Daniel Silva - The Fallen Angel

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The Fallen Angel: краткое содержание, описание и аннотация

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Gabriel Allon — art restorer, spy, and assassin — returns in a spellbinding new thriller from the #1
bestselling master of intrigue and suspense
When last we encountered Gabriel Allon in
, he was pitted in a blood-soaked duel with a deadly network of jihadist terrorists. Now, exposed and war-weary, he has returned to his beloved Rome to restore a Caravaggio masterpiece for the Vatican.
But while working early one morning in the conservation laboratory, Gabriel is summoned to Saint Peter's Basilica by his friend and occasional ally Monsignor Luigi Donati, the all-powerful private secretary to his Holiness Pope Paul VII. The body of a beautiful woman lies smashed and broken beneath Michelangelo's magnificent dome. The Vatican police rule the death a suicidal fall, though Gabriel, with his restorer's eye and flawless memory, suspects otherwise. So, it seems, does the monsignor. Concerned about a potential scandal, Donati fears a public inquiry will inflict more wounds on an already-damaged Church; he calls upon Gabriel to use his matchless talents and experience to quietly pursue the truth — with one important caveat.
"Rule number one at the Vatican," Donati said. "Don't ask too many questions." Gabriel soon discovers that the dead woman had uncovered a dangerous secret - a secret that threatens powers beyond the Vatican. To solve the mystery, Gabriel joins forces with a master art thief to penetrate a criminal smuggling network that is looting timeless treasures of antiquity and selling them to the highest bidder. But there is more to this network than just greed. An old enemy is plotting revenge, an unthinkable act of sabotage that will plunge the world into a conflict of apocalyptic proportions. Once again Gabriel must return to the ranks of his old intelligence service — and place himself, and those he holds dear, on the razor's edge of danger.
An intoxicating blend of art and intrigue,
moves swiftly from the private chambers of the Vatican, to a glamorous art gallery in St Moritz, to the hidden alleyways of Istanbul — and finally, to a pulse-pounding climax in the ancient city of Jerusalem, the world's most sacred and contested parcel of land. Each setting is rendered with the care of an Old Master, as are the spies, lovers, priests, and thieves who inhabit its pages. It is a story of faith and of the destructive power of secrets. And it is an all-too-timely reminder that those who do not remember the past are doomed to repeat it.

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“Not that kind of something, Monsieur Durand.”

Durand’s hand had yet to move from the oxidized surface of the microscope. “It seems my debt has come due,” he said.

“You make us sound like blackmailers,” Lavon said, hoisting his most benevolent smile. “But I assure you that’s not the case.”

“What do you want?”

“Your expertise.”

“It’s expensive.”

“Don’t worry, Maurice. Money isn’t the problem.”

The rain chased them across the Place de la Concorde and along the Seine embankments. It was not the pleasing Parisian rain of songwriters and poets but a frigid torrent that clawed its way through their overcoats. Durand, thoroughly miserable, pleaded for the warmth of a taxi, but Lavon wanted to make certain they were not being followed, and so they slogged on. Finally, they entered the foyer of a luxury apartment building overlooking the Pont Marie and climbed the spiral staircase to a flat on the fourth floor. Seated in the living room, looking comfortable and relaxed, was Gabriel. With only a slight movement of his emerald-colored eyes, he invited Durand to join him. The Frenchman hesitated. Then, after receiving a nudge from Lavon, he approached with the slowness of a condemned man being led to the gallows.

“You obviously recognize me,” Gabriel said, watching Durand intently as he settled into his seat. “That’s usually a liability in our business. But not in this case.”

“How so?”

“Because you know I’m a professional, just like you. You also know I’m not someone who would waste valuable time by making idle threats.”

Gabriel looked down at the coffee table. On it were two matching attaché cases.

“Time bombs?” asked Durand.

“Your future.” Gabriel placed his hand on one of the attaché cases. “This one contains enough evidence to put a man in prison for the rest of his life.”

“And the other?”

“One million euros in cash.”

“What do I have to do for it?”

Gabriel smiled. “What you do best.”

22

QUAI DES CÉLESTINS, PARIS

THERE WAS A BOTTLE OF Armagnac on the sideboard. After hearing Gabriel’s proposal, Maurice Durand poured himself a very large glass. He hesitated before drinking it.

“Don’t worry, Maurice,” said Gabriel reassuringly. “We save the poisoned brandy for special occasions.”

Durand took a guarded sip. “There’s one thing I don’t understand,” he said after a moment. “Why not just steal this object yourself or borrow an item from one of your museums?”

