Peter James - Not Dead Yet

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For LA producer Larry Brooker, this is the movie that could bring the fortune that has so long eluded him…For rock superstar, Gaia, desperate to be taken seriously as an actor, this is the role that could get her an Oscar nomination For the City of Brighton and Hove, the publicity value of a major Hollywood movie being filmed on location, about the city's greatest love story between King George 1Vth and Maria Fitzherbert – is incalculable. For Detective Superintendent Roy Grace of Sussex CID, it is a nightmare unfolding in front of his eyes. An obsessed stalker is after Gaia. One attempt on her life is made days before she leaves her Bel Air home to fly to Brighton. Now, he has been warned, the stalker may be at large in his city, waiting, watching, planning.

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‘Have you got a list of all the other cash machines in easy walking distance from those two?’ Bella asked him.

Glenn watched her face. She looked more attractive every time he looked at her, and it really stung him to see this interaction between her and Potting. It was almost like she was feeding him a pre-rehearsed prompt, to big him up.

‘I have,’ Potting said, grinning smugly as ever. There’s a Santander Bank, a Barclays and a Halifax. I’m waiting for information back from all of them.’

Roy Grace entered the room, turning his head to see who was here. Then he turned to Glenn. ‘How are we doing?’

‘Apart from the doorman of The Grand confirming the Anna Galicia we are looking for is the same person involved in the incident with Gaia’s bodyguards last week, nothing else so far, boss. What’s happening at the Pavilion?’

‘The chandelier’s been removed into police storage,’ Grace reported, ‘much to the outrage of the Curator. The Search Team have found a baby monitor transmitter underneath a table in the Banqueting Room – it’s a Mothercare make, consistent with the receipt in Wheeler’s hotel room – and consistent with the broken receiver up in the roof space above the chandelier. I’ve given permission to the producers to re-enter the building and film in the Banqueting Room tonight – they’re planning to shoot indoors, without the chandelier. The producer just told me that they will be able to add it in afterwards through some computer generated technique.’

Grace looked at his watch, worried. ‘So, we can’t be certain that email was not sent by Wheeler, but it’s looking unlikely. Is that about the right assessment?’

‘The timings don’t work for Wheeler,’ Branson said.

Timings were very much on Grace’s mind at the moment. Within the next hour Gaia would be leaving the security of her hotel suite and going to the Pavilion. On his advice she had remained in her suite all day, and her son was staying in the suite this evening. Grace had arranged for his god-daughter Jaye Somers to come over for a couple of hours to play.

He knew Gaia was safe all the time she was in the hotel, but he was worried about the Pavilion. Had Rigg been too harsh on him, or did the ACC have a valid point? Had it been a visit from a member of the Royal Family or a senior politician, they would have searched the building with a fine-toothed comb, and sealed off all areas such as cellars and roof spaces where a potential perpetrator could hide either themselves or a bomb. But as the film company required unrestricted daily access, and it remained open to the public, security was always going to be an issue.

Had he been too complacent?

Well that wasn’t going to happen again tonight. During the past two hours the building had been searched with the same rigour as if a political conference were being staged there.

But even so, it was impossible to protect someone totally against a lone fanatic. He was still mindful of the chilling words of the IRA after they blew up The Grand Hotel back in 1984 in a failed attempt to murder the then Prime Minister Margaret Thatcher. They sent a message saying, ‘Today we were unlucky, but remember we only have to be lucky once. You will have to be lucky always.’

He was not going to let Gaia be lucky. Luck was damned well not going to come into this equation. Quality police work, that was all. And everyone was briefed.

108

Much of the central area of the city was under constant CCTV surveillance, with cameras capable of zooming in to a tight close-up from a distance of several hundred yards.

The nerve centre of the operation was the CCTV room on the fifth floor of Brighton’s John Street Police Station. It was a large space, with blue carpet and dark blue chairs. There were three separate workstations, each comprising a bank of monitors, keyboards, computer terminals and telephones.

