April Smith - North of Montana

“You probably don’t remember, but along the Palisades tract between Seventh Street and the ocean you could get a double lot for forty thousand dollars.”

I turn with a start toward the diffuse shape of the real estate woman standing behind the screen door.

“They started splitting those lots in the fifties and of course Lawrence Welk built his shining white tower and now you have what I call skyscrapers. We didn’t retain the respect for the Pacific Ocean that we should have, um-hum. What you see now as far as that’s concerned is Santa Monica rebuilding itself for the twenty-first century.”

I rise impatiently and push the door open. The real estate woman has turned toward the television on the counter, where the lead story on the local evening news concerns a small riot that occurred in Beverly Hills when Jayne Mason made an appearance at Saks Fifth Avenue to introduce her new line of makeup.

Nobody had imagined that two thousand women would line up to see her. Crowd control failed and a mob of middle-aged housewives ran amok through the cosmetics department. We’re watching this ridiculous footage on a silly little miniature screen and all this lady can say is “Isn’t she beautiful?” as Jayne Mason is shown throwing roses to the crowd. “She’s still the most beautiful woman in the world.” Fifteen seconds later the story ends on the solemn note that just days ago the doctor Ms. Mason had sued for overprescribing narcotics committed suicide. Again they flash that blurry hunched-over photograph of Randall Eberhardt, with the strong implication that he killed himself because he had committed health care fraud.

I am handed a sheet of paper describing the house and stating that it is priced to sell at $875,000. I ball it up and drop it into the artificial tree on my way out.

Unsettled and unhappy, I drive up to Twentieth Street and park in front of the Eberhardt residence, forcing myself to trudge up the walk. Whatever hostility I had toward Claire Eberhardt begins to fade the moment she opens the door.

She is gaunt, with dark puffy circles under the eyes. An old yellow button-down shirt hangs over the sharp bones of her shoulder blades. The cuffs are turned up, it is huge on her. Maybe it was Randall’s or maybe she has lost ten pounds in the last week. Behind her the house seems empty, just a television reverberating in the background, tuned to the same local news I had just seen over on Twelfth Street. I realize she has been watching her husband being brutalized by the media all over again.

I introduce myself once more because she is obviously too agitated to focus. When the word “FBI” penetrates, she starts to tremble.

“Why? What are you doing here?” One eye turns red and starts leaking tears. A shaking hand pats at her cheek.

“I was asked to apprise you of our investigation.”

“Why me?”

“We want you to know that your husband is no longer the target.…”

“No longer the target?”

“He’s been cleared of any wrongdoing. I hope that’s of some comfort to you.”

Confronted by her unresponsive devastated face, I feel like a total fool, retreating behind even more pompous language: “We are aggressively pursuing the real criminal who we hope will be brought to justice by the legal system.”

She’s not hearing me. She is numb, the words must be coming at her all scrambled.

“He killed himself.”

“I know.”

“The children are back in Boston with my folks. It’s funny, my daughter really loved California.…”

She is actually smiling. A horrible Sardonicus grin webbed with glistening strings of tears.

“… But now she’s afraid to be in this house. That little girl was her daddy’s princess.”

In the examining room Dr. Eberhardt told me about his daughter, a little monkey climbing up on a piano. I remember the easy tenderness in his voice.

“I just saw Jayne Mason on the news. She looked good. She claims she never had plastic surgery and Randall said it’s true. I bet she sells a lot of makeup. We always liked her in the movies, but, really, she has such an incredible voice. Even before she became a patient, we had all her albums. Brought them out from Boston.”

A spasmodic grimace.

“Will you be moving back?”

She doesn’t respond to the question.

“Did you know I got a call from a talk show? They want to do something on ‘wives of doctors who are criminals.’ ”

“That’s gross.”

“I told them Randall was not a criminal. He didn’t do anything wrong.”

“We know that, Mrs. Eberhardt.”

“Jayne Mason did.”

Suddenly the perfume of night-blooming jasmine seems incredibly strong, embracing us both in its sickly burnt-sugar scent.

“What did Jayne Mason do that was wrong?”

Claire Eberhardt’s arms wrap around her waist against a wet sea breeze. The first time we met across this threshold we shared an understanding, nurse and cop, of the way the world works. Once again those imperfect eyes hold mine.

But all she will say is “Good luck,” and softly closes the door.

I walk back and get into my car and start the engine. As I am making a U-turn lights flash in the rearview mirror and I see Randall Eberhardt’s bronze Acura pivoting wildly out of the driveway. Its tires bump over the curb and the brights are on. First it seems to be coming straight at me and I am momentarily blinded. Suddenly the mirror goes dark and I realize Claire Eberhardt has turned and is heading the other way, toward San Vicente Boulevard.

I swing the Barracuda around and follow her down the Seventh Street incline to Chatauqua and onto Pacific Coast Highway heading north.

I keep thinking about that immigrant Japanese woman who was so shamed by a philandering husband that she walked across the sand right here at Will Rogers Beach, through the surf and into the Pacific Ocean, carrying both her young children. The children drowned, she didn’t. But Claire Eberhardt is alone in the car, maintaining a steady fifty-five miles an hour and stopping prudently at every red light. She keeps on going and I relax a little, thinking maybe she’s out for a drive to let off steam, but just past Pepperdine she turns left onto Arroyo Road, which leads to Jayne Mason’s property.

I am prevented from following by an entire motorcycle gang, thirty or forty of them mounted on their Harleys and strung out over a quarter mile, zipping by on the opposite side of the road like an unending pack of maddening bees. Stalled here with the turn signal flashing, my adrenaline pumps higher and higher.

A long time ago, it seems, I was in a free-floating situation like this in the parking lot of a bank. Civilians may have been threatened, I had no way of knowing, but I chose to ride it out on arrogance and guts without calling for backup. That time I was lucky. This time I pick up the radio.

“This is signal 345,” I tell the radio room at the Bureau office. “Request that you call the L.A. County Sheriff, Malibu station, and ask that they respond immediately to a possible disturbance at the Mason property on Arroyo Road. Make sure they know there’s an FBI agent present who needs help.”

The bikers pass and I dive across the highway, cranking the Barracuda up to fifty in second, bumping over the dirt road underneath the eucalyptus trees, along the dark empty meadow, until I see the guard gate coming up fast. Claire Eberhardt must have used her husband’s pass to get through because now the armature is down. Reasoning the barrier would delay the sheriff’s department, certain now that I don’t have a lot of time, I duck my head and crash right through it, catapulting the wooden arm up in the air and into the brush, hoping it didn’t damage the grillwork.

All of this has given Claire Eberhardt a good three-minute lead. I swerve over the gravel of the parking lot, sliding to a stop beside Magda Stockman’s Cadillac. The Acura has been left with the engine running. The front door in the white wall is ajar. She must have gained admission to the house with her husband’s key.