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Peter Lovesey: The Vault

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Peter Lovesey The Vault

The Vault: краткое содержание, описание и аннотация

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Skeletal remains are found in a cellar below Bath's Georgian tearooms. To Peter Diamond's delight they are not all of medaeival origin, a radius proves to be only twenty years old and bears the marks of a sharp weapon. While a police team painstakingly sift through the cellar looking for the rest of the body, Diamond is distracted by the search for a missing American tourist, the wife of an English Professor who has been behaving very oddly. What Diamond doesn't know is that the professor believes he is on the point of locating the diaries of Mary Shelley written whilst in Bath finishing the manuscript of FRANKENSTEIN. Suspecting the professor of disposing of his wife but unable to prove anything, Diamond concentrates on trying to identify whose remains have been found in the cellar, and by solid old-fashioned detection he does so with shocking result. But before he can begin to work out who might have been the killer, the owner of the city's largest 'antique' emporium is found brutally murdered and the last person known to have seen her alive is the Professor. With consummate skill, wit, erudition and ingenuity, Peter Lovesey has crafted a whodunnit of brilliant complexity and, finally, of total satisfaction.

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Leaman heard the voice and was up that ladder like a fireman.

Diamond gestured to him with a downward movement of the hand that no threat was being made.

"The rozzers?" said Evan-an expression Diamond had not heard in years.

He lifted his shoulders a fraction in a way that was meant to reassure as well as confirm.

Evan said, "I thought I'd lost you back in Bath."

"You did," Diamond admitted. "I had to think where you would hide up. This is where you turn them out, then?"

Evan didn't care for the choice of phrase. "It's my studio, if that's what you mean."

"Is it safe to move around?"

"Worried about the floor, are you? There's no damp up here. You want to see the size of the timbers."

"It's your work I want to see." He walked over to the drawing board. The painting taped to it was in the early stages, outlined, with only a few sections lightly tinted. Unschooled in art as Diamond was, he could still tell it was superbly draughted. The subject was melodramatic: a wild-eyed, long-haired figure loomed over a corpse lying in an open coffin. "Frankenstein again?"

The eyes behind the glasses opened a little wider.

"I've seen one before," Diamond explained without a hint of censure. "You're good at this."

"This is out of the final chapter. Do you know the book?" Evan responded, his voice becoming animated as he realised he was free to talk about the painting. Years of secrecy must have been hard to endure. "We're on board the ship here looking at the scene from Captain Walton's point of view. That's Frankenstein lying dead in the coffin. And that's the monster, desolated." He began to quote from memory, " 'I entered the cabin where lay the remains of my ill-fated and admirable friend. Over him hung a form which I cannot find words to describe - gigantic in stature, yet uncouth and distorted in its proportions.' Have I done it justice, do you think? Soon he'll leap off the ship onto the raft and be 'borne away by the waves and lost in darkness and distance', and that will be my final painting. God knows when I'll get the chance to do it."

"You've been working some time on these?"

"Five or six years. A long-term project. 'The energy of my purpose alone sustained me'. Thirty-six paintings, and I'm a slow worker."

"Unlike William Blake."

He swung round, reacting sharply. "Who's talking about Blake? I didn't say a word about Blake."

So that's your get-out, thought Diamond as he changed emphasis. This was not the moment to pursue the link with Blake. "You've sold some of them already."

"Yes."

"Trying to make it cost-effective?"

Evan gave a nervous smile and brushed some hair from his face.

"But you're not short of a few pence, going by your car and your house."

"Is that a crime? My grandfather was a colliery owner in Merthyr before the war and my Dad inherited half a million and invested wisely. It all got left to me when he died. I don't need to work, but I don't like being idle either."

"You're not compelled to sell the paintings."

"Not compelled, no."

"Perhaps you wanted to test the market, see what collectors would make of them?"

"That's no crime either."

"Since you keep mentioning crime," said Diamond with a smooth transition, "what about assault on a police officer?"

