Stephen King - Under the Dome

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On an entirely normal, beautiful fall day in Chester’s Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener's hand is severed as “the dome” comes down on it, people running errands in the neighboring town are divided from their families, and cars explode on impact. No one can fathom what this barrier is, where it came from, and when—or if—it will go away.
Dale Barbara, Iraq vet and now a short-order cook, finds himself teamed with a few intrepid citizens—town newspaper owner Julia Shumway, a physician’s assistant at the hospital, a select-woman, and three brave kids. Against them stands Big Jim Rennie, a politician who will stop at nothing—even murder—to hold the reins of power, and his son, who is keeping a horrible secret in a dark pantry. But their main adversary is the Dome itself. Because time isn’t just short. It’s running out.
Under the Dome
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Under the Dome From Wikipedia

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“I lean toward extraterrestrial,” Marty said. He knocked on the Dome without wincing; he’d already gotten his little shock from it. “So do most of the scientists working on this right now—if we can be said to be working when we’re not actually doing anything. It’s the Sherlock Rule: When you eliminate the impossible, the answer, no matter how improbable, is what remains.”

“Has anyone or anything landed in a flying saucer and demanded to be taken to our leader?” Julia asked.

“No,” Cox said.

“Would you know if something had?” Barbie asked, and thought: Are we having this discussion? Or am I dreaming it?

“Not necessarily,” Cox said, after a brief hesitation.

“It could still be meteorological,” Marty said. “Hell, even biological—a living thing. There’s a school of thought that this thing is actually some kind of E. coli hybrid.”

“Colonel Cox,” Julia said quietly, “are we something’s experiment? Because that’s what I feel like.”

Lissa Jamieson, meanwhile, was looking back toward the nice houses of the Eastchester burblet. Most of the lights there were out, either because the people who lived there had no generators or were saving them.

“That was a gunshot,” she said. “I’m sure that was a gunshot.”

FEELING IT

1

Other than town politics, Big Jim Rennie had only one vice, and that was high school girls’ basketball—Lady Wildcats basketball, to be exact. He’d had season tickets ever since 1998, and attended at least a dozen games a year. In 2004, the year the Lady Wildcats won the State Class D championship, he attended all of them. And although the autographs people noticed when they were invited into his home study were inevitably those of Tiger Woods, Dale Earnhardt, and Bill “Spaceman” Lee, the one of which he was proudest—the one he treasured—was Hanna Compton’s, the little sophomore point guard who had led the Lady Wildcats to that one and only gold ball.

When you’re a season ticket holder, you get to know the other season ticket holders around you, and their reasons for being fans of the game. Many are relatives of the girls who play (and often the spark-plugs of the Booster Club, putting on bake sales and raising money for the increasingly expensive “away” games). Others are basketball purists, who will tell you—with some justification—that the girls’ games are just better. Young female players are invested in a team ethic that the boys (who love to run and gun, dunk, and shoot from way downtown) rarely match. The pace is slower, allowing you to see inside the game and enjoy every pick-and-roll or give-and-go. Fans of the girls’ game relish the very low scores that boys’ basketball fans sneer at, claiming that the girls’ game puts a premium on defense and foul shooting, which are the very definition of old-school hoops.

There are also guys who just like to watch long-legged teenage girls run around in short pants.

Big Jim shared all these reasons for enjoying the sport, but his passion sprang from another source entirely, one he never vocalized when discussing the games with his fellow fans. It would not have been politic to do so.

The girls took the sport personally, and that made them better haters.

The boys wanted to win, yes, and sometimes a game could get hot if it was against a traditional rival (in the case of The Mills Wildcats sports teams, the despised Castle Rock Rockets), but mostly with the boys it was about individual accomplishments. Showing off, in other words. And when it was over, it was over.

The girls, on the other hand, loathed losing. They took loss back to the locker room and brooded over it. More importantly, they loathed and hated it as a team. Big Jim often saw that hate rear its head; during a loose ball-brawl deep in the second half with the score tied, he could pick up that No you don’t, you little bitch, that ball is MINE vibe. He picked it up and fed on it.

Before 2004, the Lady Wildcats made the state tournament only once in twenty years, that appearance a one-and-done affair against Buckfield. Then had come Hanna Compton. The greatest hater of all time, in Big Jim’s opinion.

As the daughter of Dale Compton, a scrawny pulp-cutter from Tarker’s Mills who was usually drunk and always argumentative, Hanna had come by her out-of-my-face ’tude naturally enough. As a freshman she had played JV for most of the season; Coach swung her up to varsity only for the last two games, where she’d outscored everyone and left her opposite number from the Richmond Bobcats writhing on the hardwood after a hard but clean defensive play.

When that game was over, Big Jim had collared Coach Wood-head. “If that girl doesn’t start next year, you’re crazy,” he said.

“I’m not crazy,” Coach Woodhead had replied.

Hanna had started hot and finished hotter, blazing a trail that Wildcats fans would still be talking about years later (season average: 27.6 points per game). She could spot up and drop a three-pointer any time she wanted, but what Big Jim liked best was to watch her split the defense and drive for the basket, her pug face set in a sneer of concentration, her bright black eyes daring anyone to get in her way, her short ponytail sticking out behind her like a raised middle finger. The Mill’s Second Selectman and premier used car dealer had fallen in love.

In the 2004 championship game, the Lady Wildcats had been leading the Rock Rockets by ten when Hanna fouled out. Luckily for the Cats, there was only a buck-sixteen left to play. They ended up winning by a single point. Of their eighty-six total points, Hanna Compton had scored a brain-freezing sixty-three. That spring, her argumentative dad had ended up behind the wheel of a brand-new Cadillac, sold to him at cost-minus-forty-percent by James Rennie, Sr. New cars weren’t Big Jim’s business, but when he wanted one “off the back of the carrier,” he could always get it.

Sitting in Peter Randolph’s office, with the last of the pink meteor shower still fading away outside (and his problem children waiting—anxiously, Big Jim hoped—to be summoned and told their fate), Big Jim recalled that fabulous, that outright mythic, basketball game; specifically the first eight minutes of the second half, which had begun with the Lady Wildcats down by nine.

Hanna had taken the game over with the single-minded brutality of Joseph Stalin taking over Russia, her black eyes glittering (and seemingly fixed upon some basketball Nirvana beyond the sight of normal mortals), her face locked in that eternal sneer that said, I’m better than you, I’m the best, get out of my way or I’ll run you the fuck down. Everything she threw up during that eight minutes had gone in, including one absurd half-court shot that she launched when her feet tangled together, getting rid of the rock just to keep from being called for traveling.

There were phrases for that sort of run, the most common being in the zone. But the one Big Jim liked was feeling it, as in “She’s really feeling it now.” As though the game had some divine texture beyond the reach of ordinary players (although sometimes even ordinary players felt it, and were transformed for a brief while into gods and goddesses, every bodily defect seeming to disappear during their transitory divinity), a texture that on special nights could be touched: some rich and marvelous drape such as must adorn the hardwood halls of Valhalla.

Hanna Compton had never played her junior year; the championship game had been her valedictory. That summer, while driving drunk, her father had killed himself, his wife, and all three daughters while driving back to Tarker’s Mills from Brownie’s, where they had gone for ice cream frappes. The bonus Cadillac had been their coffin.

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