Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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From the observation deck, Tifty watched Dee walk away.

“Cruk, pass me the binoculars.”

Cruk handed them over. The wildflower field was located on the north side of the tower, adjacent to the corn. That’s where she appeared to be headed. Probably she just wanted to get away for a few minutes, Tifty thought, away from the children and the other wives.

He passed the binoculars back to Cruk. He scanned the field with his rifle, then lifted the scope toward the tree line.

“The shiny thing is back.”

“Where?”

“Dead ahead, ten degrees right.”

Tifty peered hard into the scope: a distant rectangular shape, brilliantly reflective, through the trees.

“What the hell is that?” Cruk said. “Is it a vehicle?”

“Could be. There’s a service road on the far side.”

“Nothing should be out there now.” Cruk drew down the binoculars. He paused a moment. “Listen.”

Tifty willed his mind to clear. The creak of crickets, the breeze moving through his ears, the trickle of water through the irrigation system. Then he heard it.

“An engine?”

“That’s what I hear, too,” Cruk said. “Stay put.”

He descended the stairs. Tifty pressed his eye to the rifle’s scope. Now the image was clear: a big semi, the cargo compartment covered with some kind of galvanized metal.

He took out his walkie-talkie. “Cruk, it’s a truck. Far side of the trees. Doesn’t look like DS.”

The line crackled. “I know. Double up.”

He saw Cruk emerge from the base of the tower and stride toward the shelter, waving to Gunnar to bring the children over. Tifty dragged his scope across the field: the men working, the rows of corn, the marker flags for the hardboxes drooping in the afternoon stillness. All just as it should be.

But not exactly. Something was different. Was it his vision? He lifted his face. A blade of shadow was moving over the field.

Then he heard the siren.

He turned toward the sun; instantly he knew. It had been many years since he’d felt afraid, not since that night in the dam. But Tifty felt fear now.

One minute.

Vorhees first experienced the altering illumination as a diminishment of visual detail, a sudden dimming like premature twilight. But because he was wearing dark glasses, a defense against the rain of pollen and the afternoon brightness, his mind did not initially compute this change as anything noteworthy. It was only when he heard the shouts that he removed his glasses.

A great round shape, wrapped with a glowing penumbra, was sliding over the sun.

An eclipse.

As the sirens went off, he tore down the row. Everyone else was running, too, yelling, Eclipse! Eclipse! The hardboxes, get to the hardboxes! He burst from the corn, practically running straight into Cruk and Dee.

“Where are the girls?”

Dee was frantic. “I can’t find them!”

The darkness was spreading like ink. Soon the whole field would be enveloped.

“Cruk, get these people in the boxes. Dee, go with him.”

“I can’t! Where are they?”

“I’ll find them.” He drew his pistol from his waistband. “Cruk, get her out of here!”

Vorhees raced back into the field.

Tifty, his heart pounding with adrenaline, was sweeping the field from the tower. No sign yet, but it was only a matter of time. And the truck: what was it? Still it idled on the far edge of the windbreak. He tried to get Cruk on the walkie but couldn’t raise him. In all the chaos, probably the man couldn’t hear him.

He tightened the stock against his shoulder. Where would they come from? The trees? An adjacent field? Everything had been swept by Dillon’s team. Which didn’t mean the virals weren’t there, only that he couldn’t see them.

Then: at the periphery of his vision, a faint movement of the cornstalks, no more than a rustling, near one of the flags at the edge of the field. He swung the scope in close and pressed his eye to the lens. The hatch of the hardbox stood open.

It was the one place they hadn’t looked. They’d never checked the hardboxes.

Everyone was running, grabbing their children, dashing into the field toward the flags. Tifty emerged from the base of the tower at a dead sprint.

“No!”

Cruk was carrying two children, Presh Martinez and Reese Cuomo, under his arms. Dee was running beside him, Cece and Ali just steps behind—Cece hugging little Louis to her chest, Ali with Merry and Satch.

“The hardboxes!” Cruk was yelling. “Get to the hardboxes!”

“They’re in the hardboxes!”

A burst of gunfire exploded in the field. Dee saw Tifty drop to a knee and fire off three quick rounds. She turned as the first of the virals burst from the corn.

It landed right on top of Ali Dodd.

Dee felt an urge to vomit. Suddenly she couldn’t make her feet move. The viral, which had finished with Ali, was now burying its jaws in Cece’s neck. The woman was twitching, shrieking, arms and legs flailing like an overturned insect’s. The image seared Dee’s vision like a burst of light; all she could do was watch in helpless horror.

Cruk stepped forward, shoved the barrel of his rifle against the side of the creature’s head, and fired.

Where was Satch? The boy was suddenly nowhere. Merry was standing in the dust, screaming. Dee hoisted the little girl to her waist and began to run.

The virals were everywhere now. In blind panic, people were dashing for the tent, a pointless gesture; it could offer no safety at all. The virals swarmed over it, tearing it to pieces, the air filling with screams. “The tower!” Tifty was yelling. “Head for the tower!” But it was too late; nobody was listening. Dee thought of her daughters, saying goodbye. How stark everything became, at the end, all the wishes for one’s children distilled by the world’s swift cruelty into the desperate hope that death would take them fast. She prayed they would not suffer. Or, worse, be taken up. That was the worst thing: to be taken up.

An immense force careened into her from behind. Dee tumbled to the ground, little Merry rocketing from her arms. Face-down in the dirt, she lifted her eyes to see her brother, twenty feet away, pointing his rifle at her. Shoot me, Dee thought. Whatever’s about to happen, I don’t want it. A prayer of childhood found her lips and she closed her eyes and muttered it quickly, into the dust.

A shot. Behind her, something fell with an animal grunt. Before her mind could process this, Cruk was yanking her to her feet, his mouth moving incomprehensibly, saying words she couldn’t quite make out. His rifle was gone; all he had was the pistol, Abigail. Why would a man name a gun Abigail? Why would he name it at all? Something must have happened to her head, she realized, because here she was, worrying over Cruk’s gun, when everyone was dying. Other thoughts came to her, strange things, awful things. How it would feel to be ripped in two, like Ali Dodd. Her daughters, in the field, and what was happening to them now. How terrible, Dee thought, to live one second longer than one’s own babies. In a world of terrible things, surely that was the most terrible of all. Cruk was dragging her toward the door. He was doing what he thought she wanted, but she didn’t, not at all—she couldn’t die fast enough, in fact—and with a burst of strength Dee tore away from him, racing into the field, calling to her children.

Vorhees could hear his daughters, laughing in the corn. They were, he knew, too young to be afraid. They had snuck away to do exactly what they’d been told not to, and it was all a kind of game to them, this funny thing with the light. Vorhees raced down the rows, shouting their names, his breath heaving with panic, trying to home in on their voices. The sound was behind him, it was ahead, it was on either side. It seemed to be coming from everywhere, even inside his head.

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