Evan wrapped his arms across his chest and lowered his head, eyes closed.

Diamond waited.

The man was groping for the right words. "I'm, I'm… ashamed of what happened Saturday. I got in a panic, you see. He was following me, that cop."

"You knew he was a cop?"

"He had to be. He came to watch my show in Victoria Park- you know I have this puppet theatre-and I could see him sitting alone in the audience."

Wigfull at a puppet show? It was so bizarre that it had to be believed. Rapidly Diamond constructed a scenario. There had been a copy of the local paper in Wigfull's car. He must have seen an advert for the fair in the park, spotted Uncle Evan's name there and decided it was a heaven-sent opportunity to take stock of one of the key witnesses.

"He had no kids with him," Evan was saying. "Just this man in a suit with the big moustache taking no interest in the show. All he did was watch me. I thought, Evan boyo, he's got your number. You've had a wonderful run, but it's coming to an end. He had this look like a tiger after its prey. I can't describe it."

No need to try, Diamond found himself thinking. 'Tyger! tyger! burning bright.' I know Wigfull's predatory stare.

Uncle Evan had not paused. "And after the show ended and I packed everything away, he was still there watching. It was giving me the creeps, I tell you. I got in the van and drove off, meaning to come back here to Stowford. Somewhere along the road I looked in my rearview and he was following. The same bloody great moustache. What could I do? I didn't want to lead him straight here. He'd find this place for sure and put me in deep trouble. My best bet was to abandon the van and take the footpath across the fields. I hoped he might give up."

"Not Mr Wigfull," Leaman commented with undisguised admiration for his boss. "Mr Wigfull wouldn't give up."

Evan heard that and pressed on. His face was mobile, sensitive to the events he was recalling. "I managed to put a bit of distance between us, enough for me to get out at Westwood and leg it into the field, where I couldn't be seen if I ducked down with my head below the crop. Like you say, he didn't give up. Stopped his car and came after me. Terrible. I happened to put my head up just as he was facing my direction. There was no question he'd seen me and was coming after me. I bolted like a bloody rabbit, right across that field and over the gate." He took a couple of shallow breaths, remembering. "There was a bit of open ground ahead near a pond. You know where I mean. You must have been there. I panicked. I got on my hands and knees and tried to hide in some bushes. My last hope was that he would go by and lose me. I was scrambling out of view of the footpath and my hand happened to touch something solid."

"An empty bottle?" asked Diamond, with touching faith in his own theory.

"A piece of metal tube. You know what I'm going to say, don't you? He came looking for me in the bushes. I guess it was obvious where I was. When he got level, I sprang up and struck out with the tube. It was an automatic action really. I can't tell you what it's like being hunted down. I cracked him on the head a couple of times and he went down. In all my life I've never done anything violent before. He was out cold. I chucked the tube in the pond and ran back to the van and drove off." Evan paused, and his breathing was as agitated as a dog's. "I'm really sorry now."

The last words may have been sincerely meant, but they were too much for Sergeant Leaman, who suddenly turned vengeful. "Sorry? That's easy to say now. We don't take crap from bastards who lay into unarmed coppers. John Wigfull was my guvnor. 'Never done anything violent before'! Bloody liar." He caught Evan by the arm and swung him against the wall.

"Leave it out," Diamond snapped.

"He's all wind and piss, sir."

"I said leave it. Are you deaf?"

Leaman put his face close to Evan's and said, "Scumbag." Then he took a step back.

The outburst was understandable but unexpected from the man who had given the impression nothing would make him lose his rag. Later, they would talk it through. Diamond was far from blameless in the treatment of suspects, but even as a youngster he wouldn't have cut loose with a suspect who was singing like an Eisteddfod winner.

Now Evan was cowering against the wall, terrified. It was a real setback.

Diamond tried again, and felt the scorn of Leaman as he said almost apologetically, "You've been frank about John Wigfull. Now I want you to tell us about Peg Redbird."

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