Stephen Irwin - The Darkening

My God. Tristram. The Thomas Boy. This young girl. Maybe Owen Liddy. How many children have died in those woods?

Nearer, he could see the shift the girl wore was a pattern from the 1940s. Her face beamed in delight: she’d found something wonderful on the path. She looked around cautiously, hopefully, checking that its rightful owner wasn’t around and she could claim the treasure for herself.

The girl bent again to pick up the invisible object she’d found. The moment she did, her translucent eyes widened in sudden disgust and she jerked away from the vile thing. Nicholas felt his stomach tighten; he knew what would come next. The ghost girl’s head whipped up toward the woods and white terror slammed across her face. She jittered back to run, but got not a step before her arm shot out like a signal post’s and she jetted away through the mist towards the invisible woods, mouth wide in terror, dragged by something unseen, powerful and fast.

A cold worm of fear shifted in Nicholas’s stomach. But he didn’t follow.

Instead, he started searching the path. It took less than a minute for him to find what he was looking for. He bent and parted the wet sword grass. There. A butcher bird. Grey wings, white belly, loose feathers over a swollen body. Legs snipped neatly off. Head gone, replaced with a sphere of woven twigs that was greening with mould encouraged by the recent rains. Hints of rust red peeked from under the ill green. The small bird’s death-curled claws were stuck in like horns.

He knew without doubt that just a few days ago, Dylan Thomas had seen this same bird on the path.

Nicholas picked up the talisman. He plucked out the feet, pulled off the woven head, and angrily tossed the legs, false head and body in three directions.

There. Now I’ve touched the bird.

He turned and strode through the sword grass towards the woods he knew were waiting.

As he pushed through the tightly packed scrub, tendrils of fog curled in his wake. With mist obscuring everything but the few steps in front of him, there was less of an overwhelming palette of green to assault his eyes and he was drawn to details he would otherwise have overlooked: how close the trunks were to one another; how one tree was armoured in bark as dark and thick as a crocodile’s hide, while its neighbour was pale grey and smooth as a girl’s calf; how the carpet of leaves underfoot bled tea-coloured water as he squashed it, and how it sucked lightly when he stepped off; how the exposed rocks in gully walls bore spots of pale green moss rounded like spray can spatters on their tops and black shadows like beards below; how vines curled up trunks like possessive serpents, rose straight like jade zippers, or clung with their own green claws like headless jade dragons. Some trunks were metres wide — striated tendons in the wrists of straining giants. Some massive beeches had tumbled with time and lay prone like beached whales, barnacled with funguses that reminded him of human ears. Some had fallen and exposed clumps of roots twice a man’s height — colossal, arthritic fingers probing the mist.

As he moved deeper, the fog drew even closer about him and moisture beaded on the fabric of his jumper and jeans. The half-light of misty dawn dimmed further as the dark canopy overhead closed tighter. He walked cocooned in a silent dusk, and had to stretch out his arms so he wouldn’t collide with tree trunks that loomed suddenly, their limbs so madly twisted that they reminded him of Mexican catacombs where the dried dead were stacked standing, their leather-and-bone limbs crooked at angry angles.

He lost track of time. When he reached the low cliff that led down to the gully and the water pipe, he was unsure if he’d been walking ten minutes or fifty. The gully was thick with fog, and the dark green tops of shrubs poked through it like the mouldering heads of drowned people. He checked his watch and a shudder ran through him. It was nearly eight. He’d been in these cheerless woods an hour and a half.

He slung the plastic 7-Eleven bag over one shoulder and carefully descended the gully face. At the bottom, he walked cautious steps away from the steep bank until his feet clacked on the stones of the wash bed. Then he turned and followed the dry creek until a dark shape coalesced from the thick fog. The pipe. Its flanks loomed like the hull of some ghost ship. Below the red metal, the twin skull eyes of the tunnels watched him.

Okay , he thought. Let’s go .

He felt his body vibrate with the hard thudding of his heart. He took a breath, feeling the biting harshness of cold air lick his throat, and knelt. From the plastic bag he pulled out a new torch and a squat spray can with a plastic lid.

You could just go back , he thought. Just go back, never come down here again, never see another terrified ghost, just go back and leave town and get a job in a new office and buy a new flat and ignore the dead and-

‘Shh,’ he told himself. He couldn’t go back. Something was in there, beyond the pipe. Something that took children. Something that had taken Tristram.

He touched the bird. It should have been you.

Something that wanted him to come in.

Fine , he thought grimly. I touched the bird. Here I come.

He flicked on the torch. In the crepuscular gloom of the fog-bound woods, the white-yellow beam was cheery and bright. He clenched his jaws and shone the light into the nearest of the twin pipes. What he saw made him reel.

The tunnel’s length, all four or so metres of it, was thick with spider webs: some were fresh and shining like silver wire; some were loose and dusky as old shrouds. Among the webs, dotted like black stars in a diseased firmament, were spiders. Thousands of spiders. The shaking torchlight scanned them: some had round, shining bodies with black osseous legs that stroked the air; others had abdomens orange as spoiled juice, swollen thick and looking full enough to pop; some were small and busy, tending webs with legs that moved as delicately as human fingers; others were as big as tea saucers, hairy and fleshy. Some fussed with spindle limbs over the silk-wrapped corpses of their prey or silk-wrapped bundles of their eggs. The torchlight winked off thousands of black, unblinking eyes.

Nicholas felt gorge rise from his stomach. How did Tristram force himself through there? How did he not go instantly mad being dragged through that?

Then another thought struck him: Maybe he did go mad. Maybe he was lucky to, considering his bloody, lamb-like fate.

Nicholas swallowed back the peppery bile and took the plastic lid off the can. It was a bug bomb. The illustration on its side showed a variety of cartoon insects clasping their hearts in theatrical death. The can rattled as he shook it. Satisfied, he aimed its nozzle at the pipe mouth, put his thumb on the tab and pressed it down with a plasticky click. Insecticide hissed out as the tab locked on, and he threw the erupting spray can hard into the curtains of web in the pipe. He guessed it travelled nearly halfway into the pipe until the webs snagged it.

He backed away till he could barely see the pipe’s black mouth through the fog. The echoing hiss of the spray in the tunnel sounded low and mean, like the sighing exhalation of some entombed dark god, unhappily woken. The hissing slowed and thinned and died down to a stop.

For a few moments, nothing happened. Then spiders came crawling from the pipe — first in ones and twos, then by the dozen. They rushed out on panicked legs, or staggered out to perform mad pirouettes, or crawled out weakly, stunned. Some curled and perished on the spot. Some scuttered left and right into the woods. Some scrabbled weakly towards Nicholas; he crushed them with his shoe, nauseated by the dark liquids and small, glossy organs that shot from them.