Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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She hit the atrium at a sprint just as a man came blasting through the front doors. There was blood on his shirt; he was holding a gun. His bearded face was lit with a look of wild determination. Sara stopped in her tracks.

Hollis?

From her position high above the ground, Amy took in the whole of the scene. The crowd of thousands in its wild uproar; Guilder, his arms irrelevantly raised; the emergence of Nina’s team from the dugout, and the subsequent unleashing of their firepower upon the rows of suited men, who screamed and dove for cover and sometimes did nothing at all, sitting with uncomprehending composure as their bodies were splashed with rosy arcs of death; Alicia appearing on the field, weapon drawn, ready to charge; Eustace streaming toward them from the end zone, the bomb clutched to his chest, and behind him the col who dropped to one knee, raised his rifle, and took him in its sights; the spurt of blood, and Eustace spinning and tumbling, the bomb squirting away. These events moved around her like planets in their orbits, a whirling cosmos of activity, yet their presence touched her only in passing, brushing her senses like a breeze. She stood at the center, she and her kinsmen, and it was there, on that stage, that all would be decided.

—My brothers, hello. It’s been a while.

We are Morrison-Chávez-Baffes-Turrell-Winston-Sosa-Echols-Lambright-Martínez-Reinhardt …

—I am Amy, your sister.

That was when she felt him. In the midst of evil, a shining light. Amy sought out Carter with her eyes. He stood slightly apart, his body crouched in the posture of his kind.

It wasn’t Carter.

—Father.

Yes, Amy. I am here .

A rush of love swelled her heart. Tears rose to her throat.

—Oh, Daddy, I’m sorry. Look away. Look away.

As the field blazed with light, Amy closed her eyes. It would be like opening a door. That was how she had imagined it. An act not of will but of surrender, to give away this life, this world. Images flashed through her mind, swifter than thought. Her mother kneeling to hug her, the bright force of her embrace, then a view of her back as she walked away; Wolgast, his big hand poised at her spine, standing beside her as she rode the carousel beneath the lights and music; a view of a starlit winter sky, on the night when they had made the snow angels; Caleb watching her with his knowing eyes as she tucked him into bed, asking, “Did anyone love you?”; Peter, standing at the door of the orphanage, their hands meeting in space, saying with touch what could not be said with words. The days flowed through her one by one, and when they had passed, Amy sent her mind outward to those she cherished, saying goodbye.

She opened the door.

At the edge of the field, Peter and the others, having emptied their magazines into the lower tiers, were dropping their clips to reload. They did not yet know that Eustace had been shot, only that the lights had come on as planned, signaling the start of his run; at any moment they expected the explosion to come from behind them.

It didn’t.

Peter spun toward the platform. The virals, doused by the lights, had adopted various postures of self-protection. Some were staggering backward with their faces buried in the crooks of their arms. Others had dropped to the ground, curling in on themselves like babes in their cribs. It was an awesome sight, one Peter would remember all the days of his life, yet it paled in comparison to what was occurring above the platform.

Something was happening to Amy. She was convulsing against the chains, wracked by contractions of such violence it seemed she might shatter into pieces. Spasm after spasm, their power intensifying. With a final, bone-breaking jolt she went limp; for a hopeful moment Peter thought it was over.

It wasn’t over.

With a deep animal howl, Amy threw back her head. Now Peter understood what he was seeing. Something that should have taken hours was happening in seconds. The facial features melting into fetal vagueness. The spine elongating, fingers and toes stretching into clawed prehensility. Teeth ejected in advance of the picketlike rows, and the skin hardening into its thick, crystalline carapace. The space around her had begun to glow, as if the air itself were lit by the accelerated force of her transformation. With a violent jerk Amy pulled the chains across her chest, snapping them clean from their blocks, and by the time she reached the ground, crouching with liquid grace to absorb the impact of her fall, there were not eleven virals on the field but twelve.

There were Twelve.

She rose. She roared.

Which was when, in the basement of the Dome, Lila Kyle and Lawrence Grey, their fates never to be known, joined hands, counted to three, brushed the match across the striker, and all the lights went out.

65 The explosion in the basement fueled by the fiery ignition of thirtytwo - фото 84

65

The explosion in the basement, fueled by the fiery ignition of thirty-two hundred pounds of highly compressed diethyl ether inhalant, produced a release of energy roughly equivalent to the crash of a small passenger jet. With nowhere else to go, its explosive force rocketed upward, seeking any alley of travel to accommodate its rapidly oxygenating expansion—stairwells, hallways, ductwork—before folding back on itself and blasting through the floor. Once it was unleashed into the larger spaces of the building, the rest was up for grabs. Windows blew. Furniture went airborne. Walls were suddenly there no longer. It rose and as it rose it expelled a gyring wake of pure destruction like a tornado in reverse, everything flung up and out from its white-hot heart, until it found the bones of the structure itself, the steel girders and meticulously chiseled limestone blocks that had suspended its roof above the Iowa prairie since the days of the pioneers, and blew them all to pieces.

The Dome began to fall.

Three miles away, the spectators in the stadium experienced the destruction of the Dome as a chain of discrete sensory occurrences: first a flash, then a boom, followed by a deep seismic rattle and a clamping down of blackness as the city’s power grid collapsed. Everybody froze, but in the next instant something changed. A new force roused to life inside them. Who could say who started it? Insurgents planted in the stands had already begun their assault on the guards, but now they weren’t alone. The crowd rose up in violence, a wild mob. So ferocious was their undammed fury that as they fell upon their captors it was as if their individuality had dissolved into a single animal collective. A swarm. A stampede. A pod. They became their enemy, as all must do; they ceased to be slaves, and so became alive.

On the field, Guilder was… dissolving.

He felt this first in the backs of his hands—an abrupt constriction of the skin, as if he were being shrink-wrapped. He held them up to his face. In numb incomprehension—the pain had yet to arrive—he watched as the flesh of his hands puckered and began to split open in long, bloodless seams. The sensation spread, dancing over the surface of his body. His fingertips found his face. It felt like touching a skull. His hair was falling out, his teeth. His back bent inward, drawing him into an old man’s stoop. He fell to his knees in the mud. He felt his bones collapsing, crumbling to dust.

“Grey, what did you do?”

A shadow fell.

Guilder lifted his face. The virals filled his darkening vision with a final image of their magnificence. My brothers , he thought, what is happening to me? Help me, my brothers, I am dying . But he saw no kinship in their eyes.

Betrayer .

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