Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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The intelligence came as a blow to me, though I had half expected it. I stood in miserable silence while Carswall whistled tunelessly. Mrs Frant must know that Mr Carswall had cheated her out of her Uncle Wavenhoe's last bequest. Yet she was so reduced in her circumstances that she had no choice but to follow the advice of the man who had made her son a beggar.

At last the footman returned with a message from Mrs Frant. She begged to be excused: she did not yet feel equal to the exertion.

Mr Carswall muttered to himself, "Still, it don't signify. She shall talk to me soon enough. They all like to tease."

He stood there for a moment, scratching himself like an old pig in a sty. Then he appeared to recollect he was not alone. He sat down heavily in his elbow chair, looked up at me and smiled, disconcerting me again with that glimpse of Miss Carswall in his ugly face.

"I'm much obliged to you, sir, much obliged for all you have done. You have not had an easy time of it, I am afraid. And it is good of you to undertake to be my eyes and legs." He felt in his waistcoat pocket for his watch. "If only there were more time," he said, staring at the dial. "Still, I must not detain you any longer – you have your pupil to attend to. I shall see you on your return tomorrow."

Thus dismissed, I made my way slowly upstairs. I was sadly out of humour. My spirits were depressed by the prospect of returning to the school which had so recently been a haven to me. As I reached the first-floor landing, however, the drawing-room door opened. A black dress fluttered and my nostrils caught the scent of Parma violets.

"Mrs Frant! I – I hope I find you better."

"Yes, thank you, sir," she said, closing the door behind her. "I have been very ill, but I am now somewhat improved."

Her face was white and hollow-cheeked, and her eyes blazed as though she was still in the grip of a fever. She glanced hurriedly along the landing and up the stairs.

I began to speak, hardly aware of what I was saying: "I cannot say how much I regret-"

"Mrs Kerridge tells me you were hurt," she interrupted in a low, urgent voice, and it was as well for me that she did not allow me to finish my sentence. "That you were attacked by ruffians."

My hand flew to the bruise on my head. "It is of no significance, madam. Pray do not be concerned about it."

"Oh, but I am. Come here, by the mirror – let me see it.''

A candelabrum stood on a marble-topped pier table, with its candle flames reflected in the tall mirror on the wall above it. I stood with my head bowed. Mrs Frant raised herself on tiptoe and peered at the spot on the right side of my temple where the blow had landed.

"A little closer," she commanded. "There, I see – there is swelling and a bruise. Fortunately the skin is grazed rather than broken."

"My hat took the force of the blow."

"Thank God!"

I felt the tips of her fingers brush against my forehead. A thrill ran through me, and I steadied myself on the table to conceal the tremor of excitement.

"Ah! It is still painful. Does your head ache?"

"Yes, madam."

"You were on an errand for Mr Carswall, I collect?"

"Yes. Fortunately I lost nothing but my hat and my stick. Mr Noak's clerk was passing and came to my rescue."

She drew away and I saw that her colour was rising, the blood vivid in her pale face. "You must rest this evening. Charlie will stay with me for the present. I will have them send you up a cold compress and something to eat. Nothing too heavy, though. A little broth, perhaps, and a glass of sherry." She looked at the drawing-room door, through which came the sound of voices. "I trust you will be fully restored by the morning."

"Thank you. Madam – Mr Carswall informs me that Charlie will not be coming back to school."

She turned her face away from me. "That is correct, Mr Shield. Charlie and I are in Mr Carswall's hands now, and he has decided that it will be better for Charlie and me to go down to the country for a time, after so great a change in our circumstances." She hesitated and then rushed on. "I am naturally desirous of sparing Mr Carswall any unnecessary expense." She looked away and added with an unmistakable note of irony in her voice: "He has done so much for us already."

I bowed, sensible of the compliment she had paid me in speaking so frankly. "We shall miss him at school."

Her lips trembled. "And he will miss you all. I am very much obliged to you." She took a step away from me, turned and took a deep breath. "You – you will not mind if I ask a question – one that may seem a little indelicate? But I hope a widow may be excused."

"Pray ask me whatever you wish, ma'am, and I will answer to the best of my ability."

"Am I correct in thinking that you were one of the first to see my late husband? After – after his body was found?"

I nodded.

"I believe that when he left the house that day, he had in his pocket a small box – made of mahogany, inlaid with tulip wood, with a shell pattern on the lid."

I remembered what Miss Carswall had confided in me on the evening of Mr Frant's funeral. "A jewel box, perhaps?"

"Yes – though the box itself is dearer to me than the contents. It was no longer in his pocket, but I thought it might have fallen on the ground."

"I wish I had seen it, ma'am – but I did not."

Mrs Frant gave me a wan smile. "It doesn't signify, truly. It is merely that I had a foolish fondness for it, and for the memories attached to it. But I must not detain you – you must rest."

We wished each other goodnight. Once again she moved away, and once again she paused and turned back.

"Pray – pray be careful, Mr Shield," she murmured. "Especially in your dealings with Mr Carswall."

A moment later, I was alone on the landing with my headache and the smell of her scent. I had no reason to be happy, but I was.

29

London may be the greatest city the world has ever known, but it is also a cluster of villages – flung together by the currents of history and geography, but each retaining its individual character. Even in newly built neighbourhoods, the pattern reasserts itself: mankind is drawn to the village and fears the metropolis.

I learned from the street directory that Lambert-place was in the network of streets west of the Tottenham Court-road, at no great distance from either Margaret-street or the Rookeries of St Giles. I walked there through the fog. A low, blood-red sun struggled in vain to dispel the murk but its feeble rays succeeded only in producing wild and singular effects of light. I was not perfectly recovered from the events of yesterday, and at times it seemed to me that I was wandering through a phantasmagoria rather than a city of bricks and mortar. My spirits had not yet emerged from the shadow of the attack in Queen-street, and I was painfully alert to the slightest circumstance that might betoken danger.

As I drew nearer my destination, the nature of the neighbourhood, of this accidental village, became apparent to me. Gentlemen lived in and around Margaret-street, and necessarily gave the vicinity its character. In the Rookeries were the worst examples of vice and poverty the capital could offer, and these left an indelible stamp upon the parish of St Giles. But the little district around Lambert-place was different again – quiet and respectable, given over to small tradesmen and artisans.

The street itself was a cul-de-sac containing twelve small houses and the entrance to a mews serving two larger streets running parallel to it. I knocked at the door of number 9. It was opened by a tired little woman with two children clinging to her skirts and a third in her arms. I inquired for my friend Mr Poe. The woman shook her head, and the baby began to cry. I described my friend as a well-setup man perhaps with his face muffled against the toothache.

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