Peter James - Not Dead Yet

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For LA producer Larry Brooker, this is the movie that could bring the fortune that has so long eluded him…For rock superstar, Gaia, desperate to be taken seriously as an actor, this is the role that could get her an Oscar nomination For the City of Brighton and Hove, the publicity value of a major Hollywood movie being filmed on location, about the city's greatest love story between King George 1Vth and Maria Fitzherbert – is incalculable. For Detective Superintendent Roy Grace of Sussex CID, it is a nightmare unfolding in front of his eyes. An obsessed stalker is after Gaia. One attempt on her life is made days before she leaves her Bel Air home to fly to Brighton. Now, he has been warned, the stalker may be at large in his city, waiting, watching, planning.

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She was dressed in a man’s shirt, white with the sleeves rolled up, ripped blue jeans and black suede ankle boots with buckles similar to a pair that Cleo had, except these looked more expensive. Her blonde hair had the freshness of someone who has just stepped out of the hairdresser’s salon, and her face looked closer to thirty than the thirty-seven years she was carrying; she had a radiant complexion and not a single wrinkle. She was far more gorgeous in the flesh than in her photographs. And she smelled of an amazingly sexy, musky scent.

Glenn Branson would have killed to have been here, he thought, trying to avoid staring at her too much. But that was hard, especially with several top buttons of her shirt undone, revealing an erotic glimpse of her cleavage.

Lying on his tummy on the carpet, a short distance away from them and absorbed in an electronic game, was her son Roan, in jeans, a yellow T-shirt and sneakers, his hair awry.

‘Presidential Suite’ was a fitting name for this collection of rooms, he thought, sneaking another surreptitious glance at her. They were traditionally furnished in a sumptuous but traditional Regency style and had a regal air about them. Also seated with them in the room were two of Gaia’s power-dressed female personal assistants, and her security chief Andrew Gulli, a dry, serious man, dressed in a business suit, white shirt and sombre tie. The police officers present were Chief Superintendent Graham Barrington, who was in uniform, DI Jason Tingley who was running the security operation for Brighton and Hove, and Greg Worsley from the Close Protection Unit, like Tingley wearing a suit and tie. All three of them seemed a little star-struck, Grace thought, like himself.

Outside on the landing, two of Gaia’s man-mountain bodyguards stood sentry, and two other pairs covered each of the two fire escape doors from the five-room suite. In here, she was as safe as in Fort Knox.

And that was the problem.

All the time she was in here, they could keep her safe. But she had made it very clear she did not want to be a prisoner – she wanted to go jogging early morning every day, and more importantly to her, she did not want her son being brought up in a cocoon. She insisted on being able to take him to the beach, walk around the city freely with him, take him to a pizza place, or anywhere else he fancied.

It would have been a problem to protect a star of her calibre under normal circumstances, Grace knew, and these were far from normal. Someone had tried to kill her, and the perpetrator was still at large. That person could be here in this city right now. For all he knew, he – or possibly she – could even be in this hotel. The Threat Management Unit of the Los Angeles Police Department, who had been in close contact with Graham Barrington, were deeply concerned.

At least the Chief Constable, Tom Martinson, had had the good sense to throw the rule book – which restricted armed protection to royalty and diplomats – out of the window and sanction round-the-clock Armed Response Unit officers to protect her, provided the total cost did not fall on budget-restricted Sussex Police. Two of them had shadowed her car down from Heathrow Airport, and another two, in plain clothes, were in the hotel lobby. Close protection of this kind was expensive, but as Martinson had reasoned, the alternative, of something happening to Gaia while here in this city, would in the long term be far more expensive in terms of damage done to the city’s image, and the fear it would instil in every potential visitor.

