Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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"Would it have been made of mahogany, by any chance?" I said, remembering something Sophie had once asked me. "Inlaid with tulip wood, and with a shell pattern on the lid?"

"My dear Mr Shield! I find you remarkably well informed! Yes, Mr Frant must have had two of them made, one for his wife and one for his mistress. I had already removed the items of jewellery that Mrs Frant's contained. But I had not suspected the existence of a secret compartment until Mrs Johnson had revealed the one in hers. If only Mr Frant had known! How delighted he would have been!"

David Poe paused and cleared his throat. He was an artist as well as a tease. He waited for me to say something, to encourage him to reveal what he had found. I tapped ash from what was left of my cigar and waited.

"The compartment held a letter," Poe said at last. "Its contents were wholly unexpected. I immediately realised it altered everything. It brought great possibilities in its train. But in order to bring those possibilities to fruition, I would have to act, and act soon. There is a tide in the affairs of men, as the Bard so aptly says, which, taken at the flood, leads on to fortune."

81

Life is a topsy-turvy affair at best, and David Poe's secret history was by no means life at its best. Here is the worst, and saddest, part of his narrative and mine.

You may picture me, sitting by the trap-door in the kitchen of that squalid little farmhouse with a pistol in one hand, a cigar in the other, and the acrid flavour of fear still twisting and turning in my stomach; and all the while the sound of Mr Poe's whining yet oddly mellifluous voice, as beguiling as the serpent's in Eden, was insinuating itself up through the cracks between the floorboards.

"Mr Shield," said he, "none of us can argue with the immutable decrees of Providence. Fate has put you on one side of this trap-door and me on the other. But that is no reason why we should not discuss our situation like rational beings. I have a letter in my pocket which could bring you considerable benefit. Material benefit. It is of no use to me now. You, on the other hand, might derive much advantage from it."

"I do not wish to listen to you." I rose to my feet and ground out the cigar with my heel.

"Pray, Mr Shield – this will not take a moment. You will not regret it, I promise you. I may whet your interest by revealing that the letter is addressed to Mrs Frant."

"Who was Mrs Frant's correspondent?"

"Mr Carswall's natural daughter, Miss Flora Carswall. She wrote the letter when she was little more than a child. She was then at a school in Bath whose address is at the head of the letter, as is the date, which is a circumstance of importance. October 1812. The contents of the letter suggest that during the summer she had spent several weeks with her father on a tour of various properties he owns, or owned, in Ireland."

"I fail to see the significance."

Poe's voice rose in his excitement. "The letter is not such a letter as a daughter should ever write about her father, Mr Shield. No one who reads it can doubt its meaning. I shall be blunt – this is no time for delicacy. By my computation, Miss Carswall was at the time no more than a child of fourteen or at the most fifteen. Her letter suggests strongly that, one night when her father was inebriated, he had taken a terrible advantage of her innocence – indeed, one can place no other construction on it – and as a consequence of this she feared that she was with child. The motherless girl was clearly distraught, and she had nowhere else to turn – so she sought the counsel of her friend and cousin, Mrs Frant."

For a moment I did not know where to find words to say. I felt horror, of course, and also a twisted anger towards that hulk of a man lying in the parlour next door. Most of all, though, I felt pity for Flora. For if this was true, it made clear much about her I had not understood before. I write if this was true.

"Show me the letter," I said. "You may slip it between the boards."

"Not so fast, my good friend. If I pass it to you, I pass you my sole means of negotiating. I have no wish to harm the reputation of the unfortunate lady, but you must see that I am in a difficult position myself."

"Does Carswall know you have it?"

"Of course. He has known since February."

"You were blackmailing him."

"I prefer to say that we arrived at an agreement which benefited both of us."

"It was he, perhaps, who arranged for a certain bill to be cashed in Riga?"

"Precisely."

"What do you want?" I asked.

"Why, that you should let me go free. I ask for nothing more. If you wish, we shall contrive a struggle and make it look as if you had no choice in the matter. That is entirely up to you. You give me my freedom: I give you this letter, which will enable you to make what terms you wish with Mr Carswall, if he recovers his wits and his powers of speech, or with Miss Carswall, if he doesn't."

"Why should I strike a bargain with you, Mr Poe? I have it in my power to compel you."

"With that pistol? I think not. You do not strike me as having the temperament that allows one to kill a man in cold blood."

"I would not be obliged to. Once help arrives, you can be overpowered and searched without any need to shed your blood."

Mr Poe laughed. "I see two difficulties with that plan. In the first place, if a committee searches me – yourself and Mr Noak – that nigger of his, perhaps, the slut, the constable and any Tom, Dick or Harry who happens to be in the vicinity – then the whole committee will read the letter. Miss Carswall's name will be sullied for ever and to no purpose. Is that really what you wish? In the second place, and this argument is even more cogent, if we cannot strike a bargain, I shall simply threaten to destroy the letter. It is only a sheet of paper, and not a large one. By the time you raised the trap-door and reached me, it would be in a dozen pieces and descending into my stomach."

"Perhaps that would be best for Miss Carswall."

"It would depend entirely on whether I had in fact carried out my threat. You could not be absolutely sure that I had eaten the letter without searching me, and for that you would need your friends' assistance. Also, if the letter had been destroyed, there would be no chance of your deriving any benefit from it."

"I do not understand you, sir."

"I think that you do, Mr Shield. Forgive me if I trespass in places where I have no right to be, but I do not think you have prospered of late. This letter would give you the power to change all that."

I felt light-headed, and as dry as a man in a desert, a man who sees a mirage trembling before him. "I would be a fool to let you out without seeing this letter. I have only your word that it even exists."

"Ah – spoken like a man of sense. I applaud your caution. I believe I have a suggestion that will deal with the point you raise. Suppose that I tear the letter into two pieces of unequal size. I shall push the smaller portion through the crack. It will contain enough to confirm what I have said, though for it to be of any use to you, you will also need the larger portion, which I will happily surrender up to you when you release me. You will of course have me covered with the pistol at all times, so there will be no danger to you whatsoever."

Poe's audacity astonished me. Here was a man who had kidnapped and mistreated me, who almost certainly intended to have me killed, and who now was proposing in the coolest way possible that I should set him free in return for a compromising letter which would enable me to blackmail a lady. I licked my lips and longed for a pot of strong coffee.

I said, "Very well. Let me see part of the letter." He passed a scrap of paper through to me. It was four-sided, but only one side was straight, and contained a few scrawled words, the ink blotched as if with tears.

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