John Matthews - Past Imperfect

At length a low, almost indiscernible muttering: 'There was something… a man's voice.' Stuart felt his skin tingle.

'What did it say?' Eagerness in Lambourne's voice; fear that at any second the images would slip from Eyran's mind.

'…That… that the woman was gone, nothing could be done…. but there was still some hope for the other two.' Staccato breathing, the words mumbled in between. '…There was the sound of traffic in the background… then I was being lifted, moved to one side.'

'Was there anything else?'

'Some other voices, more distant… Someone I thought called my name, but I couldn't be sure.' For Stuart, the images were suddenly too clear, too painful. He was still gripping Eyran's hand, only now he was by the roadside while Eyran's shattered and bloodied body struggled for life. Gasps for life now no more than gasps for words. 'Then a lot of movement… some lights passing which hurt my eyes. A voice closer saying that it looked like another late shift, but he hoped to make it up the next day. And another voice, more muffled… speaking on a radio phone. It was answering and crackling. And the siren… the siren again… the siren and the crackling made me feel sleepy.'

'Any more voices?'

Brief pause. 'Only the wheat field then. And Jojo.'

'Note six:' Memory of medics and police attending and first few minutes in ambulance. Nothing after that. But it appears there was some subliminal reference for Eyran to draw upon. The fact that he knew his mother was already dead might explain why in the dreams she either didn't feature or was more distant.

Stuart recalled from the Oceanside medical report that Eyran's coma hadn't been caused immediately by the accident injuries, but by the fast accumulating blood clots and oedema soon after. And while the cranial pressure was still building, before… Stuart bit at his lip. Oh God . Eyran had been conscious for a few moments then and, while he was struggling for his own life, had learned of his parents' fate. Stuart could hardly think of a worse scenario.

Stuart's hand was trembling as he came to Lambourne's summary: Unless we can confront Jojo directly in future sessions, progress could be slow. Working second hand, scant additional light I feel can be thrown on Jojo's core character and motives. My plan would therefore be to side with Eyran over specific questions, instil in him a strong need to know the answers from Jojo — then switch over and try and ask them directly.

Yet part of that process is in conflict: all other voices are telling Eyran his parents are dead, and Jojo is probably the only crutch supporting that part of Eyran's psyche still clinging on, refusing to accept. The bridge between the two has to be crossed cautiously. Remove it too hastily, destroy the illusion — and Eyran either falls into the void or has to leap towards full acceptance before he is ready. Yet if we don't act quickly, Jojo could become increasingly dominant — it would then be that much harder to wean Eyran away. The threat of schizophrenia would be a stage closer.

Stuart shook his head. Forty minutes of hell approved by a single signature and now another consent slip was before him: approving Lambourne's foray to confront Jojo. In finally acceding to the sessions, he'd told himself that it was for Eyran's own good — but now he wasn't so sure. He found himself wrestling with the nagging doubt that his own desire to have back the Eyran he remembered might have played a part. This time he wanted to be sure the decision was purely for Eyran's benefit: the pitfalls and dangers against the advantages. Lambourne saw Jojo as a threat, and no doubt he was right; yet in Eyran's troubled mind, with his parents gone, Jojo was probably one of the few friends he felt he had left in this world. And now Lambourne wanted rid of Jojo with another simple signature.

Stuart picked up a pen, then put it down again. He flicked back through Lambourne's notes for more guidance. But suddenly he found himself biting back tears, and slumped dejectedly, cradling his head in one hand.

The small back room was insufferably hot. A ceiling fan swirled slowly, but Poullain could still feel his shirt sticking to his back. He adjusted a small swivelling desk fan so that its sweep cut across him more directly. The telephone rang.

It was Perrimond, the Aix Chief Prosecutor. 'I've had a chance now to think about this new information from Machanaud, and I think your assessment is right. It's a little too convenient that he should suddenly now remember an accurate description of the car. Has there been much mention of the car in Taragnon or Bauriac?'

'Not so much in Bauriac. But we visited quite a few shops in Taragnon and then the restaurant just outside where Duclos had lunch. The village is small, news spreads quickly, and Machanaud hits the bars heavily, spends half his time leaning on the counter swapping stories with barmen. I think that's how he picked up the description of the car.'

'Yes, yes. I would agree.'

A brief pause, flicking of papers from Perrimond's end. 'So what do you want me to do?' Poullain asked.

'It's up to you. But if you should decide not to ask Machanaud in to make the statement official on the basis the description has been manufactured from local gossip, I'd support that assessment.'

'I understand.' But he suddenly realized the decision was back with him; he'd hoped merely to provide background and let Perrimond decide. The desk fan cut a cool swathe of air across his chest. More papers turning, then, 'Oh, I had a call from Bayet, the Aix Mayor yesterday. Apparently, Marcel Vallon is quite a close friend of his. Mr Vallon expressed concern about the police questioning of one of his house guests, this Duclos character. Of course, this came a day before this new information, so I felt quite safe assuring that Monsieur Duclos had merely assisted with some information and was not in any way a suspect.'

The message was clear to Poullain: if they made the statement official, they would be duty bound to question Duclos again. Perrimond would have to backtrack on what he'd said and call the Mayor, the Mayor would have to call Vallon, and he'd have to go cap in hand when he phoned Vallon again to arrange a second interview, this time under far less hospitable circumstances. But he felt uncomfortable making the decision without more support from Perrimond. 'So you think it might be awkward to suddenly put Duclos back under the spotlight?'

'The awkwardness I can argue with the Mayor. This is a murder case and we have to do what's right and damn the awkwardness. But I would like at least to be armed with a good reason. If at the end of the day it couldn't possibly be Duclos because he was in a restaurant at the time, and if you're already suspicious that Machanaud has merely picked up on the car description from town gossip, I'd rather not make the call. I'd sound foolish. You just phone Vallon directly yourself for a second interview and be prepared for a cold blast of air, and I'll wait for the Mayor to phone again. And if and when he does, I'll tell him it's something routine regarding a sighting of Duclos' car. Nothing to worry about. Really, Poullain, It's up to you what you do.'

'I see.' It would be awkward. It would be foolish. It would serve absolutely no purpose because the person concerned was somewhere else at the time. There was only one sensible decision to be made, and it was now entirely his to make. No more clues or guidance. 'I think I made my views clear at the outset.'

'Yes you did. Now I've given you my input. I can only deliberate on details you present to me for prosecution, not how or why those details should be gained. While the case is still under a rogatoire general and not yet passed to the examining magistrate — it's an investigative matter. Your jurisdiction.'