Lisa Miscione: Angel Fire

It was as if an invisible string connected to her heart had pulled her from beneath the covers, and she’d rushed to pull on her running gear, knowing the sooner she was moving, the sooner she would be relieved of the restlessness. As soon as her battered Nikes hit the road and the rhythm of her breathing was the only sound in her head, she was free.

When she reached the church she stopped running. Everything was the same as it had been that morning except, of course, the night sky. But tonight her imagination conjured a nightmarish vision of what might be behind the wooden doors. A rich offering to a strange god; murdered animals with their throats cut spilling dark blood on pristine white fur; tropical fruit, overripe and opened not with knifes but with greedy fingers, spilling seeds and sick-sweet juice onto the altar. A vast array of flora, roses so red they seemed black; orange, white, fuscia gladiolas opened like mouths. Everything piled together, a plenty of hideous beauty wet with new death. There would be the buzzing of flies, and perhaps the echo of chanting voices somewhere from a distant room. Something she would not want to investigate – but would have to.

A noise brought her back to this moonlit night in front of the church. How many times a day did she drift away like that into her own fantasies? How many times were they so twisted? It seemed she had always been that way.

The noise came again. A soft shuffling from behind the church. She was immediately drawn toward it, her curiosity piqued. Finish your run. Leave whatever it is alone. An animal, a priest, whatever – it’s nothing. But of course Lydia had to follow the noise – just to see what the darkness held.

When she walked behind the church, she came upon a garden. She had never seen it during any of her daily runs. It was surprisingly fecund, rich with exotic flowers unfamiliar to her. Surrounded by a low white picket fence, the garden was bursting with itself. A path wound through it in the shape of a figure eight, illuminated by a lamp mounted above the back door to the church, which stood open. Orange like fire, purple like bruises, fuchsia, emerald, the exotic flowers stood tall and proud like well-shod socialites confident in their beauty. They swooned in the light breeze, bringing their perfume to her nose.

Through the open door she saw a man. Tall and thin, with curly hair the black of India ink, there was something odd about the way he moved, reaching his hand out in front of him before he committed his body to any action. He moved slowly, patting the air for a stool that stood before the altar. And as she moved closer to the door, Lydia could discern his blank stare

– how he didn’t use his eyes to see but rather his touch or his hearing. She realized he was blind.

It dawned on Lydia then that she had seen him before but had not noticed he was blind. The truth was that she had been drawn to the church even before she had purchased her house. Staying at the Eldorado Hotel in Santa Fe, she had driven up to Angel Fire looking for property. Lost on the winding back roads of the resort town on an early Sunday morning, she had come upon the church as it was filling for mass. On a whim she pulled over, parked her car, and entered. She told herself that she had attended the mass to see what kind of people lived in the town more than anything. But she could remember nothing about the parishioners, only the unassuming, simple wood-and-stone interior of the small building. And the man who played guitar at mass, how his music had moved her that day. She had stood in the back for a while, listening, then she left. A man standing outside the church with a broom handed her a booklet about Jesus’ love; she thanked him. A few hours later, the broker who was showing Lydia property brought her to the house she would close on soon after. It was to be her second home, her hideaway, as she spent most of her time in New York.

She had never returned to the church for mass even after she bought the house. In the year and a half she had owned it, she’d been there a total of three months, this last visit being the longest, almost five weeks now. As she stood in the night, watching the blind man, she wondered if he would sense her there but he seemed intent on what he was doing, polishing a guitar that sat on a wood table to the right of the stool. Soon he placed it on his lap, tuned it briefly and began to play. It sounded lovely but suddenly she felt like an intruder. She turned and began running again, glad to be on her way. The sound of his guitar followed her longer than seemed possible, though the desert night is silent and sounds carry.

By the time she returned to the long and winding drive that led back up to her house, she felt better. She slowed to a walk and was not afraid as she made her way through the quiet, dark cover of the trees shading the road. In spite of the horrors she had witnessed in her life, Lydia was rarely afraid for her physical safety. It was almost as though, having seen the face of evil in her work as a true-crime writer and sometime consultant for the private investigation firm of Mark, Hanley and Striker, and even in her own childhood, it had lost its power over her. After all, wasn’t that why people feared the dark: because they couldn’t see what lurked there? Lydia knew what the darkness held, knew it well.

Her approach to the house triggered the motion sensors and the night flooded with amber light. Something scurried into the bushes as Lydia punched the keypad lock and stepped out of her muddied sneakers before stepping onto the bleached wood floor of the back foyer. She punched numbers into another keypad inside the door and reactivated the alarm. The lamp outside went out. She didn’t bother turning on lights as she walked through the dark house; she ascended the spiral staircase to her bedroom, stripped her clothes, damp with sweat from her body, and lay upon her bed. She thought to get into the shower before sleeping but sleep came for her deep and fast.

Later that night she visited the church garden again, in her dreams. Usually her sleep, when it came, was a dark cocoon, an escape. None of the banalities and few of the horrors of her life had ever followed her there. It was the only place where her mind was ever blank.

In her dream, past the garden and through the door, she could see the blind man playing his guitar, but she could not hear the music. It was as if a sheet of soundproof glass separated them. She did not run away, as she had earlier, but easily manipulated the latch and pushed the gate open. She walked onto the path – the flowers had changed. There was a darkness, almost a maliciousness to the way they swayed in the light breeze. She knew they were talking about her

– saying cruel and unfair things that would only seem more true if she tried to deny them. She let them gibber on about her. Fuck the flowers, she thought angrily.

She walked through the garden and the open door. The blind man turned his head. He must have heard me, she thought. But his eyes seemed to have lost their blindness – he saw her.

“She’s here,’’ he said simply, smiling kindly.

Lydia smiled back, relieved. “Oh, you can see. I’m so happy for you.’’

“The only important thing,’’ he said, looking past her, “is what you see.’’

She followed his eyes and saw her mother. Not as Lydia chose to remember her from her childhood, but as Lydia had last seen her.

Her arms were tied over her head, her wrists bleeding and black and blue from her struggle. Though she smiled beautifully at Lydia in the way she always had, her eyes rolled back into her head and her face was ghastly white. Her throat was slit from ear to ear, and blood bubbled in and out as she breathed. Her ankles were tied in the same manner as her wrists, and her panties, covered in blood, were down, tangled around the ropes. Her white nightgown was ripped and filthy with dirt and blood and semen. She was forty-five years old.