Sandra Brown - Low Pressure

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Low Pressure: краткое содержание, описание и аннотация

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Bellamy Lyston was only 12 years old when her older sister Susan was killed on a stormy Memorial Day. Bellamy’s fear of storms is a legacy of the tornado that destroyed the crime scene along with her memory of what really happened during the day’s most devastating moments.
Now, 18 years later, Bellamy has written a sensational, bestselling novel based on Susan’s murder. Because the book was inspired by the tragic event that still pains her family, she published it under a pseudonym to protect them from unwanted publicity. But when an opportunistic reporter for a tabloid newspaper discovers that the book is based on fact, Bellamy’s identity is exposed along with the family scandal.
Moreover, Bellamy becomes the target of an unnamed assailant who either wants the truth about Susan’s murder to remain unknown or, even more threatening, is determined to get vengeance for a man wrongfully accused and punished.
In order to identify her stalker, Bellamy must confront the ghosts of her past, including Dent Carter, Susan’s wayward and reckless boyfriend — and an original suspect in the murder case. Dent, with this and other stains on his past, is intent on clearing his name, and he needs Bellamy’s sealed memory to do it. But her safeguarded recollections -once unlocked-pose dangers that neither could foresee and puts both their lives in peril.
As Bellamy delves deeper into the mystery surrounding Susan’s slaying, she discovers disturbing elements of the crime which call into question the people she holds most dear. Haunted by partial memories, conflicted over her feelings for Dent, but determined to learn the truth, she won’t stop until she reveals Susan’s killer.
That is, unless Susan’s killer strikes her first… Review
‘Sexual tension fueled by mistrust between brash Denton and shy Bellamy smolders and sparks in teasing fashion throughout.’
— Publishers Weekly on LOW PRESSURE ‘A relentless pace and clever plot twists keep the pages turning.’
— Publishers Weekly Starred Review on LETHAL ‘It’s a great, entertaining read, with lots of surprising twists and turns, credibly flawed characters and a love affair that’s as steamy as a Savannah summer.’
— Lisa Scottoline, Washington Post on Ricochet on LETHAL ‘A masterful storyteller, carefully crafting tales that keep readers on the edge of their seats.’
— USA Today on LETHAL ‘Millions of readers clamour for the compelling novels of Sandra Brown. And no wonder! She fires your imagination with irresistible characters, unexpected plot twists, scandalous secrets… so electric you feel the zing.’
— Literary Guild on LETHAL ‘Brown’s novels define the term page turner.’
— Booklist on LETHAL

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If Gall’s scowl was any indication, nothing Dent told him had won his approval. “Back to the redneck—he have a name?”

“I think it might be Ray Strickland, Allen’s brother. But that’s only a guess.”

“Why would he come after you?”

“Retribution, maybe.” Dent raised one shoulder in a shrug. “That’s the best Bellamy and I could come up with.”

“Bellamy and you.” He snorted an expletive that Dent hadn’t heard since leaving the military. “Dent, why are you doing this?”

“I told you why.”

“Exoneration. Once and for all. Okay, I get it. But what? The shit your life is in isn’t deep enough? You need this to top it off?” He gave Dent no time to defend his actions. “You could get yourself killed. What good will vindication do you if you’re dead? As for her, do you think she’d want to partner with you if she knew—”

“She knows.”

Gall, shocked silent by Bellamy’s declaration, turned quickly to find her standing behind him.

“I know he was in the state park, quarreling with Susan shortly before she was killed. I saw them. My memory of it came back last night during a heated argument.”

Gall swallowed noisily and for once seemed at a loss for words. “Well…”

She smiled and even reached out and laid her hand on the sleeve of his coveralls. “I know you lied in order to protect Dent. Your secret is safe.”

“You’re not going to tell Moody?”

“I’m more interested in hearing what he has to tell us.”

“Speaking of which,” Dent said, “if we don’t get there soon, he may change his mind and refuse to see us.”

They went outside, but before they boarded, Dent drew Gall aside. “This redneck guy, whoever he is, means business, Gall. Watch your back.”

“Don’t worry about me, Ace.”

“I’m not. I’m worried about me.”

“How so?”

“I plan to hurt him for what he’s done to Bellamy and me. But if he hurts you, I’ll have to kill him.”

“Who were you talking to for so long?”

Bellamy had accepted Dent’s invitation to sit in the cockpit, and, despite her complaint about the discomfort of the headphones, she’d put them on and plugged in so they could communicate.

