Daniel Silva - The Fallen Angel

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The Fallen Angel: краткое содержание, описание и аннотация

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Gabriel Allon — art restorer, spy, and assassin — returns in a spellbinding new thriller from the #1
bestselling master of intrigue and suspense
When last we encountered Gabriel Allon in
, he was pitted in a blood-soaked duel with a deadly network of jihadist terrorists. Now, exposed and war-weary, he has returned to his beloved Rome to restore a Caravaggio masterpiece for the Vatican.
But while working early one morning in the conservation laboratory, Gabriel is summoned to Saint Peter's Basilica by his friend and occasional ally Monsignor Luigi Donati, the all-powerful private secretary to his Holiness Pope Paul VII. The body of a beautiful woman lies smashed and broken beneath Michelangelo's magnificent dome. The Vatican police rule the death a suicidal fall, though Gabriel, with his restorer's eye and flawless memory, suspects otherwise. So, it seems, does the monsignor. Concerned about a potential scandal, Donati fears a public inquiry will inflict more wounds on an already-damaged Church; he calls upon Gabriel to use his matchless talents and experience to quietly pursue the truth — with one important caveat.
"Rule number one at the Vatican," Donati said. "Don't ask too many questions." Gabriel soon discovers that the dead woman had uncovered a dangerous secret - a secret that threatens powers beyond the Vatican. To solve the mystery, Gabriel joins forces with a master art thief to penetrate a criminal smuggling network that is looting timeless treasures of antiquity and selling them to the highest bidder. But there is more to this network than just greed. An old enemy is plotting revenge, an unthinkable act of sabotage that will plunge the world into a conflict of apocalyptic proportions. Once again Gabriel must return to the ranks of his old intelligence service — and place himself, and those he holds dear, on the razor's edge of danger.
An intoxicating blend of art and intrigue,
moves swiftly from the private chambers of the Vatican, to a glamorous art gallery in St Moritz, to the hidden alleyways of Istanbul — and finally, to a pulse-pounding climax in the ancient city of Jerusalem, the world's most sacred and contested parcel of land. Each setting is rendered with the care of an Old Master, as are the spies, lovers, priests, and thieves who inhabit its pages. It is a story of faith and of the destructive power of secrets. And it is an all-too-timely reminder that those who do not remember the past are doomed to repeat it.

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“Will you take me skiing just once?”

“Anywhere but St. Moritz or Gstaad.”

“I miss Venice.”

“So do I.”

“Maybe Francesco Tiepolo can give you a bit of work.”

“He pays me peanuts.”

“I adore peanuts.” She leaned her head against his shoulder. Her hair smelled of vanilla. “Do you think it will hold?” she asked.

“The quiet?”

She nodded.

“For a little while,” said Gabriel, “if we’re lucky.”

“How long will you be in Rome?”

“I suppose that depends entirely on Carlo.”

“Just don’t go anywhere near him without a gun in your pocket.”

“Actually,” he said, “I was planning on having Carlo come to me.”

Chiara shivered.

“We should be going,” said Gabriel. “You’ll catch your death.”

“No,” she said, “I love it, too.”

“The cold at night?”

“And the smell of the pine and eucalyptus,” she said. “It smells like . . .” Her voice trailed off.

“Like what, Chiara?”

“Like home,” she said. “It feels good to finally be home.”

49

PIAZZA DI SANT’IGNAZIO, ROME

WHEN GABRIEL ENTERED THE PIAZZA DI Sant’Ignazio two days later, the sun shone brightly from a cloudless Roman sky, and the tables of Le Cave stood in neat rows across the paving stones. At one, shaded by a white umbrella, sat General Ferrari of the Art Squad. Near his elbow was a copy of that morning’s edition of Corriere della Sera , which he placed in front of Gabriel. It was open to a story from Paris about the unexpected recovery of two stolen works of art. The Cézanne was the main attraction; the Greek vase, a lovely hydria by the Amykos Painter, a mere afterthought.

“I was right about one thing,” the general said. “You certainly do know how to think like a criminal.”

“I had nothing to do with it.”

“And I still have a perfectly good right hand.” The general appraised Gabriel for a moment with his one good eye before asking whether he had stolen the painting and the vase himself.

“Operational verisimilitude required me to utilize the services of a professional.”

“So it was a commissioned theft?”

“You might say that.”

“Does this thief ever practice his trade in Italy?”

“Every chance he gets.”

“How much would I have to pay for his name?”

