Daniel Silva - The Fallen Angel

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The Fallen Angel: краткое содержание, описание и аннотация

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Gabriel Allon — art restorer, spy, and assassin — returns in a spellbinding new thriller from the #1
bestselling master of intrigue and suspense
When last we encountered Gabriel Allon in
, he was pitted in a blood-soaked duel with a deadly network of jihadist terrorists. Now, exposed and war-weary, he has returned to his beloved Rome to restore a Caravaggio masterpiece for the Vatican.
But while working early one morning in the conservation laboratory, Gabriel is summoned to Saint Peter's Basilica by his friend and occasional ally Monsignor Luigi Donati, the all-powerful private secretary to his Holiness Pope Paul VII. The body of a beautiful woman lies smashed and broken beneath Michelangelo's magnificent dome. The Vatican police rule the death a suicidal fall, though Gabriel, with his restorer's eye and flawless memory, suspects otherwise. So, it seems, does the monsignor. Concerned about a potential scandal, Donati fears a public inquiry will inflict more wounds on an already-damaged Church; he calls upon Gabriel to use his matchless talents and experience to quietly pursue the truth — with one important caveat.
"Rule number one at the Vatican," Donati said. "Don't ask too many questions." Gabriel soon discovers that the dead woman had uncovered a dangerous secret - a secret that threatens powers beyond the Vatican. To solve the mystery, Gabriel joins forces with a master art thief to penetrate a criminal smuggling network that is looting timeless treasures of antiquity and selling them to the highest bidder. But there is more to this network than just greed. An old enemy is plotting revenge, an unthinkable act of sabotage that will plunge the world into a conflict of apocalyptic proportions. Once again Gabriel must return to the ranks of his old intelligence service — and place himself, and those he holds dear, on the razor's edge of danger.
An intoxicating blend of art and intrigue,
moves swiftly from the private chambers of the Vatican, to a glamorous art gallery in St Moritz, to the hidden alleyways of Istanbul — and finally, to a pulse-pounding climax in the ancient city of Jerusalem, the world's most sacred and contested parcel of land. Each setting is rendered with the care of an Old Master, as are the spies, lovers, priests, and thieves who inhabit its pages. It is a story of faith and of the destructive power of secrets. And it is an all-too-timely reminder that those who do not remember the past are doomed to repeat it.

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“Did you take their advice?”

“I should have, but his death made me even more determined to stay and complete my mission. About six months later, a rebel leader came to see me. He knew the identity of the man responsible for Father José’s murder. His name was Alejandro Calderón. He was the scion of a landowning family with close ties to the ruling junta. He kept a mistress in an apartment in the town of San Miguel. The rebels were planning to kill him the next time he went to see her.”

“Why did they tell you in advance?”

“Because they wanted my blessing. I withheld it, of course.”

“But you didn’t tell them not to kill him, either.”

“No,” Donati admitted. “Nor did I warn Calderón. Three days later, his body was found hanging upside down from a lamppost in the central square of San Miguel. Within hours, another death squad was headed toward our village. But this time, they were looking for me. I fled across the border into Honduras and hid in a Jesuit house in Tegucigalpa. When it was safe for me to move, I returned to Rome, whereupon I was immediately summoned by the head of our order. He asked me whether I knew anything about Calderón’s death. Then he reminded me that, as a Jesuit, I was sworn to be obedient perinde ac cadaver —literally, to have no more will than my own corpse. I refused to answer. The next morning, I asked to be released from my vows.”

“You left the priesthood?”

“I had no choice. I’d allowed a man to be killed. What’s more, I no longer believed in God. Surely, I told myself, a just and forgiving God would not have allowed a man like Father José to be killed in such a gruesome manner.”

A group of Curial cardinals emerged from the entrance of the Vatican Radio building, trailed by their priestly staffs. Donati frowned and led Gabriel toward St. John’s Tower.

“I can only imagine that leaving the priesthood is a bit like leaving an intelligence service,” Donati resumed after a moment. “It’s a deliberately long and cumbersome process designed to give the wayward priest ample opportunity to change his mind. But eventually I found myself back in Umbria, living alone in a village near Monte Cucco. I spent my days climbing the mountains. I suppose I was hoping to find God up there among the peaks. But I found Veronica instead.”

“She’s the kind of woman who could restore a man’s faith in the divine.”

“In a way, she did.”

“What was she doing in Umbria?”

