‘So he’s been after her, asking for forgiveness and trying to get her back for…?’
‘Four years,’ Roy confirmed. ‘Patrick is not the sort of man who takes no for an answer. He’s the sort of man who gets what he wants, no matter the price.’
The word obsession flashed at the back of Hunter’s mind. Four years was more than enough time for most people to take the hint and move on. Denise told him how possessive and jealous Patrick used to be of Laura, and though during the time they were together he’d never been violent towards her, he did have a problem with his temper.
‘Do you know if anyone other than you had an extra set of keys to Laura’s apartment?’
Denise had another sip of her drink and thought about it for a minute before looking at Roy.
‘Not that we know of,’ he said.
‘Laura never mentioned if she’d given the keys to anyone else?’
A firm shake of the head from Denise. ‘Laura never allowed anyone to go into her apartment or her studio. Her work was very private to her. Even though she was successful, she never did it for the money. She painted for herself. It was a way of expressing what was going on inside her. She didn’t even like exhibiting that much, and that’s what most artists live for. As far as I know, she never took any dates back to her apartment. And she never, never got emotionally involved.’
‘How about any close friends?’
‘I was her closest friend.’ A slight quiver came into her voice.
‘Anyone other than family?’
‘Painters are very lonely people, Detective. They spend most of their time by themselves, working on a piece. She had acquaintances, but no one she could really call a close friend.’
‘She didn’t keep in touch with any of her old school, university or work friends?’
Denise shrugged. ‘Maybe, by phone or the odd drink, but I couldn’t tell you who.’ She paused. ‘The only other person I can think of is Calvin Lange, the curator of the Daniel Rossdale Art Gallery. The person who kick-started her career. He was very fond of her, and she of him. They talked on the phone and met quite frequently.’
Roy nodded his agreement.
Hunter noted Calvin Lange’s name down and his eyes returned to the photo frames on the wooden desk. ‘Being a successful artist consequently means having fans, I suppose.’
Denise nodded proudly. ‘Her work was admired and loved by many.’
‘Did Laura ever mention any…’ he searched for the right words, ‘… insistent fans?’
‘You mean… like a stalker?’ Her voice faltered for an instant.
Hunter nodded.
Denise finished the rest of her whiskey in one gulp. ‘I never thought of it, but she did mention something a few months ago.’
Hunter put down the picture frame he was holding and took a step in Denise’s direction. ‘What exactly did she tell you?’
Denise’s gaze moved to a neutral point on the white Nepalese rug in the center of the room as her memory struggled to remember. ‘Just that she’d started receiving some emails from someone who said he was in love with her work.’
‘Did she ever show you any of these emails?’
‘No.’
Hunter looked at Roy questioningly, who shook his head.
‘Did she tell you what they said?’
Denise shook her head. ‘Laura played it down, saying that it was just a fan being flattering of her work. But I did get the feeling that something about it had spooked her.’
Hunter wrote again in his notebook.
Denise moved closer, stopping at an arm’s reach from Hunter. She looked into his eyes. ‘How good are you and your team, Detective?’
Hunter frowned as if he hadn’t understood the question.
‘I wanna know if you can catch the sonofabitch who hurt my daughter and took her from me.’ The grief in her voice was gone, substituted by undeniable anger. ‘Don’t tell me you’re gonna do the best you can. The police are always doing the best they can, and their best is rarely good enough. I know you’re gonna do your best, Detective. What I want you to do is look me in the eyes and tell me your best will be good enough. Tell me you’ll catch this sonofabitch. And tell me you will make this sack of shit pay.’
Whitney Myers used the little gadget Leonid Kudrov had given her to activate the gates to the underground garage in Katia’s apartment block. As she drove in, she immediately spotted Katia’s torch red V6 convertible Mustang parked in one of the two spaces reserved for her penthouse apartment. Myers took the empty spot next to it, got out and placed her right palm on the Mustang’s hood. Stone cold. Through the window, she checked its interior. All seemed fine. The car alarm light was blinking on the dashboard, indicating that it was active. Myers paused and allowed her eyes to roam the whole of the garage. The place was well lit, but there were many dark spots and corners where someone could hide. She noticed only one security camera, on the ceiling, facing the garage’s entrance door.
Myers retrieved a pair of latex gloves from the box in the back seat of her car and rode the elevator up to the penthouse. There, she used the keys Leonid Kudrov had given her to gain access to Katia’s apartment. No alarm. No signs of forced entry.
She softly closed the door behind her and paused for an instant. The living room was immense and decorated with a lot of style. Myers took her time looking around. Nothing seemed out of place. No signs of a fight or struggle.
She made her way to the spiral stairwell in the corner and moved up to the top floor. On the mezzanine landing, she found Katia’s car keys in a tray on a tall chest of drawers crowded with family photographs.
Myers moved on down the corridor and entered Katia’s bedroom. The walls were painted in pink and white, and there were enough stuffed toys on the perfectly made king-size bed to keep a crèche occupied for weeks. Myers checked the pillows on it. No smell. No one had slept in that bed last night.
Katia’s two suitcases lay on the end of the bed seat. They were both open, but it looked like she hadn’t had time to unpack them. The bedroom’s balcony door was locked from the inside. Again, no signs of forced entry.
Myers moved on to the walk-in closet. Katia’s collection of dresses, shoes and purses took her breath away.
‘Wow.’ She ran her hand down the front of a Giambattista Valli dress. ‘A dream wardrobe,’ she whispered. ‘Katia had taste.’
In the en-suite bathroom, she noticed a hair towel was missing from the rail.
Myers moved out of the bedroom and into the next room along – Katia’s practice den. The room was spacious but simple. A stereo system on a wooden sideboard, a couple of music stands, a mini fridge on the corner and a comfortable armchair pushed up against a wall. Katia’s violin case was on a small coffee table by the door. Her priceless Lorenzo Guadagnini was lying inside it.
Leonid had told her that Katia was obsessed with her Guadagnini violin. If it weren’t by her side, it’d be in her safe behind the large painting of Tchaikovsky on the wall, no exceptions.
Myers found the painting and checked the safe. Locked. Despite her previous confidence that Katia had just skipped town for a few days, she was getting a very bad feeling about this.
Myers returned downstairs and walked into the kitchen. It was as big as most studio apartments in Los Angeles. Black marble worktops and floors, polished steel appliances and enough pots and pans hanging from a center island that could give any small restaurant a run for their money.
The first thing Myers noticed was the missing hair towel from the en-suite bathroom upstairs. It was lying on the floor a few steps away from the fridge. She picked it up and brought it to her nose – a sweet, fruity smell that matched the bottle of designer hair conditioner in Katia’s bathroom.
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