Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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"Such excitement, my love!" Miss Carswall cried. "Mr Harmwell and Mr Shield have found a ring in the ice-house. It is a mourning ring for Amelia Parker. We believe she must have been one of Henry's ancestors."

For a moment the only sound was the ticking of the clock on the mantel. The colour fled from Sophie's cheek, and her bosom rose and fell.

"Treasure!" Edgar burst out in a piercing whisper to Charlie. "There – what did I say?"

Miss Carswall thrust the ring at Sophie. "So pretty," she went on, seemingly unaware of the awkwardness she had caused, "but so morbid, too, and the diamond is cut in that dull, antique way, and the setting is dreadfully old-fashioned. Have you seen it before?"

Sophie looked up, her face pale but composed. "No. But I know who Amelia Parker was. Her daughter married Charlie's grandpapa, which was how Monkshill came to the Frants."

Charlie leaned on the arm of his mother's chair and she allowed him to take the ring. "Mama? Will it be ours?"

"I doubt it, dearest – mourning rings are often made for a person's family and friends – sometimes a dozen or more. There's no reason why we should have a right to this one."

He dropped it on the palm of his mother's hand. "But she was my family."

"What a pity Sir George and the Captain are not still here," Miss Carswall said. "We might have asked them if they had seen it before. Still, I am sure they will be back after they have inspected Grange Cottage."

"In the meantime, should we give it to Mr Carswall?" I said.

Miss Carswall glanced at me. "Indeed, you are right, Mr Shield. I wonder if poor Mrs Johnson dropped it in her last moments. But that is by the by. In itself, it must be a ring of some considerable value, for the stone alone, and Papa should see it. But first I shall make a note of the inscription – I am sure Sir George will be interested." She sat at the table, took pencil and paper and began to make a copy of the words. The point of her pencil broke. "Oh! How vexing!"

"Allow me to sharpen it for you," I said.

She watched with flattering interest as I trimmed the point with my penknife. Afterwards, she asked me to check the accuracy of what she had written. Having thanked me prettily, she fluttered out of the room.

"Sir George and Captain Ruispidge have conferred with Mr Carswall," Sophie said quietly. "They have also seen their unfortunate cousin. Now they have ridden to Flaxern."

"They mean to return today?"

"After they have called at Grange Cottage, they will come back through the park."

A moment later Miss Carswall reappeared and said that her father wished to see Mr Harmwell. The boys scampered out of the room in his wake, leaving me alone with the three ladies.

"Such a pretty stone," Miss Carswall said. "One could always have it re-cut and re-set. By the by, Mr Shield, I find that you have fallen out of favour with my father."

I bowed. "I regret to say that I have unintentionally offended him."

"Oh." She waited for me to continue, though she must have known how I had offended him and how delicate the matter was. When I remained silent, she glanced from me to Sophie and then back again. "Should you like me to speak to him?"

"You are very good, Miss Carswall, but I do not think it would answer. Besides, perhaps Mr Carswall is in the right of it: it is better that I leave."

Sophie looked up. "When are you going?"

"I was to leave this morning but the death of Mrs Johnson has made it necessary to postpone my departure."

"I wish-" she began; but I was never to know what she wished because at that moment the door opened and there was Mr Carswall himself.

"Shield," he said. "A word with you." He beckoned me into the hall and then into the library. "Close the door. Harmwell tells me it was he who actually put his hand on the ring, but it was you who saw the hiding place beforehand?"

"Yes, sir."

"He said you chanced to meet in the ice-house, and that he is interested in the construction of such buildings, and that was why he was there: is that correct?"

"That is what he told me. I cannot express an opinion as to the truth of what he said."

Carswall grunted. "Sir George may need to see you: you must stay within-doors for the rest of the day. You will not dine with us, by the by. You may go."

I opened the door to pass out of the room. But he called me back.

He lowered his head and glared at me through tangled eyebrows. "I hold you directly responsible for the boys' imprudent escapade last night. It might have led to serious injury, if not worse. I shall inform Mr Bransby so."

What he said was clearly audible to everyone in the hall, to Harmwell and both the footmen. I did not attempt to rebut so unfair a charge because I knew it would serve no purpose. Instead, I bowed again and closed the door on that cruel, fleshy face.

I avoided meeting Harmwell's eyes. I went up to the schoolroom. On the way I caught the boys kneeling beside the door of the Blue Room, with Charlie peering through the keyhole while Edgar kept up a running commentary.

"No, you great booby, look to the left and you can see the corner of the bed, and there's a bit of black cloth, which I think might be her-"

He broke off, turned his head and saw me. Both boys leapt to their feet.

"Are we – are we to have lessons today?" Charlie inquired.

"No, I believe not." I realised that no one had thought to tell them that they would never have lessons in this house from me again. "In fact, I shall soon be leaving you."

"You return to Mr Bransby's, sir?" asked Edgar.

"Probably." Though for how long, I dared not guess. "You are to remain here, Edgar, at least for the time being – Mr Carswall will write Mr Allan. So, unless Mr Carswall finds you another tutor, you will have to run wild for the next fortnight."

Boys are strange creatures. They stared up at me in silence for a moment, their faces curiously similar, in expression as well as feature. Then, without a word, they turned and ran along the landing.

Dusk came earlier than usual that afternoon, the colours and shapes fading steadily as though a shadowy mist were creeping through the house in search of someone or something. More than once I found myself wondering whether they had lit a lamp in the room where Mrs Johnson lay.

I spent the rest of the day beside a small fire in the schoolroom. By now, news of my disgrace had spread far and wide. I had half expected the servants to rejoice in my downfall but to my surprise they seemed almost sorry at the prospect of losing me. The housekeeper arranged for my spare shirt to be washed and ironed. The little maid who saw to the schoolroom offered to brush and sponge my outdoor clothes, which had suffered from the adventures of the morning and the previous night.

During the afternoon I heard the bustle of arrivals below. Sir George and Captain Ruispidge had returned. The girl who took my clothes told me that the brothers were to dine at Monkshill and spend the night. She also had a message for me from Pratt the footman, now grown too grand to run errands to a mere tutor himself: a groom would take me into Gloucester in the morning; the gig used by the servants was ordered for eight o'clock. From this I deduced that Sir George, in his capacity as a magistrate, saw no legal reason why I should be detained any longer.

I dined early with Mr Harmwell. He was reluctant to talk about recent events and spent most of the meal sunk in thought. Afterwards he shook hands with me and said that he and his master would soon be leaving Monkshill themselves.

"Do you go to South Wales?" I asked.

"I believe Mr Noak has changed his plans. We shall probably travel back to London." He gave me an unexpected smile. "How I long to return to America."

We bade each other Godspeed. I returned to the schoolroom and tried to read. In a short while, the maid brought up my clean shirt.

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