Civilian controllers sat behind two of the workstations. One of them, wearing a headset, was busily engaged in a police operation, tracking a drug dealer’s movements, but the other, Jon Pumfrey, a fresh-faced man in his late thirties, with neat brown hair, wearing a lightweight black jacket, was occupied with helping Haydn Kelly navigate through the system in his search for sightings of Anna Galicia.

The forensic podiatrist, cradling a tepid Starbucks coffee, had cramp in his right thigh. He had been seated at this console since shortly before midday, with the exception of one quick break to grab a sandwich and this coffee. It was now coming up to 5 p.m. A kaleidoscope of images of parts of the city of Brighton and Hove, and other Sussex locations, changed constantly on the multiple screens. People walking. Buses moving. A sudden zoom shot on to a man standing by a wheelie bin.

Kelly had spotted Anna Galicia on six different cameras so far, during Monday evening. In the first she was seen walking in the direction of Café Conneckted. In the second she was heading towards the location of the HSBC cash machines in Queen’s Road. In the third, fourth and fifth images she was walking around the outside of the Pavilion grounds, threading her way through the crowds of onlookers. In the sixth, she was walking towards the Old Steine, at 11.24 p.m. Although there was extensive camera coverage around that area, she did not reappear. Jon Pumfrey told Kelly that her disappearance from vision indicated she had probably taken a bus or jumped into a taxi and gone home for the night.

They were now scrolling through the images in the area around the Pavilion grounds from yesterday, fast-forwarding through the whole day on each of the different cameras in turn, in the hope of seeing her again. Kelly glanced at his watch, mindful that he needed to be back at Sussex House for the 6.30 p.m. briefing. It was almost 5 p.m. He already had more than enough for his purposes, and he was excited about what he had to report.

Then something caught his eye. He frowned.

‘Jon, go back a few seconds!’

The controller moved his joystick, and the image began reversing.

‘Stop!’ Kelly commanded. The time on the screen displayed as 1 p.m., yesterday, Tuesday.

The image froze.

‘What street is this?’ Kelly asked.

‘New Road.’

‘Okay, zoom in on that guy, please.’

The image of a balding man in a business suit filled the screen. He stepped out of the front door of an office building, hesitated, held a hand out as if to check if it was still raining.

‘Now, go slow forward, please.’

Kelly watched, with growing excitement, as the man walked out of frame. Then he said, ‘Keep it running – you can fast forward. I think he’ll be back.’

The forensic podiatrist was right. Ten minutes later the man returned, holding a small paper bag. He shot a glance at a bicycle chained to a lamp post, then went back into the office building.

‘I need a copy of that, please,’ he said to the controller.

A few minutes later, when Pumfrey handed it to him, he loaded it straight into his laptop, then ran the software he had developed for gait analysis on it. After he had taken off the measurements and calculations, he made a comparison with the figures computed from the footage of Anna Galicia walking.

And now he could barely contain his excitement.

109

Norman Potting sat at his workstation in MIR-1, puzzled. He now had images emailed to him from all the hole-in-the-wall machines within a short walking distance of Café Conneckted. HSBC, Barclays, Halifax and Santander banks had responded quickly and efficiently.

He scrolled through them, looking, in turn, at four female and sixteen male faces, and something was not making sense. All twenty people had made cash withdrawals from these machines, within his parameter of 8.15 and 9 p.m. Monday evening. Despite the poor image quality, one woman bore a reasonable resemblance to Anna Galicia. She had apparently attempted a transaction from an HSBC machine on Queen’s Road at 8.31 p.m. But there was no withdrawal showing under her name. One explanation, the bank had told him, was that her card had been declined. But they were still a bit mystified why no record showed up at all. Another suggestion was that she was using a card that had been stolen but not yet reported missing: a withdrawal was made one minute later, at 8.32 p.m. in a man’s name.

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