Staring at the horizon, she released a weary sigh. “Dexter. My agent. He had left twenty or more voice-mail messages, the last one threatening to jump off the Brooklyn Bridge if I didn’t return his call. So I did.”

“And?”

“He’d seen Van Durbin’s column yesterday. It’s created renewed hype. He thinks I should reenter the arena and ramp up the publicity. I said no. The book has already climbed two spots on the best-seller list without my having to do anything. Dexter says that with just a little media coverage, it could go higher, stay longer. The movie deal would get sweeter. Et cetera. I said no. Again. Emphatically.”

“Will they be dragging the East River for his body?”

She laughed. “When I left New York, he threatened to jump from the Empire State Building. He hasn’t yet.”

He exchanged several transmissions with air-traffic controllers when they were passed from one’s airspace to another. The cockpit controls were as alien to her as the surface of Neptune.

When he was free again to talk to her, she asked, “How did you ever learn what everything is for?”

“I learned it because I have a very healthy respect for gravity. The ground is always there, trying to pull you down. It’s the most important thing to keep in mind.”

“Why are crashes usually attributed to pilot error?”

“Because they make the last mistake, and it’s hard for them to defend themselves or explain their actions if they’re dead.”

“That’s terribly unfair, isn’t it?”

“Can be, yeah. Pilots aren’t infallible. They screw up. But typically a crash is caused by a series of mistakes or mishaps. They stack up, and that’s what the cockpit crew is left to deal with. Have you ever heard of the Swiss cheese model?”

“I think so, but refresh me.”

“In order for a catastrophic event, such as a plane crash, to occur, a sequence of events precedes it. Think of these separate factors as slices of Swiss cheese lined up one behind the other. If any one of the holes in them doesn’t align with the others, the series of events is changed or curtailed, and a catastrophe is prevented.”

“But if all the holes line up—”

“The door is open for disaster.”

“The pilot’s mistake is the hole in the last slice of cheese.”

He nodded. “Say an airplane mechanic has a fight with his nagging wife, goes out and gets drunk, and is hungover at work the following day. During a preflight check, the first officer—co-pilot—spills his coffee over an electronic panel, which could result in its shorting out.

“He reports it, this mechanic is called to come and replace it. He doesn’t feel good to start with, now he’s working under pressure, knowing that the clock is ticking, and that everyone on board is disgruntled over the holdup. To make matters worse, the weather is deteriorating, and they want to get this bird out of there before the worst of it moves in, stranding passengers and crew for hours longer.

“The panel is replaced. The mechanic signs off on it. The captain and co-pilot are aware of the storms, but, between them, they’ve threaded a needle like that many times. They taxi, the tower clears them for takeoff, they check the radar one last time, and off they go.

“At about a thousand feet, they encounter some heavy turbulence. In an effort to get them out of it, the ATC instructs them to turn left. The captain responds. But as the plane goes into the turn, it gets struck by lightning, which in reality doesn’t cause an accident, but it can make things hairy.

“So now, the plane is in a steep left bank, flying in turbulence, trying to climb out of heavy rain and hail, at night, because the flight was delayed on account of the panel replacement. When…” He paused for dramatic effect and glanced over at her.

“When the fire warning for the left engine sounds and lights up red. The captain reacts immediately and does exactly what he’s been trained and conditioned to do for years on a 727. He pulls the fire warning lever, instantly shutting down that engine.

“What he doesn’t know is that he’s responded to a false warning. It sounded because it had grounded out after the coffee was spilled on it, which went unnoticed by both pilots and the mechanic. The turbulence, or the lightning strike, something, caused it to go off at that critical moment. The captain’s quick action to correct an emergency, which didn’t exist, actually created one.

“Remember, the plane was already in a left turn. Well, you never turn into a dead engine because the opposite one accelerates the plane into an even steeper turn. Wings quickly go vertical. Nose goes down. The airplane is doomed. Everyone onboard dies.

“But who do you blame for the crash? The captain made the last mistake. But you could also blame the clumsy first officer who spilled his coffee, or the mechanic who failed to notice that the fire warning had been damaged along with the panel he’d replaced. You could blame his wife for being a nag and driving him to drink the night before, making him feel like dog shit and not nearly as sharp as he normally would have been. You could take the blame all the way up to God for the crappy weather and that particular bolt of lightning.

“The sequence of events proved disastrous, but if only one of the contributing factors had been taken out of the equation, it might never have happened.” He paused and gave a shrug. “That’s a simplistic, layman’s explanation, but you get the gist of it.”

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