Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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There were two women below, one old, one young. The elder was tall, with a curved back like a bow. She was a grey shadow over the other, who was as small as a child, and whose gown and shift had been pulled down from her shoulders so she was naked from the waist upwards. I knew at once that she was not a child because I saw the swell of her hips and the curve of a breast. A moment later, I recognised her as Mary Ann, the dumb woman who lived in the kennel at the back of the yard.

"He did it this morning," one of the men said. "Wish I'd seen it."

"Did she faint?"

"Once: but they threw water over her until she woke and then he began again."

I found it hard to suppress a gasp of horror as I stared at the network of weals on that white back. Mary Ann winced and trembled as the other woman applied what I assumed was a healing ointment to her wounds. The back of her shift was a mass of blood, some rusty, some fresh.

"Stupid bitch," said the first man. "No better than an animal."

He rattled the window, a casement, until one leaf of it flew open. He pushed me aside as though I had been a chair and picked up the chamber-pot. The bars were fixed horizontally and there was just space between them to allow the chamber-pot to pass through. He extended it to the full length of his arm and turned it upside down.

"Gardy-loo," he cried, and he and his friend bellowed with laughter.

I was now too far back in the room to see down into the yard; and I was glad. I forced myself to pick at the bread and cheese, knowing that I needed nourishment, for I had eaten nothing since the sandwich Mr Harmwell had given me. The men stayed by the window, hooting with mirth. Gradually their laughter subsided, and I gathered the women had spoiled their sport by taking shelter in the kennel.

It had gradually been borne in upon me that both of them were very drunk. The smell of spirits filled the room, slicing through the unwholesome blend of other odours. Men such as these might always be a little drunk; but their behaviour now was clearly a long way from habitual tipsiness. One of them lowered his breeches, lifted his coat-tails and placed his posterior on the windowsill, no doubt hoping that the women below would be looking at him. But as one grew more boisterous, the other became quieter, and the colour gradually drained from his face, which was scarred with the pox. At length he murmured some excuse and bolted from the room. His colleague dragged me to the window, upsetting my beer in his hurry, and lashed my bound hands to one of the bars with a length of rope.

"Now don't run away, my pretty," he said hoarsely. "I got an errand to run, but I won't be a minute. You tell me if the ladies come back, eh?"

He clapped me across the shoulders in the most good-humoured manner imaginable and left the room, slamming the door behind him and turning the key in the lock. I waited for a moment. The yard below was empty. The door of the kennel was closed. Blank walls of smoke-stained brick reared like cliffs on every side. The man had spoken of an errand, and I thought it likely he had gone to fetch more gin, perhaps from the establishment across the road where I had waited yesterday evening.

I flexed my hands. The knots that held my wrists tied together were as firm as ever. But this latest knot, fastening the cord which passed between my wrists and round the bar of the window, was a more slapdash affair. For a start, the position was wrong, for the cord had not been drawn tight, allowing my hands at least a limited mobility. In the second place, the knot itself was far from impregnable. I contrived to curve one hand round until the fingers had a grip on part of the knot, while I tugged at another part with my teeth. With my ears straining to hear the sound of footsteps outside the door, I worried away at the coarse, tarred cord, which chafed my skin like glass-paper. The precious minutes slid away. At last the knot loosened; and a moment later I pulled my hands away from the bar.

My wrists were still bound together, so tightly that the flow of the blood was impeded, and held with a knot that I found impossible to undo with my teeth. My legs were still tied at the knees, with the knot beyond my reach at the back. I was able to move only with painful slowness, shuffling and hopping with noisy inefficiency across the floor, an inch or two at a time.

It took me an age to reach the door. I tried the handle and confirmed it was locked. I bent my head down to the keyhole and saw that my captor had withdrawn the key so there was no possibility of my pushing it through the door and somehow retrieving it from the floor of the landing. It was a stout door, too, reinforced with iron, which made me wonder whether Iversen used it as his strong-room.

I hobbled over to the window and looked out. Mary Ann had emerged from the kennel and was now huddled in the doorway with a smouldering clay pipe in her hand. The casement was still slightly ajar. I heard footsteps immediately below, which meant I dared not call out to her.

I glanced about me. There was no fireplace in the room. Apart from the two chairs, the trestles, the coffin and a large iron-bound chest, there was no furniture. My eyes came at last to the body of Mr Iversen, Senior. He sat with his legs slightly apart, his yellow, sunken face towards the window, and his gloved hands resting on his thighs. The fabric of his coat was riddled with moth-holes and both the man and his coat were covered with a fine, feathery powdering of dust. The coat was undone, revealing the waistcoat beneath. My eyes lingered on the old man's left-hand waistcoat pocket. The stub of a pencil protruded from it.

I eased the pencil gently from the pocket. There was still a point on it, albeit a blunt one. I looked wildly round the room for something to write on. My eyes returned at last to the corpse. I touched a corner of his hat gently with my finger. It did not move. I took a grip with both hands and lifted it, hoping I might find a label attached to the band. The wig rose a few inches and then parted company with the hat and fell back on to the bald skull, sending up a puff of dust. The movement dislodged a few yellow flakes which drifted down to Mr Iversen Senior's shoulders.

I glanced inside the hat and discovered that it had been wedged on to the head with scraps of paper. All were brittle, some had crumbled, but a few were still whole. I picked out the largest fragment and gently unfolded it. It was a receipted bill, attesting to the fact that Francis Corker, a butcher, had received the sum of seventeen shillings and three pence three farthings from Mr Adolphus Iversen on the 9th of June 1807. The other side of the receipt was blank.

I smoothed out the paper on the windowsill, holding down one corner with the platter and most of one side with what was left of the cheese. I would not have believed it possible to write with one's hands tied, but desperation is a fine teacher. Letter by letter, word by word, I scrawled this message:

If the bearer takes this to Air Noak or his clerk the Negro Harmwell they mill receive the sum of £5. They lodge in Brewer-st, north side, second house west from Gt Pultney-st. I am held captive at Iversen's, Queen-street, Seven Dials.

I pushed the window as wide as it would go. Mary Ann still sat smoking, her face turned away from the house. I heard voices below, though whether from the yard near the house or through an open window or door I could not tell; in any case, I dared not call out to attract her attention. I tried waving my bound arms from side to side, standing as close as I could to the window, in the hope that the movement would register at the edge of her vision. Then, to my horror, I heard heavy footsteps on the stairs and approaching along the landing.

I had nothing to lose. I pushed my arms through the bars and let the note flutter from my fingers. As I did so, Mary Ann turned her head, perhaps attracted by a burst of laughter or a sudden movement from the door to the back kitchen. As she turned, she saw me and her eyes widened. The paper fluttered from my fingers and her eyes followed its fall.

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