Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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26

FEDERAL STOCKADE, KERRVILLE, TEXAS

Major Lucius Greer, late of the Second Expeditionary, now known only as prisoner no. 62 of the Federal Stockade of the Texas Republic—Lucius the Faithful, the One Who Believed—was waiting for someone to come.

The cell where he lived was twelve feet square, just a cot and a toilet and sink and a small table with a chair. The room’s only illumination came from a small window of reinforced glass set high on the wall. This was the room where Lucius Greer had spent the last four years, nine months, and eleven days of his life. The charge was desertion—not completely fair, in Lucius’s estimation. It could be said that by abandoning his command to follow Amy up the mountain to face Babcock, he had simply followed orders of a deeper, different kind. But Lucius was a soldier, with a soldier’s sense of duty; he had accepted his sentence without question.

He passed his days in contemplation—a necessity, though Lucius knew there were men who never managed it, the ones whose howls of loneliness he could hear at night. The prison had a small courtyard; once a week the inmates were allowed outside, but only one at a time, and only for an hour. Lucius himself had spent the first six months of his incarceration convinced he would go mad. There were only so many push-ups a man could do, only so much sleep to be had, and barely a month of his imprisonment had passed before Lucius had begun to talk to himself: rambling monologues about everything and nothing, the weather and the meals, his thoughts and memories, the world beyond the walls of the stockade and what was happening out there now. Was it summer? Had it rained? Would there be biscuits with dinner tonight? As the months had passed, these conversations had focused increasingly on his jailers: he was convinced that they were spying on him, and then, as his paranoia deepened, that they intended to kill him. He stopped sleeping, then eating; he refused to exercise, even to leave his cell at all. All night long he crouched on the edge of his cot, staring at the door, the portal of his murderers.

After some period of time in this tortured condition, Lucius decided he could endure it no longer. Only the thinnest vestige of his rational self remained; soon it would be lost to him completely. To die without a mind, its patterns of experience, memory, personality—the prospect was unendurable. Killing yourself in the cell wasn’t easy, but it could be accomplished. Standing on the table, a determined suicide could tuck his head to his chest, tip forward, and break his neck in the fall.

Three times in a row Lucius attempted this; three times he failed. He began to pray—a simple, one-sentence prayer seeking God’s cooperation. Help me die . His head was chiming from its multiple impacts on the cement floor; he had cracked a tooth. Once more he stood on the table, calibrated the angle of his fall, and cast himself into the arms of gravity.

He returned to consciousness after some unknown interval. He was lying on his back on the cold cement. Again the universe had refused him. Death was a door he could not open. Despair gripped him utterly, tears rising to his eyes.

Lucius, why have you forsaken me?

They were not words he heard. Nothing so simple, so commonplace, as that. It was the feeling of a voice—a gentle, guiding presence that lived beneath the surface of the world.

Don’t you know that only I can take this from you? That death is mine alone to make?

It was as if his mind had opened like the covers of a book, revealing a hidden reality. He was lying on the floor, his body occupying a fixed point in space and time, and yet he felt his consciousness expanding, joining with a vastness he could not express. It was everywhere and nowhere; it existed on an invisible plane the mind could see but the eyes could not, distracted as they were by ordinary things—this cot, that toilet, these walls. He plunged into a peacefulness that flowed through his being on waves of light.

The work of your life is not done, Lucius .

And, just like that, his incarceration was over. The walls of his cell were the thinnest tissue, a ruse of matter. Day by day his contemplations deepened, his mind fusing with the force of peace and forgiveness and wisdom he had discovered. This was God, of course, or could be called God. But even that term seemed too small, a word made by men for that which had no name. The world was not the world; it was an expression of a deeper reality, as the paint on the canvas was an expression of the artist’s thoughts. And with this awareness came the knowledge that the journey of his life was not complete, that his true purpose had yet to be unveiled.

Another thing: God seemed to be a woman.

He had been raised in the orphanage, among the sisters; he had no memories of his parents, of any other life. At sixteen he had enlisted in the DS, as nearly all the boys in the orphanage did in those days; when the call had gone out for volunteers to join the Second Expeditionary, Lucius had been among the first. This was right after the event known as the Massacre of the Field—eleven families ambushed on a picnic, twenty-eight people killed or taken—and many of the men who had survived that day had joined up as well. But Lucius’s motives were less decisive. Even as a boy he had never been swayed by the stories of the great Niles Coffee, whose heroics seemed transparently impossible. Who in his right mind would actually hunt the dracs? But Lucius was young, restless as are all young men, and he had wearied of his duties: standing watch on the city walls, sweeping the fields, chasing down kids who broke curfew. Of course there were always dopeys around (picking them off from the observation platforms, though frowned upon as a waste of ammunition, was generally allowed if you didn’t overdo it) and the diversion of the occasional bar brawl in H-town to break up. But these things, distracting though they were, could not compensate for the weight of boredom. If signing on with a bunch of death-loving lunatics was the only other option for Lucius Greer, then so be it.

Yet it was in the Expeditionary that Lucius found the very thing he needed, that had been absent from his life: a family. On his first detail he’d been assigned to the Roswell Road, escorting convoys of men and supplies to the garrison—at the time, just a threadbare outpost. In his unit were two new recruits, Nathan Crukshank and Curtis Vorhees. Like Lucius, Cruk had enlisted straight out of the DS, but Vorhees was, or had been, a farmer; as far as Lucius knew, the man had never even fired a gun. But he’d lost a wife and two young girls in the field, and under the circumstances, nobody was going to say no. The trucks always drove straight through the night, and on the return trip to Kerrville, their convoy was ambushed. The attack came just an hour before dawn. Lucius was riding with Cruk and Vor in a Humvee behind the first tanker. When the virals rushed them, Lucius thought: That’s it, we’re done. There’s no way I’m getting out of this alive. But Crukshank, at the wheel, either didn’t agree or didn’t care. He gunned the engine, while Vorhees, on the fifty-cal, began to pick them off. They didn’t know that the driver of the tanker, taken through the windshield, was already dead. As they ran alongside, the tanker swerved to the left, clipping the front of the Humvee. Lucius must have been knocked cold, because the next thing he knew, Cruk was dragging him from the wreckage. The tanker was in flames. The rest of the convoy was gone, vanished down the Roswell Road.

They’d been left behind.

The hour that followed was both the shortest and the longest of Lucius’s life. Time and time again, the virals came. Time and time again, the three men managed to repel them, saving their bullets until the last instant, often when the creatures were just steps away. They might have tried to make a run for it, but the overturned Humvee was the best protection they had, and Lucius, whose ankle was broken, couldn’t move.

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