Stephen Knight - White Tiger

The dome lights snapped on as the passenger door opened, and Manning stirred from his dark reverie, watching as Ryoko Mitake climbed into the Friendee, her face composed, her lovely features accentuated by only the slightest touches of makeup. She was dressed in a black skirt, broad white belt, and a black sweater over a thin white T-shirt that exposed her taut midriff. She took Manning’s hand as she claimed the passenger seat and slammed the door shut. She smiled at him wanly, and it was a beautiful sight. The dome lights dimmed out, leaving them in darkness save for the glow of the dashboard lights and the actinic glare of the nearby streetlight.

“You look stressed,” she said in her near-perfect English. “You were working tonight, I take it?”

“Yes.”

“The karaoke club? It’s on the news.”

Manning hesitated. “Yes.”

Ryoko nodded after a moment and looked out the windshield. Her profile was visible in the soft green light coming from the Friendee’s dash.

“I’ll make you whole again,” she said.

Their relationship was both simple and complex. Simple in that Ryoko was a girl Manning had met in Shibuya almost two years ago while shopping for a new laptop. She had been working in the store in which he was shopping, and her excellent English trumped his then-faltering Japanese, and a sale was made. While no stranger to Japan even then, Manning had very few personal contacts; he had managed to capture her interest, even though she was a kogaryu , or kogal, that particular subculture in Japan consisting of young women who are predisposed to incessant consumerism. Manning nevertheless found her to be fetching enough to ask her to join him for a cup of coffee. So they met the next day at the famed Hachiko statue in Shibuya, and had a coffee at the Starbucks near the Shibuya train station. They discussed the various facets of American and Japanese lifestyles while watching the sukuranburu kMsaten , or “pedestrian scramble” play out across the intersection below, long regarded as the world’s busiest. Counter to kogal stereotype, Manning found that Ryoko was well-educated and quite intelligent, and had no problems working for her money. But she sensed the loneliness in Manning; while she wasn’t averse to working, nor was she averse to accepting handouts. Manning obliged, and he found he had inadvertently stepped into a grown-up version of enjo kMsai , the only exception being that Ryoko was already 22 years old. He made it plain to her that he would consider the arrangement on a trial basis, and provided her with a little over $1,000 in spending money.

It was, after all, one way to get laid in Japan. And in a nation where a small cup of coffee cost ten dollars, no method for generating revenue was unthinkable.

But as there was more to his story, there was more to hers as well, which made it all very complex. Not long before meeting Manning, she had been “scouted” by a “movie producer” who was interested in Ryoko’s natural good looks…and trim, breasty body, of which she was rightfully proud. The “movie producer” was of course a pornographer who promised her fame and riches. At the time, Ryoko was intensely interested in both, especially since most of her friends were content to spend their time shopping while sponging off their parents. Ryoko’s family had raised her with an understanding of personal accountability, and while they would most certainly have disagreed with her potential career choice, they would have no problems with her making her own money.

Ryoko took the job, and was reborn in Japan’s adult video industry as Sugimoto Ai. She had finished her first production the day before meeting Manning, and while aspects of it disgusted her, there was a part of the process which interested her deeply-namely, the production and distribution of filmed entertainment. And the?550,000 she made for seven hours work was something she deemed worthwhile, as well.

She kept this secret from Manning for two weeks, though as a healthy gaijin with a stronger-than-average sex drive and a genuine curiosity about all things Japanese, it would be only a matter of time until he found out. Thinking he was truly the consultant he claimed to be, Ryoko agonized over how to break the news to him. When she finally did tell him, he laughed after a moment.

“Believe me, you could be doing a lot worse,” he had told her. Ryoko was happy to discover how open-minded he was. And was even more thrilled when he continued the financial end of their arrangement; apparently, he was happy with her as well.

But she had known there was more to him than he was admitting to her. Patience was one of her better virtues, so she merely waited. And continued to work. And continued to see him.

He finally confessed his other life to her when he returned from a week at his home in San Francisco. But it actually hadn’t been San Francisco at all; it had been first Taiwan, and then Xiamen, across the strait in China. He had been given a contract by his employers, and that meant four men died. They were criminals one and all, foul, dirty men who robbed and cheated and lied and had done killing of their own. It was then that he told her he was a repairman, someone who “fixed” problems for which there was no legal recourse. And his method of fixing required that blood be spilled.

This revelation had, of course, terrified her. She fled, and did not speak to him again for six months.

Over the course of this time, however, two things became very apparent to her. As a girl with no real job skills and currently employed in an industry where she was the merchandise, there was very little chance of her altering the current status quo. As long as she kept her looks and her body and showed up for work, she would be paid well-the DVDs she starred in and the picture books she posed for were becoming famous in Japan and even abroad, and she had something of a growing fan base. She toured various nightclubs in Japan and other parts of Asia, and had even been to the UK and Los Angeles and Rome once for a photo shoot. But her attempts to get into more legitimate productions and artistic endeavors continued to fail; she was known as an AV actress, and was considered dirty in Japanese society. The fact of the matter was, she was a lousy performer when it came to acting with her clothes on. That coupled with the expected stigmas rampant in Japanese society meant that more doors would forever remain closed to her than those that would be open, and those open doors merely led to more opportunities to “merchandise” herself.

The worst part was, of course, when her family found out. She was shamed when her father, of all people, brought a contingent of overseas foreign executives working for Matsushita to one of the clubs where she was performing. While he said nothing to her about that night, she could only imagine the blackness that settled around his heart when he watched his daughter perform and expose herself for men. It had hurt her terribly, as she knew it had hurt him. When she was a child, her father had doted on her, but at the same time had done everything he could to raise her up to be a respectable woman, a woman of means. His expectations for her were dated and unexciting, but they were the things most fathers wished for their daughters, and on that night, he knew that they would never be hers.

The despondence he felt only exacerbated the problems between him and Ryoko’s mother, problems they had taken great pains to hide from her. They were beginning the formal process of divorce, and in the end, it proved to be too much for Ryoko’s father. Apparently unable to bear the weight of these things, he committed suicide by walking out in front of a bus. He was killed instantly, his body dragged for dozens of yards before the horrified bus driver could stop.