“I’m afraid it’s not for sale.”

Gabriel returned the paper to the general, who used it to wave away an approaching waiter.

“I’ve been reading the recent news from your country with great interest,” he said, as though Gabriel’s country was some place hard to find on a map. “Do you believe those pillars are truly from Solomon’s First Temple?”

Gabriel nodded.

“You’ve seen them?”

“And the bomb they were going to use to blow them to pieces.”

“Madness,” said the general, shaking his head slowly. “I suppose it puts my efforts to protect Italy’s cultural patrimony in a whole new light. I only have to contend with thieves and smugglers, not religious maniacs who are trying to plunge the Middle East into war.”

“Sometimes the religious maniacs actually get help from the thieves and smugglers.” Gabriel paused, then added, “But then, you already knew that, didn’t you, General Ferrari?”

Ferrari fixed Gabriel with a glassy stare from his prosthetic eye but said nothing.

“That’s why you sent me to Veronica Marchese,” Gabriel continued. “Because you already knew that her husband controlled the global trade in looted antiquities. You also knew he was working with the criminal funding arm of Hezbollah. You knew all this,” Gabriel concluded, “because my service told you it was so.”

“Actually,” the general responded, “I knew about Carlo long before your chief brought us his dossier.”

“Why didn’t you do anything about it?”

“Because it would have destroyed the career of a woman I admire greatly, not to mention a close friend of hers who lives next door to His Holiness on the third floor of the Apostolic Palace.”

“You knew that Donati and Veronica were lovers once?”

“And so does Carlo,” the general said, nodding. “He also knows that the monsignor left his order after a pair of killings in El Salvador. Which is why he wanted to be on the supervisory council of the Vatican Bank so badly.”

“He knew it would be a perfect safe harbor to launder his money because Donati would never dare move against him.”

The general nodded thoughtfully. “The monsignor’s past made him vulnerable,” he said after a moment. “That is the last thing one should be in a place like the Vatican.”

“And when you heard that Claudia Andreatti had been found in the Basilica?”

“I had no doubt as to who was behind her death.”

“Because your informant Roberto Falcone told you that she’d been to Cerveteri to see him,” Gabriel said. “And when I found Falcone’s body in the acid bath, you realized that you had a perfect solution to your Carlo problem. An Italian solution.”

“Not in the strictest sense of the term, but, yes, I suppose I did.” The unblinking eye scrutinized Gabriel for a moment. “And now it seems we have arrived at the place where we began. What do we do about Carlo?”

“I know what I’d like to do.”

“How much hard evidence do you have?”

“Enough to tie a cordata around his scrawny neck.”

“How do you want to handle it?”

“I’m going to tell him to resign his post at the Vatican Bank immediately. But first, I’m going to offer him a chance to confess his sins.”

The general smiled. “I’ve always found that confession can be good for the soul.”

After lunch, Gabriel hiked across the river, to the faded old palazzo in Trastevere that had been turned into a faded old apartment building. He still had the key. Entering the foyer, he once again checked the postbox. This time, it was empty.

He headed upstairs and let himself into the flat. It was exactly as he had left it nearly four months ago, with one exception: the electricity had been cut off. And so he sat alone at her desk, watching as the creeping afternoon shadows slowly reclaimed her possessions. Finally, a few minutes after six, he heard the scrape of a key entering the lock. Then the door swung open, and Dr. Claudia Andreatti came floating toward him through the darkness.

Her sister’s death had spared the world a cataclysm, which meant that Paola Andreatti deserved to know nothing less than the complete truth about what had happened. Not the Office’s version of the truth, thought Gabriel, and surely not the Vatican’s. It had to be truth without evasion and without regard to the sensitivities of powerful individuals or institutions. A truth she could take to the grave of her sister and, one day, to her own.

And so Gabriel told her the entire story of his remarkable journey from the dome of St. Peter’s Basilica to the hole in the heart of the Holy Mountain, where he had found the twenty-two pillars of Solomon’s First Temple and the bomb that could have caused a conflict of biblical proportions. She remained silent throughout, her hands folded neatly on her lap. The eyes that watched him from the evening shadows were identical to the ones that had gazed up at him from the floor of the Basilica. The voice, when finally she spoke, was the same voice that had spoken to him briefly in the stairwell of the Vatican Museum the night of her death.

“What are you going to do about Carlo?”

Gabriel’s answer seemed to cause her physical pain.

“Is that all?” she asked.

“If the Italian prosecutors bring charges against him—”

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