Lisa Unger - Sliver Of Truth

“Ridley, don’t do it. You’ll never be able to live with it.”

The voice comes from behind me and I spin around to see someone I didn’t expect to see again.

“This is none of your business,” I yell, and turn back to the man I’ve been chasing.

“Ridley, don’t be stupid. Put that gun down.” This voice behind me sounds desperate, cracks with emotion. “You know I can’t let you kill him.”

My heart rate responds to the fear in his voice. What am I doing? Adrenaline is making my mouth dry, the back of my neck tingle. I can’t fire but I can’t lower the gun, either. I have the urge to scream in my fear and anger, my frustration and confusion, but it all lodges in my throat.

When he’s finally close enough to see, I gaze upon his face. And he’s someone I don’t recognize at all. I draw in a gasp as a wide, cruel smile spreads across his face. And then I get it. He is the man they say he is.

“Oh, God,” I say, lowering my gun. “Oh, no.”

I bet you thought you’d heard the end of me. You might have at least hoped that I’d had my fill of drama for one lifetime and that the road ahead of me would not hold any more surprises, that things would go pretty smoothly from now on. Believe me, I thought so, too. We were both wrong.

About a year ago, a series of mundane events and ordinary decisions led my life to connect with the life of a toddler by the name of Justin Wheeler. I happened to be standing across the street from him on a cool autumn morning as he wandered into the path of an oncoming van. In an unthinking moment, I leapt out into the street, grabbed him, and dove us both out of the way of the vehicle that certainly would have killed him…and maybe me if I’d been thirty seconds earlier or later arriving on the scene. Still, that might have been the end of it, a heroic deed remembered only by Justin Wheeler, his family, and me, except for the fact that a Post photographer standing on the corner got the whole thing on film. That photograph (a pretty amazing action shot, if I do say so myself) led to another series of events that would force me to question virtually everything about my former perfect life and ultimately cause it to unravel in the most horrible ways.

The funny thing was, even after my life had dissolved around me, even after everything I thought defined me had turned out to be a lie, I found that I was still me. I still had the strength to move forward into the unknown. And that was a pretty cool thing to learn about myself.

My life may have looked as if it had been on the business end of a wrecking ball, but Ridley Jones still emerged from the remains. And though there were times when I didn’t think it was possible, my life settled back into a somewhat normal rhythm. For a while, anyway.

If you don’t know what happened to me and how it all turned out, you could go back now and find out before you move ahead. I’m not saying the things that follow won’t make any sense to you or that you won’t get anything out of the experience of joining me on this next chapter of my vida loca. What I’m saying is that it’s kind of like sleeping with someone before you know her name. But maybe you like it like that. Maybe you want to come along and figure things out as we go, like any new relationship, I guess. Either way, the choice is yours. The choice is always yours.

Well, I’ll get to it, then.

I’m the last person in the world without a digital camera. I don’t like them; they seem too fragile. As if getting caught in the rain or clumsily pushing the wrong button could erase some of your memories. I have a 35-millimeter Minolta that I’ve been using since college. I take my rolls of film and then drop them off at the same photo lab on Second Avenue I’ve been using for years.

I had a friend who thought that there was something inherently wrong with picture taking. Memory, he said, was magical for its subjectivity. Photographs were crude and the direct result of a desire to control, to hold on to moments that should be released like each breath that we take. Maybe he was right. We’re not friends anymore and I have no pictures of him, just this memory that resurfaces every time I go to pick up photographs. And then I think about how he liked to sing and play the guitar after we made love (and how he was really terrible at it-the guitar playing, the singing, and the lovemaking, for that matter) but that the sight of Washington Square Park outside his windows always seemed so romantic that I put up with the rest for longer than I might have otherwise. My memories of him are organic and three-dimensional, pictures that exist only for me; there’s something nice about that after all.

So I was thinking about this as I pushed through the door of the F-Stop to pick up some photos that were waiting for me. A desk clerk I’d never seen before looked at me with practiced indifference from beneath a chaos of dyed black hair and twin swaths of eyeliner.

“Help you?” he said sullenly, placing a paperback binding up on the surface in front of him. I saw the flash of a tongue piercing when he spoke.

“I’m picking up photographs. Last name Jones.”

He gave me a kind of weird look, as if he thought it was a name I’d made up. (A note about New York City: Here, if you leave a plain or common name, people treat you with suspicion. Meanwhile, if your name would sound bizarre or made up anywhere else in the world-for example, Ruby Decal X or Geronimo-it wouldn’t even raise an eyebrow in the East Village.)

The clerk disappeared behind a dividing wall and I thought I heard voices as I glanced around at some black-and-white art shots on the wall. After a short time, he returned with three fat envelopes and lay them on the desk between us. He didn’t say anything as he rang up the sale. I paid him in cash, and he slid the envelopes into a plastic bag.

“Thank you,” I said, taking the bag from his hand.

He sat down without another word and returned to his book. For some reason, I turned around at the door and caught him staring at me strangely just before he averted his eyes.

I paused on the street corner at Second Avenue and Eighth Street. My intent had been to stop by the studio and bring the photos to Jake. They were some shots we had taken over the last few months: a long weekend in Paris where we’d tried and failed to reconnect; an afternoon spent in Central Park, where we fooled around on the Great Lawn and things seemed hopeful; a miserable day with my parents at the Botanical Gardens in Brooklyn, characterized by heavy awkward silences, mini-outbursts, and barely concealed dislike. Faced now with the reality of dropping in on Jake, I balked, loitered on the corner staring at the sidewalk.

I don’t want to tell you that my world has gone dark or that the color has drained from my life. That sounds too dramatic, too self-pitying. But I guess that’s not too far off. When last you heard from me, I was picking up the pieces of my shattered life. I think we ended on a hopeful note, but the work has been hard. And like any protracted convalescence, there have been more lows than highs.

As of last month, Jake moved out of the apartment we shared on Park Avenue South and is living semi-permanently in his studio on Avenue A. Far from finding peace with his past and coming to terms with what he has learned, Jake has become obsessed with Project Rescue and Max’s role in it.

By Max, I mean Maxwell Allen Smiley, my uncle who was not really my uncle but my father’s best friend. We shared a special connection all my life. And last year I learned that he was really my biological father. I am currently struggling to recast him in my life as my failed father instead of my beloved uncle.

Project Rescue is an organization developed by Max, an abused child himself, to help pass the Safe Haven Law in New York State years ago. This law allows frightened mothers to abandon their babies at specified Safe Haven sites, no questions asked, no fear of prosecution. I discovered last year that there was a shadow side to this organization. Cooperating nurses and doctors were secretly flagging children they thought were potential victims of abuse and unsafe in their homes. Through a collusion with organized crime, some of these children were abducted and sold to wealthy parents. In a sense, I was a Project Rescue baby, though my story is more complicated. Jake is a Project Rescue baby for whom things went horribly wrong.