Daniel Silva - The Fallen Angel

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The Fallen Angel: краткое содержание, описание и аннотация

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Gabriel Allon — art restorer, spy, and assassin — returns in a spellbinding new thriller from the #1
bestselling master of intrigue and suspense
When last we encountered Gabriel Allon in
, he was pitted in a blood-soaked duel with a deadly network of jihadist terrorists. Now, exposed and war-weary, he has returned to his beloved Rome to restore a Caravaggio masterpiece for the Vatican.
But while working early one morning in the conservation laboratory, Gabriel is summoned to Saint Peter's Basilica by his friend and occasional ally Monsignor Luigi Donati, the all-powerful private secretary to his Holiness Pope Paul VII. The body of a beautiful woman lies smashed and broken beneath Michelangelo's magnificent dome. The Vatican police rule the death a suicidal fall, though Gabriel, with his restorer's eye and flawless memory, suspects otherwise. So, it seems, does the monsignor. Concerned about a potential scandal, Donati fears a public inquiry will inflict more wounds on an already-damaged Church; he calls upon Gabriel to use his matchless talents and experience to quietly pursue the truth — with one important caveat.
"Rule number one at the Vatican," Donati said. "Don't ask too many questions." Gabriel soon discovers that the dead woman had uncovered a dangerous secret - a secret that threatens powers beyond the Vatican. To solve the mystery, Gabriel joins forces with a master art thief to penetrate a criminal smuggling network that is looting timeless treasures of antiquity and selling them to the highest bidder. But there is more to this network than just greed. An old enemy is plotting revenge, an unthinkable act of sabotage that will plunge the world into a conflict of apocalyptic proportions. Once again Gabriel must return to the ranks of his old intelligence service — and place himself, and those he holds dear, on the razor's edge of danger.
An intoxicating blend of art and intrigue,
moves swiftly from the private chambers of the Vatican, to a glamorous art gallery in St Moritz, to the hidden alleyways of Istanbul — and finally, to a pulse-pounding climax in the ancient city of Jerusalem, the world's most sacred and contested parcel of land. Each setting is rendered with the care of an Old Master, as are the spies, lovers, priests, and thieves who inhabit its pages. It is a story of faith and of the destructive power of secrets. And it is an all-too-timely reminder that those who do not remember the past are doomed to repeat it.

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“When did you speak to her last?”

“A week ago Wednesday.” The answer came without hesitation. “She sounded busy but entirely normal, not at all like someone who was about to . . .”

She stopped herself and looked at Chiara. “Your assistant?” she asked.

“She has the great misfortune of being married to me.”

Paola Andreatti smiled sadly. “I’m tempted to say you’re a lucky man, Mr. Allon, but I’ve read enough about your past to know that’s not exactly the case.”

“You shouldn’t believe everything you read in the newspapers.”

“I don’t.”

She studied Gabriel carefully for a moment. Her eyes were identical to the ones he had seen earlier that morning staring lifelessly into the dome of the Basilica. It was like being scrutinized by a ghost.

“Perhaps we should begin this conversation again,” she said finally. “But this time, don’t lie to me, Mr. Allon. I just lost my sister and my closest friend in the world. And there’s no way the Vatican would send a man like you to collect a few stray files.”

“I won’t lie to you.”

“Then please tell me why you’re here.”

“For the same reason you are.”

“I’m trying to find out why my sister is dead.”

“So am I.”

The ghost seemed relieved she was no longer alone. She stood her ground for another moment as if guarding the passageway to her secrets. Then she stepped to one side and invited Gabriel and Chiara to enter.

The sitting room was a place of academic disarray, of shelves sagging beneath the weight of countless books, of end tables piled high with dog-eared files and hulking monographs. It had an air of urgency, as though its occupant had been in pursuit of something and had been struggling to meet a deadline. Paola Andreatti was right about one thing; everything in the apartment looked slightly askew, as though it had been moved and hastily put back into place. Gabriel walked over to the cluttered writing desk and switched on the lamp. Then he crouched and examined the surface of the desk in the raked lighting. In the center was a perfect rectangle, about ten inches by fifteen inches, where no dust was present. He picked up a half-drunk cup of coffee and carried it into the kitchen, where Chiara and Paola Andreatti stood before the sink finishing the last of the dishes. Neither woman spoke as he placed the cup on the counter and sat at the tiny café-style table.

