Chris Ryan - Killing for the Company

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Former SAS legend Chris Ryan brings you his sixteenth novel and it is full of all his trademark action, thrills and inside knowledge.2003. Invalided out of the SAS Chet Freeman makes his living in high-end security, on a temporary contract for an American corporation called the Grosvenor Group. He catches a young woman, a peace campaigner, eavesdropping on a meeting the Group is holding with the British Prime Minister. The Group’s interests include arms manufacture, and what Chet and the young woman overhear seems to imply that it is bribing the Prime Minister to take his country into an illegal war. Could this possibly be true?
Somebody believes that this is a secret that needs covering up, because Chet and the girl are attacked. Hunted down, they go into hiding, and a deadly game of cat and mouse begins.
Nearly ten years later tension is reaching breaking point in Jerusalem. The now ex-Prime Minister is working as a Middle East peace envoy. As the city descends into anarchy and rival armies are poised to turn it into a battlefield, Chet’s best buddy, Luke, is part of a team tasked by the Regiment with extracting the ex-Prime Minister.
At the height of the battle Luke discovers a conspiracy far more devastating than any arms deal.

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Movement. Just a shadow in the corner of his field of view, passing the slightly open door. He turned and exited the room in time to see a figure disappear up the stairs at the end of the hallway, then limped after it.

And it was then that the screaming started.

It came from upstairs, and it was Suze: desperate and panicked. Chet ran to the stairs, ignoring the stabbing pains in his leg, and started to limp up. The screams stopped when he hit the fourth tread; by the time he was on the landing, the thick silence of the guest house had returned.

Light was spilling out of the room where he’d left Suze. Chet burst through the open door to see the black-clad figure of the woman. She had her back to him; her hair was wet and so were her clothes. Suze was just in front of her, and she was being throttled from behind.

Chet strode into the room, raised the figurine and brought it crashing down on the side of the woman’s head. She fell against the wall, releasing her grip on Suze, who gasped horribly as she inhaled. Chet bore down on the woman, fully expecting her to have been knocked senseless by the blow. But she hadn’t. Like a cat, she regained her footing, and she turned to face him, pulling a handgun as she did so. In a fraction of a second he took in the bloodied welt on her face, and her expression, filled with a mad fury. Suze was on her knees by the window, her hands at her throat as she continued to gasp for air. The intruder’s weapon — Chet instantly recognised it as a Beretta Model 70 semi-automatic — was in the woman’s fist and she was raising her arm.

Beretta Model 70. Harah! Something clicked in his brain.

Chet lunged towards her. It almost felt like slow motion. Maybe that was because he knew, beyond question, that he was about to take a bullet.

The crack of the Beretta firing was deafeningly loud at this range. Chet managed to knock the woman’s hand as she discharged the round. He felt the bullet nick the flesh on the top of his right arm. No pain yet — the adrenaline was masking it — but he knew he couldn’t stop. Despite his flesh wound, he got one big hand around her neck.

In a grip like that, most people would panic and wriggle. Not her. With her back against the wall, she raised her right leg and kicked sharply into Chet’s groin. He doubled over and released her as his prosthetic leg wobbled beneath him.

Ignore the pain, he told himself. You must ignore the pain…

He hurled himself at her once more, both bodies thumping against the wall. The Beretta went off again, but the round thumped harmlessly into the mattress. Suze screamed as Chet lifted the woman off her feet and threw her out of the door and on to the landing.

She fell skilfully, still gripping her Beretta, and if the fall caused her any pain, she didn’t show it. Her eyes flashing, she scrambled to her feet, and as she saw Chet’s bulky frame staggering through the doorway on to the landing, her demeanour remained calm.

Again she took aim, but Chet managed to launch himself across the metre between them and knock the gun from her hand with one swipe of his left arm. As he did so, the pain from his flesh wound kicked in and for a moment his knees buckled. It gave the woman the time she needed to reach over to where the Beretta had dropped, stoop down and pick it up. But by the time she was standing, Chet was there again, his face twisted with both anger and agony. He grabbed the woman by her upper arms, lifted her off the floor and, with all the strength his damaged body could summon, he threw her down the stairs and on to the stone flags below. There was a dreadful clattering as she tumbled, along with the noise of an accidental discharge from the Beretta.

