James Patterson - Zoo

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Zoo: краткое содержание, описание и аннотация

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Once in a lifetime, a writer puts it all together. This is James Patterson’s best book ever.
Total World All over the world, brutal attacks are crippling entire cities. Jackson Oz, a young biologist, watches the escalating events with an increasing sense of dread. When he witnesses a coordinated lion ambush in Africa, the enormity of the violence to come becomes terrifyingly clear.
Destruction With the help of ecologist Chloe Tousignant, Oz races to warn world leaders before it’s too late. The attacks are growing in ferocity, cunning, and planning, and soon there will be no place left for humans to hide. With wildly inventive imagination and white-knuckle suspense that rivals Stephen King at his very best, James Patterson’s ZOO is an epic, non-stop thrill-ride from “One of the best of the best.” (
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This year-long grant was a once-in-a-lifetime scenario, a golden ticket for a primatologist. It provided enough money to live for a year in Rwanda, working at the mountain gorilla research camp that Dian Fossey had made famous.

Sylvia had thought it would be too dangerous, but Barbara had begged and cajoled and finally convinced her to put the community garden on hold for a year and follow her to Africa.

They’d been returning from doing the yearly UN-required endangered species census of the mountain gorillas when the unspeakable occurred. Barbara was walking up the path to their cabin behind Sylvia when three silverback male gorillas emerged from the open front door.

A moment later, there were gorillas everywhere. Silverbacks and younger males. There was an electric fence around the camp, but the gorillas had somehow penetrated the camp’s perimeter. They grunted, threw debris, leaped off the roofs of the cabins and outbuildings. Cargo crates clattered; the air was a swirl of pounding, panting, huffing.

Barbara remembers running into the jungle, her lungs burning, as leaves and branches crunched and cracked behind her. Then she had looked back and noticed that Sylvia wasn’t with her anymore.

She mustered up her courage and came back to the camp that night—to find everyone gone. All three Rwandan trackers, the four young men from the antipoaching team, and Sylvia. All gone.

In the bed, Barbara moans as she grasps at her throbbing head with her hands, trying to wring the memory from her brain as though it were a sponge. She had been quick to dismiss the fringe-level, paranoid racket about HAC, the absurd buzzing of Internet lunatics. She believed the theory was crackpot because she knows animals—gorillas in particular. But now she is having doubts. The behavior of all mammals, even mountain gorilla behavior, seems to have undergone a meltdown.

She’s in dire straits. The radio and generators have been smashed, along with the guns. The nearest village is thirty miles away, through mountain jungle so impassable they had to be airlifted here by helicopter. The next supply run is forty-eight hours away.

Two more days to get through, Barbara thinks. If the gorillas return, she will have no chance.

She is sitting up in bed, rocking back and forth. In despair.

Then she feels something. It is a distinctly felt presence, as if Sylvia were there in the room beside her, watching, invisible. Not only that, but her lover seems pissed off at Barbara for doing the damsel-in-distress act, panicking, giving up.

Have I taught you nothing? Sylvia’s presence seems to say. Buck up, girl. Grow some ovaries.

Barbara climbs to her feet, ripping aside the gray film of mosquito netting. Sylvia is right. She needs to do something. In a moment she knows what.

Behind the storage shed are barrels of gasoline for the generators. Barbara can fill up some canisters, douse the tree line, set it on fire. She hates thinking about damaging such a precious ecosystem, but it is a life-and-death situation. Her life and death, specifically. Perhaps the smoke will attract attention from the villages in the valley, and perhaps someone will eventually come to investigate. And get her out of here.

She is coming out from behind the shed with two gas cans sloshing tinnily in her hands when she hears the crunch of branches off to her left. She turns. Her eyes fall on the tree line. She drops the gas cans. They tumble at her feet.

Coming through the trees is something that defies imagination.

About two hundred yards away, rhinos are entering the clearing. Half a dozen massive horned rhinos.

Which is impossible. How did they get here? Rhinos graze in the plains. They have to be within walking distance of water. Why would rhinos migrate seventy miles laterally and several thousand feet vertically from their natural habitat? What would she see next? Polar bears?

The animals keep coming. There are more than a dozen rhinos now. The scene is so out there, so upside down—so wrong.

As the creatures approach, a memory comes to Barbara. She is eleven years old, sitting in the front pew of a Baptist church with her family in northern Florida. The fire-and-brimstone preacher points a gnarled finger at the small crowd in the pews as he reads from the Book of Revelation.

“And the first beast was like a lion,” he says histrionically, turning his eyes to heaven. “And the second like a calf. And the third had a face like a man.”

End times, Barbara thinks, watching the giant animals step curiously amid the jungle underbrush. She is in such desperation that she almost begins to pray.

Chapter 60

CONCORD, MASSACHUSETTS

MOBILIZED OUT OF Fort Drum, New York, Captain Stephen Bowen’s Tenth Mountain Division consists of two four-man fire teams, a small but elite unit.

Arrayed in the standard wedge formation, the men move as one up the wooded hill in their camos. Using hand and arm signals, they are silent, all but invisible. Standard operating procedure for combat patrol.

The fact that their combat patrol runs alongside a bike path in Hapgood Wright Town Forest near Walden Pond in Concord, Massachusetts, is definitely not SOP, though. It’s more FUBAR than snafu. In Captain Bowen’s opinion, this is about as screwball as it comes.

Bowen knows for a stone-cold fact that what they are doing is illegal. They’re supposed to be helping the cops direct traffic, not going out on a search-and-destroy mission in a public park. And the orders, if you could call them that, are truly out there.

Bowen, though only twenty-seven, was hard-core even before he did his three tours neck-deep in the shit of Afghanistan and Iraq. The word INFIDEL is tattooed across his chest in an arc of Gothic lettering, and inked on his back, under the Mountain Division insignia of crossed swords, is his credo, KILLING: THERE IS NO SUBSTITUTE.

“Cap, down the hill,” says King, on point. “Movement. Six o’clock.”

“What are you waiting for, soldier?” Bowen says. “Drop it like it’s hot.”

King opens up with his M16A4.

Bowen’s eyes twinkle like Strawberry Shortcake’s as the familiar, ripping, heavy-metal clack of gunfire echoes across the hills.

Is there anything better than guns unloading? he thinks. What else can make your eyes water and your dick get hard at the same time?

“Shit,” King mutters after three three-round bursts. “Missed. I think it’s still coming.”

“That’s what she said,” says Chavez.

“Lemme show you how it’s done, Poindexter,” Bowen says, parting leaves as he steps forward.

When he gets to the crest of the hill Bowen mentally does a little Scooby-Doo: Eeuooorr? Directly in front of them, down the incline of a patchy deer path, are three—what are they? Bowen thinks. Dogs? He glasses them with the 10X binoculars. Hmm. Foxes? About a dozen or so. Now, how about that? Rabid, bloodthirsty foxes. Whatever.

“Tallyho, motherfuckers,” Bowen says, dropping the glasses and lifting his rifle smoothly to his shoulder.

The new gun pulls left a bit when he pulls the trigger, but he manages to adjust.

The men start laughing as they come down the hill.

“Shit, Cap. Didn’t think we’d be going hunting today,” says Chavez, poking at one of the dead foxes with the muzzle of his gun. “Hope you understand PETA will be gettin’ a e -mail.”

They camp for the night by a creek under an old train bridge three clicks to the north. There’s a battered old couch there, a couple of sun-faded Coors boxes, torn condom wrappers, amateur graffiti.

“This night air’s making me feel romantic,” Gardner says, popping open an MRE. “Any you guys wanna take a moonlit stroll?”

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