeze of pain to come from the twisted figure. After a few moments of silence, she eased forward and nudged the body with her toe. It moved with a rodent rustle, too light to be flesh and bone.

Katy knelt and touched the flannel of the shirt, then lifted the head. Straw spilled from a split seam in the clothing. It was a scarecrow, mildewed and ragged. Her ascent up the stairs must have dislodged it from its seasonal slumber dangling from a rusty nail. A length of braided hemp rope was tied in a noose around its neck, the top end frayed. The head was wrapped in cheesecloth, with pale bone buttons for eyes and a piece of black yarn for a mouth. Its straw planter's hat had rolled away, a jagged crescent torn in the brim as if some animal had taken a big bite.

Maybe Jett had seen the scarecrow and thought it was a person and freaked out, just as Katy had done. After all, Gordon had told her the legend, too, and Jett's face had gone pale while listening, making her black eye shadow even more dramatic.