Charlaine Harris - Sweet and Deadly aka Dead Dog

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Now best known for her New York Times bestselling Sookie Stackhouse novels, Charlaine Harris hit "a home run the first time out" (Birmingham News) with the story of a murder that embroils a small-town reporter in mystery that hits close to home…
Catherine Linton has returned to her hometown of Lowfield, Mississippi, unconvinced that the death of her parents in a car crash six months earlier was an accident. And her suspicions are confirmed when she stumbles upon the dead and beaten body of her doctor-father's longtime nurse. There are secrets being kept in Lowfield. And the town where Catherine grew up may be the same place where she is sent to her grave…

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She let out a sigh and set about enlarging the five shots Tom had taken. The Gazette ’s enlarger was old and cranky, had been secondhand when purchased. But she had always felt she had a kind of silent understanding with the enlarger. And sure enough, today it cooperated.

As Catherine rocked the pictures in the developing tray, she decided that there was something romantic about photography. She watched, enthralled, as the faces began to emerge from the solution.

There was a dramatic shot of the speaker, bent over the podium, one arm extended in a point-making gesture. And operating on the theory that faces sold papers, Tom had taken several shots of the assembled Lions listening, with greater or lesser degrees of attention, to the address.

There was Sheriff Galton, looking bored. These past few days had made an awful difference in the man. Catherine focused on the face beside his: Martin Barnes, obviously daydreaming, perhaps about Jewel and her little house by the highway, she thought wryly. The mayor’s face materialized. He was staring at a roll on his otherwise empty plate, perhaps wondering if anyone would notice if he ate it (he had been battling his paunch for years.)

There was Carl Perkins, smiling broadly, either at the lieutenant governor’s speech or at some private thought. Randall was beside him, pipe in hand. Then Jerry Selforth’s smooth dark head appeared, his face all eagerness and attention. Jerry would marry a Lowfield girl, she decided, and stay there until he died.

When the pictures were ready, Catherine no longer had an excuse to linger in the darkroom. She emerged reluctantly, found Tom’s copy of the story, and attached the picture of the lieutenant governor. She wrote the cut line and attached that. Then she typed in Tom’s byline.

Once again she cast around for something to do.

There were the weekly columns she had lifted from Tom’s desk. Clipping those columns was definitely necessary, and easy to do.

She got out her scissors and in a very few moments had cut out the comic strips indicated by date for the following week. The handyman column was easy, too. She imagined that the one about building rose trellises was suitable for summer, and her scissors snipped it out.

To prolong the little task, Catherine read all the Dr. Croft columns. There were seven left in this batch. The one in the previous week’s paper had been on appendicitis. Catherine remembered that it had made Tom a little nervous, since he still possessed his appendix.

Well, here was one on Crohn’s disease. What about that? Catherine scanned it and decided it didn’t appeal to her.

Some of these are really exotic, she thought. Dr. Croft must be running out of ailments. My father would be glad of that.

Then her eye caught the word Armadillo .

She read the column through once, twice. Pity and loathing made her heart sick.

When she was able to rise, she went to the darkroom and upclipped Tom’s Lion’s Club group picture. She unearthed photo files from ten years ago, five years, two years. She leafed through them and laid a number of pictures side by side.

She understood now why her parents had died, why Leona and Tom had been beaten to death.

Her father had been an innocent. Leona had been foolish, criminally and fatally foolish. Tom had just been in the way.

The day of her parents’ funeral passed drearily through her mind again…And the day she and Leona had moved the filing cabinets into the attic of the old office. Leona hadn’t taken a file from the cabinets that day, as Catherine had vaguely suspected after hearing Betty’s story. Instead she had put something in; had hidden it there for safekeeping.

She had to produce it at least once, Catherine thought dully. To prove she had it; so she could get her damned money. She hid it because she was scared he would break into her house to steal it…She wouldn’t have had any leverage after that. Didn’t Leona know how desperate he was? Or was she blinded by greed? Maybe she did see blackmail as a way to avenge my father’s death. She paid…He did break into her house to steal it, and he killed her in the process. He came prepared to kill her, with a baseball bat. What a convenient and appropriate weapon.

Catherine twisted her hair in a knot and held it on top of her head. She closed her eyes and thought of all the questions she had answered in the past few days without even being aware they had been asked. Her ignorance had caused Tom’s death. That would be lodged in her conscience for the rest of her life.

Give the devil his due, she thought savagely. He didn’t kill Leila. But then she was screaming, and he thought someone would come…Not enough time to kill Leila or search those cabinets…What a shock he must have had when she began yelling. It was bad enough that Tom was there, when he thought Tom was out on a date with Leila.

And of course he hasn’t killed me, Catherine thought. He has tried every route in order to avoid killing me. He doesn’t want to…He’s fond of me. And he’s probably very very sorry about Mother and Father. And Tom, my friend-too bad about Tom Mascalco. He was in the way. Of course, Leona asked for it.

Catherine shuddered.

Yes, very very sorry about Glenn and Rachel Linton.

It was a matter of pride and vengeance that she finish the thing herself. And a matter of habit: she had done things for herself for so long.

And then there was the fact that she had caused Tom’s death. In the first place, she had given the murderer information indicating that Tom was an obstacle in his path; in the second place, she had not called the police when she had heard the rustling in the grass.

Her rational mind told her she had had nothing to do with the car troubles that had caused Tom to remain in the old office instead of going out with Leila; or with the couple’s going to bed instead of using Leila’s car to go to a movie, for example. But her rational mind also told her that words from her own mouth had led, however indirectly, to Tom’s death.

Perhaps she could have saved Tom; nothing could have saved her parents.

When she thought again of the reason they had died, rage came over her. It had been gaining strength, quenching the pity and revulsion, while she sat brooding. The rage shook her as nothing had ever shaken her before. She felt as if she was being burned from the inside out.

She looked at the clock. She had forgotten about the time. Now she saw it was 5:30. Most of the staff must have gone by while she sat deaf and dumb.

Time to go, Catherine, she told herself.

She covered her typewriter and picked up her purse. She put the Dr. Croft column on Randall’s desk, in silent apology. She thought of trying to find him. She was sure he was somewhere in the building, maybe in the production room working on the press with Salton. But a rising sense of urgency carried her out to her car.

She drove the short distance home with special care. She didn’t trust herself.

She was so fixed on her course that she was bewildered when she saw a strange car with two people in it parked in front of her house. She saw two heads turning to follow her car into the garage, and realized she couldn’t avoid finding out who they were and what they wanted.

As she walked across the lawn to meet them, she noticed the Tennessee license plate on their car. A man and a woman, middle-aged, attractive.

It was hard for her to understand what they were saying. Her ears weren’t at fault, she discovered slowly; their voices were choked and hoarse. The pretty dark woman, still young, with the red-edged eyes, was Tom’s mother, Catherine gradually realized; and the man with olive skin and light hair was his father.

Catherine’s ingrained training triumphed in her handling of these newly bereaved parents. She acted out of sheer reflex, rising out of profound shock. She simply could not think of how to ask them to go away.

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