Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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At noon they were given a fifteen-minute break, just enough time to race to the latrine—a wooden platform suspended above a ditch, with holes to squat over—and gobble another bowl of gruel. There was no place to sit, so you ate standing up or on the ground, using your fingers for a spoon, then got in a second line for water, which was dispensed with a ladle that all the women shared. All the while they were watched by the cols, who stood to the side, twirling their sticks. Their official title was Human Resources Officers, but nobody ever called them that in the flatland. The word was short for “collaborators.” Nearly all were men but there were some women, often the cruelest of the lot. One female col, whom they called Whistler for the deep cleft in her upper lip, a congenital deformity that gave her voice a distinctive, reedlike sound, seemed to take special delight in inventing new and subtle ways to inflict discomfort. It was her habit to single out one person, most often a woman, as if she were performing an experiment. Whistler set her sights on you and the next thing you knew you would be pulled out of the latrine line for a pat-down just when it was your turn, or assigned some impossible and pointless job, or switched to a different crew just as your break was coming. The only thing you could do was take it, gritting your teeth through the misery of your aching bladder or empty stomach or exhausted limbs, knowing that soon Whistler’s attention would pass to another, though this only made things worse and seemed to be the point of the entire exercise; you found yourself wishing for the suffering to befall somebody else, and thus you became complicit, part of the system, a cog in a wheel of torment that never stopped turning.

She looked for Jackie at the break, but the woman was nowhere to be seen. Sara moved quickly through grinding stations, searching for her friend. The foreman’s whistle would blow at any moment, summoning them back to work. She had nearly given up when she turned a corner to find Jackie sitting on the ground, her face damp with sweat, her kerchief balled to her mouth.

“I’m sorry,” she managed. “I just couldn’t stop coughing.”

The cloth was stained with blood. Sara knew what was happening; she’d seen it before, the effects of years of dust in the lungs. One minute a person was fine, the next they were drowning in it.

“We have to get you out of here.”

She pulled the woman to her feet just as the whistle blew. One hand wrapped around Jackie’s waist, Sara steered her toward the exit. Her goal was to get outside before anyone noticed; what would happen after that, Sara had no idea. Vale was the col in charge. Not the best, but not the worst, either. More than once, Sara had caught him watching her in a way that made it seem like he had something in mind for her, something personal, though he had never acted on it. Perhaps now would be the time. A shuddering nausea passed through her at the thought, yet she knew she was capable of it. She would do what she had to.

They had nearly reached the exit when a figure stepped into their path. “Where do you think you’re going?”

Not Vale: Sod. Backlit by the open door, he loomed before them. Sara’s stomach dropped.

“She just needs some air. The dust—”

“Is that right, old woman? The dust bothering you?” With the butt of his stick he tapped the woman’s chest, igniting a strangled cough. “Get back to work.”

“It’s all right, Sara,” Jackie wheezed, freeing herself from Sara’s arm. “I’ll be fine.”

“Jackie—”

“I mean it.” She looked at Sara, her eyes saying, Don’t . “She’s just a busybody, that’s all. Thinking she knows what’s best for me.”

Sod eyes flicked the length of Sara’s body. “Yeah, I heard that about you. Think you’re some kind of doctor, do you?”

“I never said that.”

“Sure you didn’t.” With his free hand Sod cupped his crotch, rocking his hips forward. “Hey, Doctor, I’ve got a pain right here. What do you say you get a closer look at it?”

The moment caught and held; Sara thought of Eustace, in the truck. The blood on his face, his shattered hands and teeth. His broken smile of triumph. Standing before Sod, she willed herself to say the words, to utter the curse that would unleash him upon her. It was all so simple, so stark. She could see the scene unfolding in her mind. Just two words, and the flare of anger in Sod’s eyes, and then the crash of the stick. These were the terms of her life, a thousand humiliations enacted daily. They had taken everything from her. To accept the worst—no, to embrace it—that was the only resistance.

“Sara, please .” Jackie was staring at her. Not like this. Not for me .

Sara swallowed. Everyone was looking at her.

“Okay,” she said.

She turned and walked away. The space around her had grown strangely quiet. All she could hear was her heart.

“Don’t worry, Fisher,” Sod called after her with a leering laugh. “I’ll know where to find you. It’ll be as good as the last time, I promise.”

It was later, as Sara lay in her cot, that she permitted herself to consider the full measure of these events. Something had changed within her. She was on the verge, a figure standing at the precipice, waiting to jump. Five long years: it could have been a thousand. The past was disappearing inside her, rinsed away by the wash of time, the bitter cold of her heart, the sameness of days. She had plunged down inside herself for too long. Winter was coming. Winter light.

She had somehow gotten Jackie through the day. Now the old woman slept above her, the straps of her bunk sagging with her restive turning. Jackie’s death, when it came, would come badly, in long agonal hours, a strangling from within, before the final stilling. Would her fate be Sara’s own? To stumble blindly through the years, a being without purpose or connection, a hollow shell of nothing?

Sara had not returned the makeshift envelope to its hiding place under the mattress. Seized by a sudden loneliness, she withdrew it from beneath the lump of rags that served as her pillow. It had been given to her by the midwife’s assistant in the birthing ward—the same woman who had told her that the baby, arriving early in a gush of blood, had not survived. It was a girl, the woman had told her. I’m sorry. Then she’d slipped the envelope into Sara’s hand and vanished. Through the haze of grief and pain Sara had ached to hold her daughter, but this hadn’t happened; the child had been taken away. She’d never seen the woman again.

Carefully she unfolded the pocket of brittle paper with the tips of her fingers. Inside lay a coiled lock of hair—a baby curl. The room was sunk in darkness, and yet its pale golden color was vivid to her eyes. She brought it to her face, inhaling deeply, trying to capture its scent. Sara could never have another, the damage was too great; Kate was the only one. That was what she’d named her, Kate. How she wished she’d told Hollis. She had wanted to save her news, to choose the perfect moment to give him the present of the two of them conjoined. How foolish she’d been. She thought: I know you’re better off, my darling. Wherever you are now, I hope it is a place of light and sky and love. If only I could have held you, just one time, to tell you how much I loved you.

37 This Sergio thing it had simply gone on too long Not that there hadnt - фото 50

37

This Sergio thing: it had simply gone on too long.

Not that there hadn’t been uprisings before. The year 31, wasn’t it? And again in 68? Not to mention the hundred little brushfires of defiance put down over the years. And wasn’t it true that the problem inevitably boiled down to a single individual, a lone renegade, who simply failed to get the point ? That when this man was taken care of (it was always a man), the flames of resistance, deprived of their essential oxygen, would extinguish of their own accord?

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