Sandra Brown - Low Pressure

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Low Pressure: краткое содержание, описание и аннотация

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Bellamy Lyston was only 12 years old when her older sister Susan was killed on a stormy Memorial Day. Bellamy’s fear of storms is a legacy of the tornado that destroyed the crime scene along with her memory of what really happened during the day’s most devastating moments.
Now, 18 years later, Bellamy has written a sensational, bestselling novel based on Susan’s murder. Because the book was inspired by the tragic event that still pains her family, she published it under a pseudonym to protect them from unwanted publicity. But when an opportunistic reporter for a tabloid newspaper discovers that the book is based on fact, Bellamy’s identity is exposed along with the family scandal.
Moreover, Bellamy becomes the target of an unnamed assailant who either wants the truth about Susan’s murder to remain unknown or, even more threatening, is determined to get vengeance for a man wrongfully accused and punished.
In order to identify her stalker, Bellamy must confront the ghosts of her past, including Dent Carter, Susan’s wayward and reckless boyfriend — and an original suspect in the murder case. Dent, with this and other stains on his past, is intent on clearing his name, and he needs Bellamy’s sealed memory to do it. But her safeguarded recollections -once unlocked-pose dangers that neither could foresee and puts both their lives in peril.
As Bellamy delves deeper into the mystery surrounding Susan’s slaying, she discovers disturbing elements of the crime which call into question the people she holds most dear. Haunted by partial memories, conflicted over her feelings for Dent, but determined to learn the truth, she won’t stop until she reveals Susan’s killer.
That is, unless Susan’s killer strikes her first… Review
‘Sexual tension fueled by mistrust between brash Denton and shy Bellamy smolders and sparks in teasing fashion throughout.’
— Publishers Weekly on LOW PRESSURE ‘A relentless pace and clever plot twists keep the pages turning.’
— Publishers Weekly Starred Review on LETHAL ‘It’s a great, entertaining read, with lots of surprising twists and turns, credibly flawed characters and a love affair that’s as steamy as a Savannah summer.’
— Lisa Scottoline, Washington Post on Ricochet on LETHAL ‘A masterful storyteller, carefully crafting tales that keep readers on the edge of their seats.’
— USA Today on LETHAL ‘Millions of readers clamour for the compelling novels of Sandra Brown. And no wonder! She fires your imagination with irresistible characters, unexpected plot twists, scandalous secrets… so electric you feel the zing.’
— Literary Guild on LETHAL ‘Brown’s novels define the term page turner.’
— Booklist on LETHAL

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“He was a cop. He would know how to disappear.”

“He’s not the only thing that went missing,” she said, her tone gaining Dent’s full attention. “With the bribe of a few beers, I talked a detective into letting me review the Susan Lyston case file. I could have saved my bar bill. He reported back that the file was missing.”

“Did you believe him? Maybe he was holding out for a sweeter bribe. I would have.”

She responded to his insinuating smile with an eye roll. “He seemed genuinely perplexed, upset, and embarrassed by his and the police department’s failure to produce the file. I think he genuinely wanted to help.”

“Or he genuinely wanted to get laid and then get an acknowledgment in your book.”

“Not every man thinks like you.”

“Sure they do.” It was a rote response because he appeared to be already concentrating on something else. He was gazing into space and tapping his thumbnail against his front teeth. “I have an idea of who may know where Moody is.”

He stood up and took the telephone book with him. Pointing to her half-empty mug of coffee, he said, “Bring that with you. You can finish it on the way.”

“I can’t go anywhere without first stopping by my house. I’m a mess.”

He looked her over. “Right. Okay. Good, in fact. I’d like to leave my Vette in your garage.”

“Why?”

“It’s too easy for that knife-wielding son of a bitch to spot.”

He pulled into the driveway behind her car. “I’ll switch cars while you’re making the overhaul.”

“I look that bad?”

“Allow yourself at least fifteen minutes.” He was ragging on her, but his rascally smile suddenly reversed itself. “What’s that?”

Propped against her front door was a large manila envelope.

“When I spoke with the house painter yesterday, I asked him to leave an estimate in the mailbox, but I guess the envelope was too large.”

However, when she picked it up and read the bold label stuck to the front of it, her stomach sank. “Van Durbin.”

She worked open the sealing adhesive and removed several eight-by-ten photographs. All of them were of her and Dent. Sorting through them quickly, she said, “These were taken—”

“Yesterday. At the Austin airport.”