And then silence.

Chet didn’t wait. He hurried back to the bedroom, where Suze had shrunk into one corner, her pale face terrified. ‘Is she…?’

‘I don’t know.’

He opened the window. Heavy rain, falling at an angle on account of the chill wind, splashed into the room. He looked out. They were just above the front porch, its roof only a couple of metres below the window. Impossible for him to climb out with his leg, but Suze could.

He pulled his wallet from his trouser pocket and pressed it into her hands.

‘There’s money there,’ he said. ‘Go.’

She froze. ‘What about you?’

Chet looked over his shoulder. He could feel his strength sapping away.

‘Just go. Get out of here now. You need to head cross-country, and keep going.’

‘How will you find me?’

‘There’s a cairn on the top of a hill about a mile due north of here.’ He took a moment to get his bearings, then pointed just to the left of the window. ‘That way. I’ll meet you there before sunrise. If I’m not there by then, hide. And don’t stop hiding.’

‘But I…’

A sound from downstairs. Movement.

Chet turned back to Suze. ‘She’s Mossad,’ he said.

What? How do you know?’

‘Beretta Model 70 semi-automatic. It’s their signature weapon. Last time we met I heard her speak. I’m pretty sure it was Hebrew. She’s a kidon — an assassin. The best in the world…’

‘Why?’

‘I don’t know. But believe me — if Mossad have us in their sights, that’s as bad as it gets…’

Footsteps, coming up the stairs.

Go! ’ Chet hissed. ‘If you ever need any help, track down Luke Mercer, 22 SAS, tell him what you know. But only if you have to, Suze. If you don’t, stay anonymous. Remember what I told you before. Stay dark.’

‘How long for?’

‘Just stay dark.’

He pushed her towards the window. ‘Go. Don’t stop running. Find the cairn…’

She made to kiss him, but he pushed her away.

Go!

She nodded, and started to climb inexpertly out of the window. Just before she disappeared, she turned round to face him.

Go!

Chet heard footsteps on the landing. His mouth was dry, his heart pounding. He headed towards the door. Towards the fight. If he didn’t dig deep, it could be his last.

She had two weapons in her hands: the Beretta in her right, and in her left a brass poker that she had found beside the fireplace downstairs. It wasn’t heavy.

But heavy enough.

Her face hurt. Whatever this man had hit her with had been sturdy. She’d felt the cheekbone crack on impact, and now the pain was blinding. It wasn’t going to stop her from finishing the job, though. It only made her more determined to see this through.

There was silence on the landing now. The light from the bedroom spilled out. No shadow, which meant neither of them was in the line of the doorway. She needed to be prepared for an attack from elsewhere.

She looked into the room. The window was open, rain splattering in, and the latch knocked against the frame. An unpalatable thought came to her. Had they escaped her again?

Carefully, she stepped inside.

He came at her from behind the door, the figurine in his hand and a look of brutal concentration on his face. She was ready for him. One swipe of the poker at the leg he limped on was all it took. Metal met metal with a dull thud, and he crumpled immediately to the ground.

She set about him with the poker, striking him first on the gunshot wound to disable him further. He gasped in pain as the blood started to flow more freely, not only from the wound, but from new cuts that were opening up on his face and neck; but he still attempted to grab her ankles and unbalance her footing. She was nimble enough to avoid that; nimble enough to stamp down on his hands before she whacked him again hard on his wound.

Another gasp, and his body started to shake.

It would have been so easy to shoot him, so easy to put a bullet in his head and be done with it, but she was clear-headed and professional enough, even in the middle of this struggle, to take the more sensible option. For the third blow of the poker, she raised her hand a little higher in the air. When she brought it down on the side of his head, there was a thump and his body immediately went limp.

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