Daniel Silva - The Fallen Angel

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The Fallen Angel: краткое содержание, описание и аннотация

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Gabriel Allon — art restorer, spy, and assassin — returns in a spellbinding new thriller from the #1
bestselling master of intrigue and suspense
When last we encountered Gabriel Allon in
, he was pitted in a blood-soaked duel with a deadly network of jihadist terrorists. Now, exposed and war-weary, he has returned to his beloved Rome to restore a Caravaggio masterpiece for the Vatican.
But while working early one morning in the conservation laboratory, Gabriel is summoned to Saint Peter's Basilica by his friend and occasional ally Monsignor Luigi Donati, the all-powerful private secretary to his Holiness Pope Paul VII. The body of a beautiful woman lies smashed and broken beneath Michelangelo's magnificent dome. The Vatican police rule the death a suicidal fall, though Gabriel, with his restorer's eye and flawless memory, suspects otherwise. So, it seems, does the monsignor. Concerned about a potential scandal, Donati fears a public inquiry will inflict more wounds on an already-damaged Church; he calls upon Gabriel to use his matchless talents and experience to quietly pursue the truth — with one important caveat.
"Rule number one at the Vatican," Donati said. "Don't ask too many questions." Gabriel soon discovers that the dead woman had uncovered a dangerous secret - a secret that threatens powers beyond the Vatican. To solve the mystery, Gabriel joins forces with a master art thief to penetrate a criminal smuggling network that is looting timeless treasures of antiquity and selling them to the highest bidder. But there is more to this network than just greed. An old enemy is plotting revenge, an unthinkable act of sabotage that will plunge the world into a conflict of apocalyptic proportions. Once again Gabriel must return to the ranks of his old intelligence service — and place himself, and those he holds dear, on the razor's edge of danger.
An intoxicating blend of art and intrigue,
moves swiftly from the private chambers of the Vatican, to a glamorous art gallery in St Moritz, to the hidden alleyways of Istanbul — and finally, to a pulse-pounding climax in the ancient city of Jerusalem, the world's most sacred and contested parcel of land. Each setting is rendered with the care of an Old Master, as are the spies, lovers, priests, and thieves who inhabit its pages. It is a story of faith and of the destructive power of secrets. And it is an all-too-timely reminder that those who do not remember the past are doomed to repeat it.

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“The only people who are going to die tonight are the terrorists.”

“Maybe,” she said. “Or maybe you’ll make a mistake, and I’ll leave Vienna a widow.” She smiled in spite of herself. “Wouldn’t that be poetic?”

“I’m not a poet. And I’m not going to make a mistake.”

She exhaled heavily in capitulation and pulled the robe tightly across her breasts. “I don’t suppose you have room for one more person on your team tonight?”

Gabriel stared at her blankly.

“I thought that would be your answer.” She took hold of his hand. “How will I know, Gabriel? How will I know if you’re alive or dead?”

“If you hear explosions, you’ll know I’m dead. But if you hear sirens . . .” He shrugged.

“What?”

“It will all be over.” He kissed her lips and whispered, “And then we’ll go home and live happily ever after.”

Gabriel showered and tried to sleep, but it was no good. His mind was aflame with too many memories of the past, his nerves too brittle with anxiety about what the next few hours would bring. And so he lay quietly next to Chiara as the afternoon shadows grew thin upon the bed, listening to the chatter over the radio that Jonas Kessler had given to him. EKO Cobra had established an observation post outside the apartment house on the Koppstrasse and, using a thermographic camera, had confirmed the presence of at least four people inside. Additional EKO Cobra teams were posted at various points along the route from the Koppstrasse to the Innere Stadt. It meant the terrorists would be running a gauntlet—a gauntlet that would lead them directly to the guns of Gabriel and Mikhail.

Sunset that evening was at 6:12. At half past four, Gabriel drank two cups of coffee—enough to make him alert, but not enough to make his hands shake—and dressed in the clothing that Chiara had brought from Jerusalem. Faded blue jeans, a dark woolen pullover, a shoulder holster: the uniform of a soldier of the night. He reassembled and loaded the Beretta and inserted it into the holster. Then, as Chiara looked on in silence, he repeatedly practiced drawing the weapon and firing two shots in rapid succession, both at a sharp upward trajectory.

When he felt ready, he holstered the gun and pulled on his leather jacket. Then he removed his wedding band and handed it to Chiara. She didn’t ask why; she didn’t need to. Instead, she kissed him one last time and tried not to cry as he slipped silently out the door. When he was gone, she stood alone in the window, her face wet with tears, and prayed for the screaming of sirens.