That Gaia was receiving this level of protection gave Roy Grace some comfort, but not enough. The Chief Constable had made it clear to him that, because of the attempt on her life and the homicide that had resulted, ultimate responsibility for Gaia’s safety while in Brighton rested on his shoulders. But he insisted Gaia was going to have to contribute to the costs and in a phone call to him earlier, he had given Grace responsibility for negotiating this important aspect.

Brighton was a city riddled with alleyways, nooks, crannies, forgotten tunnels and secret passageways. If you were a killer lurking in darkness, you could find few darker places than here. The only way he could guarantee Gaia’s safety, in his view, would be to ship her around from door to door in an armoured car, with a cordon of police surrounding her when she emerged. And that wasn’t going to happen.

He turned and looked at her, and their eyes locked for a moment. Hers were an iridescent metallic blue. They were among the most famous eyes in the world; they’d appeared in a million photographs, and had been written about in a million articles. One, in some trashy magazine Cleo had brought home for him, suggested they might actually be the most beautiful eyes in the world.

He decided he didn’t have any quibble with that. Cleo was the most beautiful woman he had ever met in his life – until now. But Cleo was not only stunningly beautiful, she was profoundly human. Gaia, for all her humour, for all her warmth, still had a hard carapace. She’d be terrific for a one-night stand, but she’d spit you out in the morning the way a black widow spider eats her male after mating with him – and then excretes his remains.

Gaia suddenly leaned towards him. Embarrassingly close; and for an instant she was so close he feared she was about to kiss him. Then in her gravelly voice she said, ‘Detective Superintendent Grace, you have eyes just like Paul Newman’s. Did anyone ever tell you that?’

He blushed. Actually, yes, someone had. Sandy.

He shook his head, and with a coy smile said, ‘No, but thank you!’

Across the room he saw Jason Tingley winking at him.

Trying to suppress a grin, Roy Grace addressed Andrew Gulli, as he reviewed the situation to date. He finished by saying, ‘Although we appreciate the seriousness of the threat level in the USA, Mr Gulli, we are a long way away here. In our view, in the UK the threat to your client is low to medium.’

Gulli raised his arms in the air, in disbelief, and in his James Cagney voice said, ‘How can you guys say that? Anyone can buy a gun in this country for a few bucks. Don’t try to kid us with that kind of bullshit!’

‘With respect, we’ve delivered your client and her son safely here, and we’ve offered twenty-four-hour protection around her in this hotel.’ He gave Gaia an apologetic look before turning back to Gulli. ‘But what we cannot do is provide the budget to maintain security if she wishes to roam freely around the city. The Chief Constable is willing to sanction armed protection, but you will have to contribute to the cost.’

‘This would not happen in any other country in the world!’ Gulli said. ‘Don’t you realize the value Gaia’s bringing to this city?’

‘We’re very privileged to have her here,’ Grace said.

‘Hey, Andrew,’ Gaia interrupted. ‘I don’t have a problem. I think what Officer Grace is saying is fair. We’ll contribute – why shouldn’t we?’

‘Because that’s not how it works!’ Gulli retorted petulantly.

‘With respect,’ Graham Barrington said, very politely and diplomatically, ‘it is how it works in our country.’

‘This is bullshit!’ Gulli said, raising his voice almost to a shout.

Grace stood up, towered over him and said to him, ‘Can you and I go and talk in private somewhere, for a minute?’

‘Anything you have to say, you can say here.’

‘I want to talk to you privately,’ Grace said, in his sternest don’t-mess-with-me voice. People often made the mistake of thinking, because Roy Grace was polite, that he was a pushover. Gulli was suddenly seeing another side to the detective. He stood up, a tad huffily, and pointed to an interconnecting door.

Grace led the way through into a room that had been turned into a makeshift office, and perched on the edge of a maple desk, signalling Gulli to close the door behind him. Through the window, Grace could see the derelict remains of the superstructure of Brighton’s West Pier rising from the flat blue sea. He felt, as he always did, a twinge of sadness for the loss of this pier he had so loved as a child. Then he turned to face Gulli.

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