T. Parker - The Triggerman Dance

"You're willing to do this, young man?"

"I've said so several times, sir."

The identification room was small and official. It had four chairs along one wall, a sink and a faucet. Two large boxes of tissue sat on a counter, beside an arrangement of plastic flower in a gray vase.

A morgue tech entered through a large sliding door on the opposite side of the chairs, pulling a wheeled gurney behind him He looked at John and the Sheriff, then excused himself and returned shortly with another.

"They were exposed to fire, then the elements for sometime," he said.

"He knows," said the Sheriff.

The first body was unquestionably not that of his father John knew it less by what was left than by what was gone. It was easy to extrapolate. Add some flesh here. Muscle there. The flight jacket. Eyes. Hair. No-it wouldn't add up to Dad.

He nodded but said nothing.

Likewise for the body they thought was his mother's. Definitely not her, John thought. Everything is just wrong. He looked at the Sheriff.

"These are not my parents."

The big bored face was plainly startled. It blushed. For a moment the Sheriff's ice-blue eyes held John's, then the Sheriff waved away the tech. The tech pulled both gurneys from the room and the sliding doors met silently.

"You sure, young man?"

"I'm sure, Sheriff."

"Well, then there we have it."

He shook John's hand and they went back to his office. Stan and Dorrie were there, prim and ghastly. The Sheriff explained that the bodies did not belong to John's parents, and John just had to sign the papers to make it official. John signed in six places. The Sheriff leafed through the little stack, then placed it on the table in front of him. From his desk drawer he removed a small plastic bag and handed it to John.

"You may as well keep these."

John pressed the plastic tight and looked at the two wedding bands inside. Even through the plastic he recognized the engraving and the inscription inside each-"Love, Cherish and Honor." A fossilized sea shell rested in one corner of the bag.

"I understand," John said.

"Good man," said the Sheriff.

A moment of pregnant silence passed, then all three adults as if on cue skidded back their chairs.

On the long drive back home, John stared out the window and wondered where, exactly, his parents had gone.

The earth is a small place, but there is sky everywhere, and it never ends. All you need is a little piece of earth to stand on. From there, you can look up and wonder, and find the things out there that are yours.

John awoke at eight on Liberty Ridge. He had just showered, shaved and dressed in yesterday's clothes when he heard a knock. Looking down from the loft he saw Valerie through the glass inset of the door. When he called out the door opened and the dogs, damp and spiky from the lake, burst in ahead of her. She followed and looked toward the kitchen inquisitively. Her hair was pulled back in a ponytail. She had on a white sleeveless blouse tucked into a pair of khaki shorts, white socks folded to the tops of the heavy suede hiking boots favored by so many young women that year. Her skin was brown, but not overly so, a natural shade produced by activity out of doors rather than hours basting on a beach.

"There's coffee on," he said.

She looked up and he noted the deep brown of her eyes and the arched, interrogatory brows. "Good morning," she said.

"Good morning."

"Beautiful morning, in fact. Fall's my favorite time of year.' She looked away, glancing at one of the ubiquitous Liberty Ridge computers, which in this case was stationed on one corner of the dining room table. "What's yours?"

"Spring."

"The labs sure like the water."

"They don't get much, out in Anza."

"Hey, I got to thinking we should go get you some clothes.'

"Not a bad idea. Yesterday's wardrobe feels a skosh used."

"We can take my Jeep. It's a good day to have the top off."

They stopped at the Big House so John could call his boss at the paper. Valerie led him down the cool, vast foyer, which was framed in massive rough-cut timbers that looked a century old but were in fact older. The walls were hung with Indian blankets and baskets, each lovingly specified by a recessed light. A series of wrought-iron candelabra hung down from the cavernous ceiling on thick black chains. John looked into the huge living room as he walked by, noting the quiet fire in the tremendous fireplace. It looked almost distant. Then the kitchen, which was roughly the size of the house he'd grown up in. There was no sign of Holt and his guests, nor the Liberty Ridge staff, nor any of the dozen Liberty Ops insiders with whom Joshua Weinstein had made John familiar. He committed what he saw to memory. Valerie poked a few preliminary digits on the phone, saying that the system was a bit complicated here-"basic security." The phone was a cordless with an automatic channel search. The numbers to call out-this day's, at least-were 3-9-9.

John started to explain what had happened, but Bruno-his garrulous and unlikely publisher-was full of questions: Did John shoot three or four of them; how many trailers did they burn out at the High Desert Rod and Gun Club; did the rape actually occur inside Olie's or in the lot itself; and since when did John travel with a pack of attack dogs? The publisher told him that the entire city-all 2,450 citizens of Anza Valley-was talking about the incident, and that some people feared the bikers might return for some kind of retribution. Riverside County Sheriffs wanted to talk to him. And of course, a first-person account in the Anza Valley News would draw advertisers, "fly off the stands," and was due before four p.m. the next day. A special section was a possibility for the week after. Did anyone take pictures?

John said he'd be in at the regular time tomorrow, pressed "off," and listened for any sound of a recording being made. He heard none, then put the phone back in its cradle.

"So, will there be a hero's welcome for you back in Anza Valley?"

"A ticker-tape parade, major media, key to the city."

"You deserve it."

"Sheriffs, too."

"That bother you?"

"Better than bikers."

They drove up the freeway to South Coast Plaza, a mall nationally known for its size, crowds and variety of stores. The Jeep-; bright red Wrangler-bounced along on its parsimonious shocks the roll cage rattling happily, the warm October air blasting through the cockpit. There was no real point in talking. Valerie drove the Jeep fast but with concentration-hands at ten and two, her eyes often on the mirrors, the radio turned up high enough that its static almost matched the roar of the road.

John sat back and watched Orange County go by. Nothing much had changed in the last six months along the freeway here. It was coveted real estate that had been built up decades ago. The new airport gleamed off to his left while a silver 737 wavered toward the landing strip. Traffic was bad, especially around the mall parking lot, but it was always bad. Almost any time of day any season of the year, this retail metropolis would be crammed with people buying and eating things. The place had seemed to give rise to an entire class of people-the shopping class-though John realized that the mall didn't create them, but simply gave them a place to gather.

He looked over at Valerie several times, indulging the simple pie-minded pleasure of admiring her. She looked back at him once, then, smiling, returned her gaze to the road.

By the time they parked, her hair was a bird's nest of tangle that she attempted to organize in the mirror, then matter-of factly gave up on.

"Let's go consume," she said. "Be good little wheels in the capitalist machine."

"I'll bet your dad cringes when you talk like that."