Clearly recognizable in the background was the ticketing area where they had stopped at an automated kiosk to pick up their boarding passes for the flight to Atlanta. There was another photograph of them hurrying toward the security check line and one of them in line waiting their turn.

The fourth picture, obviously taken from a distance with a telephoto lens, had been snapped after they’d cleared security and were rushing toward the gate. Their backs were to the camera.

And Dent’s hand was planted solidly on the small of her back.

She went through the photos a second time, now noting that in each shot he was touching her. She didn’t remember there being that much physical contact between them, but the evidence was there.

The most startling picture had been taken while they were waiting in the security check line. He was pulling a small piece of leaf—a holdover from their trip to the neighborhood park—from her hair. It had seemed like nothing at the time. The gesture had lasted no more than a second or two, but the camera had caught them with their faces close, his fingers in her hair. They were smiling into each other’s eyes in a way that was indicative of much more than his teasing remark about being unable to take her anywhere without dusting her off first.

The photos implied an intimacy between them that now made her feel hot, self-conscious, and glad that her back was to him. She cleared her throat. “Van Durbin must have left them here yesterday before tracking us to your apartment last night.”

“Busy guy.” He sounded distracted, and she wondered if he, too, was surprised to find himself caught in such telling tableaus.

“Why did he bother to hand-deliver them?” she asked.

“To let us know that we can run but we can’t hide. I hope the bastard had a rough night in jail.” She sensed his leaning in to get a closer look at the photographs from over her shoulder. Speaking in a low voice, he said, “You know, to look at these, you’d think—”

“Oh!” she exclaimed suddenly. “That’s Jerry.”

“Huh?”

“Jerry.” She pointed out a face in the airport crowd in the background. The man was looking at her and Dent, not at the camera, but it had a clear angle on his face.

“Who the hell is Jerry ?”

She laughed. “He’s… he’s nobody. An ardent fan.” Shaking her head with dismay, she said, “What a bizarre coincidence.”

Tucking the photos under her arm, she unlocked her front door and the two of them went inside. “Let me go first.” Dent moved her aside as he reached beneath his loose shirttail and produced a pistol.

Bellamy gasped. “Where did that come from?”

“Pepe’s Pawn Shop, I think it was called. It’s a tamale stand now.”

“Dent! I want nothing to do with guns.”

Gun . Only one. And you never have to touch it.”

“What are you doing with it?”

“Discouraging anything our tattooed friend has in mind for us. Now stay put till I check things out.”

After a swift walk-through he returned and reported that the house was as they’d left it the day before. She was relieved to see that he’d tucked the pistol away.

“I checked the mailbox and found this.” She held up the letter envelope with the painter’s estimate inside. “Seems fair. And I like the idea of his being the locksmith’s brother-in-law. Saves me from having to give a house key to someone else.”

She reached for her cell phone, but Dent said, “Call him later. I want to hear about Jerry, your ardent fan.”

“He calls himself my number-one fan.” She picked out the photograph with him in it. “The focus is soft, but I’m almost certain that’s him.”

Dent studied the man in the picture.

His deep frown caused Bellamy to ask, “What?”

“I don’t know. Something. Tell me about him.”

“There’s not much to tell. I don’t know him, not even his last name. He came to one of my first book signings and thereafter kept popping up at personal appearances and lectures in New York, always bringing several copies of the book for me to autograph.”

“New York? So what was he doing at the Austin airport yesterday?”

“I have no idea.”

“You told me that your sense of being watched started when you got to Austin. Ever get that feeling in New York?”

“Sometimes. But I thought it was claustrophobia, being surrounded by a crowd.”

“You’re always surrounded by a crowd in New York.”

“Yes, but—”

“This was different? And it started when you began publicizing your book?”

She nodded. “The first time it happened, I was signing copies at a mystery bookstore. I thought the spooky atmosphere, all the people waiting in line, caused me to get flustered and panicky. I felt… airless.”

“Was Jerry there?”

“I think so.”

“When was the last time you saw him?”

“The day—” She stopped suddenly.

He cupped his ear with his hand. “The day… what?”

“I left the city.”

“Same day the rat was delivered. Where’d you see Jerry that day?”

“Outside the network studio. But I’m positive that one has nothing to do with the other.”

“Well, I’m not. Positive, that is. Maybe Jerry’s stalking you.”

“With evil intent? Absolutely not. He’s harmless.”

Dent raised an eyebrow as though questioning that assertion.

“I swear to you, Dent, he’s about as sinister as a glass of milk. Bookish. Mild-mannered. Ordinary looking. He blends into the woodwork.”

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