“Was your sister a believer?” he asked.

“She was a devout Catholic. I’m not so sure whether she actually believed in God.” She looked up from her work at the sink. “Why do you ask?”

“She wore a cross.”

“It belonged to our mother. It was the one possession of hers that Claudia wanted. Fortunately, it was the one thing I didn’t want.”

“You don’t share your sister’s faith?”

“I’m a cardiologist, Mr. Allon. I’m a woman of science, not faith. I also believe that more evil has been carried out in the name of religion than any other force in human history. Look at the terrible fate of your own people. The Church falsely branded you as the murderers of God, and for two thousand years you’ve suffered the consequences. Now you’ve returned to the land of your birth only to find yourself locked in a war without end. Is this really what God had in mind when he made his pact with Abraham?”

“Perhaps Abraham forgot to read the fine print.”

Chiara fixed Gabriel with a reproachful stare, but Paola Andreatti managed a fleeting smile. “If you’re asking whether my sister would be reluctant to kill herself because of her religious beliefs, the answer is yes. She also regarded St. Peter’s Basilica as a sacred place that was inspired by God. Besides,” she added, “I’m a physician. I know a suicidal person when I see one. And my sister was not suicidal.”

“No trouble at work?” asked Gabriel.

“Not that she mentioned.”

“What about a man?” asked Chiara.

“Like many women in this country, my sister hadn’t managed to find an Italian man suitable for marriage or even a serious relationship. It’s one of the reasons I ended up in London. I married a proper Englishman. Then, five years later, he gave me a proper English divorce.”

She dried her hands and began returning the newly clean dishes to the cabinets. There was something mildly absurd about her actions, like watering a garden while thunder cracked in the distance, but they seemed to give her a momentary sense of peace.

“Twins are different,” she said, closing the cabinet. “We shared everything—our mother’s womb, our nursery, our clothing. You might find this rather strange, Mr. Allon, but I always assumed my sister and I would share the same coffin.”

She walked over to the refrigerator. On the door, held in place by a magnet, was a photograph of the sisters posed along the railing of a ferry. Even Gabriel, who had an artist’s appreciation of the human form, could scarcely tell one from the other.

“It was taken during a day cruise on Lake Como last August,” said Paola Andreatti. “I was recently separated from my husband. Claudia and I went alone, just the two of us. I paid, of course. Employees of the Vatican can’t afford to stay in five-star hotels. It was the best vacation I’d had in years. Claudia said all the appropriate things about my pending divorce, but I suspect she was secretly relieved. It meant she would have me to herself again.”

She opened the refrigerator, exhaled heavily, and began placing the contents in a plastic rubbish bin. “As of this moment,” she said, “several hundred million people around the world believe my sister committed suicide. But not one of them knows that Gabriel Allon, a former Israeli intelligence agent and friend of the Vatican, is now sitting at her kitchen table.”

“I’d prefer to keep it that way.”

“I’m sure the men of the Vatican would, too. Because your presence suggests they believe there’s more to my sister’s death than merely a soul in distress.”

Gabriel made no response.

“Do you believe Claudia killed herself?”

“No,” Gabriel said. “I do not believe Claudia killed herself.”

“Why not?”

He told her about the broken necklace, about the shoes, and about the perfect rectangle on her sister’s desk where no dust was present. “You weren’t the first person to come here tonight,” he said. “Others came before you. They were professionals. They took anything that might be incriminating, including your sister’s laptop computer.”

She closed the refrigerator and stared silently at the photograph on the door.

“You did notice the computer was missing, didn’t you?”

“It’s not the only thing,” she said softly.

“What else?”

“My sister never went to sleep at night without writing a few lines in her diary. She kept it on her bedside table. It’s no longer there.” Paola Andreatti looked at Gabriel for a moment without speaking. “How long will it be necessary to allow this terrible lie about my sister to persist?”

“For as long as it takes to discover the truth. But I can’t do it alone. I’m going to need your help.”

“What kind of help?”

“You can start by telling me about your sister.”

“And then?”

“We’re going to search this apartment together one more time.”

“I thought you said the men were professionals.”

“They were,” said Gabriel. “But sometimes even professionals make mistakes.”

They moved into the sitting room and settled amid Claudia’s books and papers. Paola Andreatti spoke of her sister as though she were speaking of herself. For Gabriel, it was like interviewing a corpse that had been granted the ability to speak.

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