Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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"Fortunes; ballads, whether political or amorous by nature; medicines for man and beast," he intoned in a deep, cultivated voice, with a method of delivery that would not have been out of place in the pulpit; "remedies for the afflictions of venery; charms of proven efficacy to satisfy all human desires in this world or the next; rooms by the week or by the day. Theodore Iversen is at your service, whatever your pleasure may be."

Not to be outdone in the matter of civility, I took off my hat and bowed. "Have I the pleasure of addressing the owner of this establishment?"

"Ayez peur," said the parrot behind me.

"I hold the lease, though whether I shall be able to afford to do so next year is another matter." Iversen laid down a pipe on the table beside the stove. "You do not want to know the future, I suspect, nor do you want a charm. That leaves medicine and accommodation."

"Neither, sir. I understand that one of your lodgers is an old acquaintance of mine, a Mr David Poe."

"Ah, Mr Poe." He turned aside to stir a small iron saucepan standing on the stove. "A refined gentleman. A martyr to the toothache."

"And is he at home at present, sir?"

"Alas, no. I regret to say he has left the shelter of my roof. Or so I assume."

"May I ask when?"

Mr Iversen raised his eyebrows. "Two days ago – no, I tell a lie: it was three days. He had kept to his room for a day or two before that with his toothache, a sad affliction at any age; to my mind, we are better off without teeth entirely. I offered to give him something to ease the pain, but he declined my assistance. Still, if a gentleman wishes to suffer, who am I to stand in his way?"

"And did he say where he was going?"

"He said nothing to me whatsoever. He stole away like a thief in the night except, unlike a thief, he stole nothing. No matter – he has paid for his lodging until the end of the week."

"So he has not left the room for good?"

"That I cannot say. I have a number of infallible methods of revealing what the future holds – and as the seventh son of a seventh son, I am of course gifted with second sight as well as extraordinary powers of healing – but I make a rule never to use my skills of prognostication for my own benefit."

" Ayez peur ," said the parrot.

"Damn that bird," said Mr Iversen. "There is a piece of sacking on the chair behind you, my dear sir. Be so good as to drape it over the cage."

Turning, I caught the impression of movement in the corner of my eye. Had someone been peering at us through the window? The glass was grimy and contained impurities which made objects on the other side of it ripple as though under water. It was not impossible, I told myself, that my imagination had transformed such a ripple into a spy. I covered the cage and turned back to the shopkeeper.

"If you believe that Mr Poe may return," I said, "does not that suggest that his bags are still in his room?"

Mr Iversen smirked.

I said: "I have a fancy to see my friend's room. Perhaps it contains some indication of where he has gone."

"I make it another rule that only lodgers are allowed in my rooms. Present lodgers and, of course, prospective lodgers, who may quite reasonably express a wish to inspect the outlook, the dimensions, et cetera.''''

"So there would be no objection to my seeing the room if I were a prospective lodger? If I had arranged, perhaps, to take the room for a day when it should become vacant."

"None in the world." Mr Iversen beamed at me. "Five shillings a night for sole use of the room and the flock mattress. Shared pump in the yard. Extra charges should you wish the girl to bring you water or clean sheets and so forth."

"Five shillings?"

"Including a shilling for sundries."

I drew out my purse and paid his extortionate rate for a room I would never sleep in.

"Thank you," he said, tucking the money away in his clothing. "And now I shall require your assistance."

He swept the blanket from his legs. I saw that he wore not a coat, as I had thought, but a long, black robe, like a monk's habit, upon which were embroidered alchemical or astrological symbols, though age and dirt had so obscured them that they were barely visible in the dim light of the shop. On his feet was a pair of enormous leather slippers. The removal of the blanket also revealed the chair on which he sat. A set of wheels had been fixed to the legs; a shelf on which Mr Iversen could rest his feet projected from the front; and a handrail had been attached to the top of the chair-back.

He unhooked a bunch of keys from the belt that encircled the robe. "I would be obliged if you would be so good as to push me through that door. Fortunately Mr Poe's chamber is on the ground floor. The stairs are a sore trial to me." He snuffled. "My dear father's apartment is on the floor above us, and it grieves me deeply that I cannot run up and down to satisfy his little wants."

Iversen was a heavy man, and it was no easy matter to push him through the doorway. Here we entered another world from the dusty little shop, one that was almost as heavily populated as Fountain-court had been. There were people visible in the kitchen at the back, and people on the stairs. Washing had been draped across the hall, so we had to struggle through grey curtains of dripping linen. Men were singing and stamping their feet on the floor above, and the sound of hammering rose from below.

"We have a shoe manufactory in the cellar," my host told me. "They make the finest riding boots in London. Would you care to bespeak a pair? I'm sure they would give you, as a fellow tenant, a very special price indeed."

"I would not have a use for them at present, thank you."

As we passed the foot of the stairs, Iversen called up: "Pray do not agitate yourself, Papa. I shall be with you in a moment."

There was no reply.

We stopped outside a door near the kitchen. He leaned forward and unlocked it. The room was a dark little cell, no more than a closet, with just space for a small bed and a chair. The glass in the tiny window was broken, the hole plugged with rags and scraps of paper. A full chamber-pot stood beneath a chair, with an empty bottle on its side next to it. The bed was unmade.

Iversen pointed under the bed. "His valise is still there."

"May I look inside?" I asked. "It may contain some clue as to my friend's whereabouts, and it would be in his own interest if I could find him."

He gave a laugh which turned into a cough. "I regret it infinitely, but it will be another shilling if you wish to open it."

I said nothing but gave him the money. The valise was not locked. I rummaged through its contents – among them a pair of shoes that needed re-soling, a patched shirt, a crayon drawing of the head and shoulders of a lady with large eyes and ringlets, her hair dressed in the fashion of twenty or thirty years before. There was also a volume containing some of Shakespeare's plays: the book had lost its back cover and had the name of David Poe on the flyleaf.

"Do you know where he found employment?" I asked.

Iversen shook his head. "If a man pays his rent and makes no trouble, I've no cause to poke my nose into his business."

"Where are his other belongings?"

"How should I know? Perhaps this is all he has. As a friend of his, you are no doubt better informed about his circumstances than I am."

"Is there anyone here who might know where he has gone?"

"There's the girl who brings the water and takes the slops. You could ask her, if you wish. It'll cost you another shilling, though."

"Have I not paid enough already?"

He spread his hands. "Times are hard, my dear young friend."

I gave him the shilling. He bade me push him into the kitchen, where babies wailed and two women quarrelled obscenely over a heap of rags, then through a low-ceilinged back kitchen where three men played at dice while a woman boiled bones, and finally into the small yard beyond. The foetor rising from the overflowing cesspool made me reach for my handkerchief.

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