“She’d just completed her doctorate and was excavating the ruins of a Roman villa. We bumped into each other quite by accident in the town market. Within days, we were inseparable.”

“Did you tell her you’d been a priest?”

“I told her every thing, including what had happened in Salvador. She took it upon herself to heal my wounds and to show me the real world—the world that had passed me by while I was locked away in the seminary. Before long, we began talking about marriage. Veronica was going to teach. I was going to work as an advocate for human rights. We had everything planned.”

“So what happened?”

“I met a man named Pietro Lucchesi.”

Pietro Lucchesi was the given name of His Holiness Pope Paul VII.

“It was shortly after he was appointed Patriarch of Venice,” Donati continued. “He was looking for someone to serve as his private secretary. He’d heard about a former Jesuit who was living like a recluse in Umbria. He arrived unannounced and said he had no intention of leaving until I agreed to return to the priesthood. We spent a week together walking in the mountains, arguing about God and the mysteries of faith. Needless to say, Lucchesi prevailed. Breaking the news to Veronica was the hardest thing I’ve ever done. She is the only woman I ever loved, or ever will.”

“Any regrets?”

“One wonders from time to time, but, no, I have no regrets. I suppose it would have been easier if we’d never seen each other again, but it didn’t work out that way.”

“Please tell me you’re not romantically involved with her.”

“I take my vows seriously,” Donati said dismissively. “And so does Veronica. We are good friends, that’s all.”

“I take it she’s married.”

“Infamously. Her husband is Carlo Marchese. He’s one of the most successful businessmen in Italy.” Donati paused and looked at Gabriel gravely. “He’s also the reason Claudia Andreatti is dead.”

Somewhere beyond the walls of the Vatican a car backfired with the sharp report of a gunshot. A squadron of rooks whirled noisily in the trees before flying off in formation toward the dome of the Basilica. Gabriel watched them for a moment as he pieced together the implications of the story Donati had just told him. He felt as though he were wandering beneath the surface of an altarpiece, stumbling upon partial images concealed beneath layers of obliterating paint—here a woman lying dead on the floor of a church, here a tomb robber suffering for his sins in a cauldron of acid, here a fallen priest searching for God in the arms of his lover. He had questions, a thousand questions, but he knew better than to break the spell under which Donati had fallen. And so he walked at the monsignor’s shoulder with the austere silence of a confessor and waited for his friend to make a full accounting of his sins.

“Carlo descends from the Black Nobility,” Donati said, “the aristocratic Roman families who remained loyal to the pope after the conquest of the Papal States in 1870. His father was part of Pius the Twelfth’s inner circle. He was close to the CIA as well.”

“In what way?”

“He was involved in the Christian Democratic Party. After the Second World War, he worked with the CIA to prevent the Communists from taking control of Italy. Several million dollars’ worth of secret CIA funds flowed through his hands before the election in 1948. Carlo says they used to give his father suitcases filled with cash in the lobby of the Hassler Hotel.”

“It sounds as if you and Carlo are rather well acquainted.”

“We are,” Donati replied. “Like his father, Carlo is a member in good standing of the papal court. He also serves on the lay supervisory council of the Vatican Bank, which means he knows as much about Church finances as I do. Carlo is the kind of man who doesn’t need to stop at the Permissions Desk before entering the Apostolic Palace. He likes to remind me that he’ll still be at the Vatican long after I’m gone.”

“Who appointed him to the bank?”

“I did.”

“Why?”

“Because Veronica asked me to. And because Carlo appeared to be the perfect man for the job, a man with long-standing ties to the papacy who was regarded as one of the most honest businessmen in a country known for corruption. Unfortunately, that turned out not to be the case. Carlo Marchese controls the international trade in illicit antiquities. But that’s just the tip of the proverbial iceberg. He sits atop a global criminal empire that’s into everything from narcotics to counterfeiting to arms trafficking. And he’s laundering his dirty money at the Vatican Bank.”

“And you, the private secretary to His Holiness Pope Paul the Seventh, helped him get the job.”

“Unwittingly,” Donati said defensively. “But that small detail won’t matter if this explodes into yet another scandal.”

“When did you learn the truth about Carlo?”

“It wasn’t until I asked a talented curator to conduct a review of the Vatican’s collection of antiquities,” Donati said. “First she discovered that dozens of pieces had vanished from the Vatican Museums. Then she discovered a connection between the thieves and one Carlo Marchese.”

“Why did she want to see you the night of her death?”

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