“Because I’m going to tell a story,” replied Gabriel. “And like all good stories, it requires verisimilitude. If an object of great value were to appear suddenly out of thin air, our target would rightly suspect a trap. But if he believes the object has recently been stolen by a band of thieves with a long track record . . .”

“He will assume he’s dealing with professional criminals rather than professional spies.”

Gabriel was silent.

“How clever,” Durand said, raising his glass a fraction of an inch in a mock toast. “What exactly are you looking for?”

“A red-figure Attic vessel, fourth or fifth century BC, something large enough to turn heads on the illicit market.”

“Would you like it to come from a public source or private?”

“Private,” replied Gabriel. “No museums.”

“It’s not as difficult as you think.”

“Robbing a museum?”

Durand nodded.

“But it would be bad manners.”

“Suit yourself.” Durand sat down and stared into his drink thoughtfully. “There’s a villa outside Saint-Tropez. It’s located on the Baie de Cavalaire, not far from the estate that used to be owned by that Russian oligarch. His name escapes me.”

“Ivan Kharkov?”

“Yes, that’s him. Know him?”

“Only by reputation.”

“He was killed outside his favorite restaurant in Saint-Tropez. Very messy.”

“So I heard. But you were telling me about his neighbor’s house.”

“It’s not as big as Ivan’s old place, but its owner has impeccable taste.”

“Who is he?”

“Belgian,” said Durand disdainfully. “He inherited an industrial fortune and is doing his level best to spend every last centime of it. A couple of years ago, we relieved him of a Cézanne. It was a replacement job.”

“You left a copy behind.”

“Quite a good one, actually. In fact, our Belgian friend apparently still believes the painting is genuine because to my knowledge he’s never reported the theft to the police.”

“What was it?”

“The House of the Jas de Bouffan .

“Who handled the forgery?”

“You have your secrets, Mr. Allon, I have mine.”

“Go on.”

“The Belgian has several other Cézannes. He also has a very impressive collection of antiquities. One piece in particular is quite lovely, a terra-cotta hydria by the Amykos Painter, fifth century BC. It depicts two young women presenting gifts to two nude male athletes. Very sensual.”

“You obviously know your Greek pottery.”

“It is a passion of mine.”

“How often is the Belgian at the villa?”

“July and August,” Durand said. “The rest of the year it’s unoccupied except for the caretaker. He has a small cottage on the property.”

“What about security?”

“Surely a man such as yourself realizes there’s no such thing as security. As long as there are no surprises, my men will be in and out of the house within a few minutes. And you will have your Greek pot in short order.”

“I think I’d like a Cézanne, too.”

“Verisimilitude?”

“It’s all in the details, Maurice.”

Durand smiled. He was a detail man himself.

He made but one request, that they resist the temptation to monitor his movements as he went about the business of fulfilling their contract. They readily agreed, despite the fact they had absolutely no intention of living up to their end of the bargain. Maurice Durand had once stolen several hundred million dollars’ worth of paintings in the span of a single summer. One could utilize the services of a criminal like Durand, but only a fool would ever turn his back on him.

For three days, he kept to his beau quartier at the northern end of the eighth arrondissement. His schedule, like his shop, was filled with pleasant oddities from another time. He drank two café crèmes each morning at the same table of the same brasserie with no company other than a stack of newspapers, which he purchased from the same tabac . After that, he would cross the narrow street and, at the stroke of ten, disappear into his gilded little cage. Occasionally, he was obliged to open its doors to a client or a deliveryman, but for the most part Durand’s confinement remained solitary. Lunch was taken at one and lasted until half past two, when he would return to the shop for the remainder of the afternoon. At five, he would pay a brief visit to Madame Brossard. Then it was back to his table at the brasserie for a glass of Côtes du Rhône, which he drank always with an air of supreme contentment.

For those unlucky souls who were forced to keep watch over this seemingly charmed life, Maurice Durand was the subject of both endless fascination and passionate resentment. Not surprisingly, there were a few members of the team, most notably Yaakov, who believed that Gabriel had erred by placing the opening stage of the operation in the hands of such a man. “Look at the watch reports,” Yaakov demanded over dinner at the team’s primary safe flat near the Bois de Boulogne. “It’s obvious that Maurice has salted away our million euros and has no intention of ever delivering the goods.” Gabriel, however, was unconcerned. Durand had shown himself in the past to be a man of some principle. “He’s also a natural thief,” said Gabriel. “And there’s nothing a thief enjoys more than stealing from the very rich.”

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