Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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The doors swung open; the col dashed away. For a second, nothing happened. Then the virals emerged, popping from the truck’s interior like man-sized insects, landing on all fours in the snow. Their lean figures, striated with muscle, throbbed with glowing vividness. Eight, nine, ten. They moved toward Lila, whose arms were held open at her sides, palms raised. A gesture of invitation, of welcome.

At her feet, they bowed.

She touched them, stroked them. She ran her hands over their smooth heads, cupped their chins like children’s to gaze adoringly into their eyes. My lovelies , Sara heard her say. My wonderful beauties .

“Will you look at that? She fucking loves them.”

From the hostages came only a sound of quiet weeping. The end was inevitable; they had no choice but to accept it. Or perhaps it was simply the strangeness of the scene that stunned them into silence.

My sweet pets. Are you hungry? Mama will feed you. Mama will take care of you. That’s what Mama will do .

“No, I’m certain there’s supposed to be ten.”

A new voice this time, coming from the right: “Did you say ten? That’s what I heard, too.”

“So who’s the eleventh?”

One of the redeyes shot to his feet, pointing at the field. “There’s one too many!”

All heads swiveled toward the voice, including Guilder’s.

“I’m not kidding! There are eleven people out there!”

Go now, my darlings .

The virals broke away from Lila. Simultaneously, one of the hostages shot to his feet, exposing his face. It was Vale. The virals were encircling the group; everyone was screaming. Vale tore the flaps of his jacket aside to reveal rows of metal tubes strapped to his chest. He yanked his arms skyward, his thumb poised on the detonator.

“Sergio lives!”

IX. THE ARRIVAL

55 Lilas dressing table detonated with a splintering crash Guilder hauled - фото 70

55 Lilas dressing table detonated with a splintering crash Guilder hauled - фото 71

55

Lila’s dressing table detonated with a splintering crash. Guilder hauled her to her feet again and slapped her across the face with the back of his hand, sending her flying back, toward the sofa.

“How could you let this happen?” His face boiled with rage. “Why didn’t you call the virals back? Tell me!”

“I don’t know, I don’t know!”

From the collar of her bathrobe this time: with terrifying effortlessness, Guilder hurled her, face-first, into the bookshelf. A thud of impact, things falling, Lila screaming. Sara was huddled on the floor, her body curled around Kate, the little girl wilted with fear.

“Every last viral! Nine of my men, dead! Do you know how this makes me look?”

“It wasn’t my fault! I don’t remember! David, please!”

“There is no David!”

Sara clenched her eyes tight. Kate was whimpering softly in her arms. What would happen if Guilder killed Lila? What would become of the two of them then?

“Stop it! David, I’m begging you!”

Lila was lying face-up on the floor, Guilder straddling her, one hand holding her by her collar. The other was balled into a fist, pulled back, ready to strike. Lila’s arms lay across her eyes like a shield, though this effort would come to nothing; Guilder’s fist would crush her face like a battering ram.

“You… disgust me.”

He loosened his hold and stepped away, wiping his hands on his shirt. Lila was sobbing uncontrollably. Blood bulged from a cut along her cheekbone. More was in her hair. Guilder flicked his eyes toward Sara, dismissing her with a glance. You’re nothing , his eyes said. You’re a character in a game of pretend that’s gone on far too long .

Then he stormed from the room.

Sara went to where Lila was whimpering on the floor. She knelt beside her, reaching for her face to examine the cut. In an unexpected burst of energy, Lila shoved Sara’s hand away and scampered backward.

“Don’t touch it!”

“But you’re hurt—”

The woman’s eyes were wild with panic. As Sara moved toward her, she waved her hands in front of her face.

“Get away! Don’t touch my blood!”

She leapt to her feet and ran to the bedroom, slamming the door behind her.

6:02 A.M.

The vehicles made their way into the flatland in the predawn darkness, gates flying open as they passed. At the head of the line, like the point of an arrow, was the sleek black SUV of the Director, followed by a pair of open trucks, full of uniformed men. Into the maze of lodges they roared, hurling clots of dirty snow from their mudchoked tires, their passage observed by the workers filing from the buildings to assemble for morning roll—weary faces, weary eyes, dully noting the vehicles sailing past. But their glances were brief; they knew better than to look. Something official; it has nothing to do with me. At least, it better not .

Guilder watched the flatlanders from the passenger window, full of contempt. How he loathed them. Not just the insurgents, the ones who defied him—all of them. They plodded through their lives like brute animals, never seeing beyond the next square of earth to be plowed. Another day in the dairy barns, the fields, the biodiesel plant. Another day in the kitchen, the laundry, the pigsties.

But today wasn’t just another day.

The vehicles halted before Lodge 16. The eastern sky had softened to a yellowish gray, like old plastic.

“This is the one?” Guilder asked Wilkes.

Beside him, the man gave a tight-lipped nod.

The cols disembarked and took up positions. Guilder and Wilkes stepped clear of the car. Before them, in fifteen evenly spaced lines, three hundred flatlanders stood shivering in the cold. Two more trucks pulled in and parked at the head of the square. Their cargo bays were draped by heavy canvas.

“What are those for?” Wilkes asked.

“A little extra… persuasion.”

Guilder strode up to the senior HR officer and snatched the megaphone from his hand. A howl of feedback; then his voice boomed over the square.

“Who can tell me about Sergio?”

No reply.

“This is your only warning. Who can tell me about Sergio?”

Again, nothing.

Guilder gave his attention to a woman in the first row. Neither young nor old, she had a face so plain it could have been made of paste. She was clutching a filthy scarf around her head with hands covered by fingerless gloves black with soot.

“You. What’s your name?”

Eyes cast down, she muttered something into the folds of her scarf.

“I can’t hear you. Speak up.”

She cleared her throat, stifling a cough. Her voice was a phlegmy rasp. “Priscilla.”

“Where do you work?”

“The looms, sir.”

“Do you have a family? Children?”

She nodded weakly.

“So? What do you have?”

Her knees were trembling. “A daughter and two sons.”

“A husband?”

“Dead, sir. Last winter.”

“My condolences. Come forward.”

“I sang the hymn yesterday. It was the others, I swear.”

“And I believe you, Priscilla. Nevertheless. Gentlemen, can you assist her, please?”

A pair of cols trotted forward and grabbed the woman by her arms. Her body went slack, as if she were on the verge of fainting. They half-carried, half-dragged her to the front, where they shoved her onto her knees. She made no sound; her submission was total.

“Who are your children? Point them out.”

“Please.” She was weeping pitifully. “Don’t make me.”

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