35

VIENNA

AUSTRIA’S FEDERAL MINISTRY OF THE INTERIOR occupied a magnificent old Hapsburg palace at Herengasse 7. Deep within the massive structure was a crisis center and situation room that had been constructed in the tense days after 9/11, when everyone in Europe, including the Austrians, assumed they were next on al-Qaeda’s hit list. Fortunately, Jonas Kessler had set foot in the crisis center only one time. It was the night Erich Radek was captured by the same man who now held Kessler’s career in the palm of his hand.

The center was arranged like a small amphitheater. On the lower level, in a space the staff referred to as “the pit,” liaison officers from the various branches of the Austrian Federal Police and security services sat at three common tables crowded with phones and computers. The more senior staff sat in an ascending staircase of workstations, with the uppermost deck reserved for chiefs, ministers, and, if necessary, the federal chancellor himself.

At 5:35, Jonas Kessler settled into his assigned seat, with the interior minister on one side and Uzi Navot on the other. Next to Navot was Ari Shamron. He was twirling his old Zippo lighter between his fingertips and staring at the largest image on the video display wall. It showed the exterior of the apartment house at Koppstrasse 34. At 5:50, the exact time Gabriel had predicted, four young Lebanese men emerged from the entrance. Each wore a heavy woolen overcoat. Their faces were clean-shaven, a sign they had ritually prepared themselves for the virginal delights that awaited them in Paradise.

The four Arabs walked two blocks to the Thaliastrasse and descended into a U-Bahn station. At 5:55, they boarded a train—separate carriages, just as Gabriel had said they would. Watching them on the video monitors, Kessler swore softly beneath his breath. Then he looked at Navot and Shamron.

“I don’t know how to thank you,” he said.

“Then don’t,” Shamron replied darkly. “Not until it’s over.”

“Bad karma?” asked Kessler.

Shamron made no reply other than to twirl his lighter nervously between his fingertips. He didn’t believe in karma. He believed in God. And he believed in his angel of vengeance, Gabriel Allon.

Regrettably, this was not the first time Arab terrorists had targeted Vienna’s historic Stadttempel. In 1981, two people were killed and thirty were wounded when Palestinian militants attacked a Bar Mitzvah party using machine guns and hand grenades. As a result of the attack, those wishing to enter the synagogue now had to pass through a cordon of youthful Israeli-born security guards. Members of the local Jewish community were usually admitted without delay, but visitors had to endure a maddening cross-examination and a search of their belongings. It was about as pleasant as boarding an El Al airplane.

Most of the guards were veterans of the diplomatic protection arm of Shabak, Israel’s internal security service. As a result, the two on duty that night recognized Yaakov Rossman as he approached the synagogue, trailed by Oded and Eli Lavon. Yaakov pulled the two guards aside and, as calmly as possible, told them that the synagogue was about to be attacked. Then he rattled off a quick set of instructions. The two guards immediately entered the offices of the Jewish community center, leaving Yaakov and Oded to handle security in the street. Eli Lavon, a former member of the community, covered his head with a kippah and entered the synagogue. Old habits die hard, he thought, even in wartime.

As usual, a small crowd of congregants was milling in the foyer. Lavon picked his way through them and entered the beautiful oval sanctuary. Looking up toward the women’s gallery, he saw faces aglow with candlelight between the Ionic columns. Their male relatives were now settling into their seats on the lower level. As Lavon walked past them and mounted the bimah , several heads turned in bewilderment. Then a few smiles appeared. It had been a long time since they had seen him.

“Good evening, ladies and gentlemen,” Lavon began, his voice calm and pleasant. “It’s quite possible that some of you might remember me, but that’s not important right now. What is important is that you all leave the sanctuary through the back door as quickly and quietly as possible.”

Lavon had been expecting a Talmudic debate on why such a step was necessary, or even whether it was possible on the Sabbath. Instead, he watched in wonder as the congregants rose to their feet and followed his instructions to the letter. In his earpiece, he could hear a voice in German saying the four Hezbollah operatives had just changed onto a Number 3 U-Bahn train bound for the Innere Stadt. He looked at his watch. The time was 6:05. They were right on schedule.

At the far end of the Rotenturmstrasse, just a few paces from the banks of the Donaukanal, is a café called Aida. The awning that shades its tables is Miami pink, as is the exterior of the building, making it, arguably, the ugliest café in all of Vienna. In another lifetime, under another name, Gabriel had brought his son to Aida most afternoons for chocolate gelato. Now he sat there with Mikhail Abramov. Four members of EKO Cobra were huddled around a nearby table, as inconspicuous as a Times Square billboard. Gabriel had his back turned to the street, the weight of the .45-caliber Beretta tugging at his shoulder. Mikhail was drumming his fingers nervously on the tabletop.

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