Joel Goldman - The Dead Man

The least surprising names were Anthony Corliss, Maggie Brennan, and their research assistants, Janet Casey and Gary Kaufman. Four of the people on the list were identified as directors of other projects. I had no idea how their work related to the dream project but added that question to my to-do list. Gentry had included his name since he had accessed the files at my request, his access occurring last night.

The remaining names-Milo Harper, Sherry Fritzshall, and Leonard Nagel-registered on a scale somewhere between interesting and baffling. It took a moment for me to realize that Leonard Nagel was my Leonard. Gentry identified his title as administrative assistant to director of security, adding a footnote that Leonard's access was not authorized and that Gentry was continuing to investigate how he had breached the system security. All three were regular visitors, having accessed the dream project files before and after the deaths of Delaney, Blair, and Enoch.

Leonard's desk was across from my open office door. I watched him as he worked, tapping his Bluetooth earpiece as calls came in, flexing his irrepressible grin. He shuffled papers and scrolled through screens on his computer monitor, a combination pep squad leader and perpetual motion machine. He glanced my way, saw me watching, winked, and went back to work.

I called Simon, gave him all twelve names, and told him to make those background checks a top priority.

"Including Milo and Sherry?" he asked.

"Including them. Nobody gets a pass."

"You going to tell Milo that you're investigating him?"

"Depends on what you come up with. I know he's your buddy. I need to know if you can do this."

Simon hesitated. He was a loyal and devoted friend and I was putting him between those conflicting demands.

"I don't like it," he said.

"What do you think Milo would tell you to do?"

This time, Simon didn't hesitate. "Whatever it takes."

"Those are the words the man lives by."

"Milo's a celebrity. Sherry gets some press but not nearly as much as he does. There will be a ton of stuff on both of them. This will take awhile."

"Focus on what's not in People magazine. And don't forget about Leonard. He's my assistant. The dream project files are password protected and he wasn't supposed to have the password. Find out if he's a got a track record of snooping or peeping."

I got to Anthony Corliss's office the same time he did. He was wearing a waist-cut down jacket, jeans, and hiking boots damp from the snow. His cheeks were red, his hair matted against his scalp. He was holding a knit cap and scarf in one hand and a backpack in the other.

"Hey," he said. "Back for more?"

"Just a few questions."

"Damn, I'm sweating like a stuck pig," he said as he unlocked the door. "Walked to work. Seemed like a good idea at the time and it's either exercise or die. I hate exercise but I'm not ready to die."

"Where do you live?"

"Over in Crestwood, a couple of miles from here. Not a bad walk on a nice day but it was a bitch in this cold."

I followed him into his office. He hung his coat, cap, and scarf on a hook on the back of his door, tossed the backpack on the couch, and dropped into his desk chair. I sat in a chair across from him.

"That's a little north of me. I'm in Brookside."

"Well, then, I guess we're neighbors. That mean we're gonna be friends?" he asked, leaning back in his chair, flashing a smile.

"No reason we can't be. I need you to educate me."

"About what?"

"For starters, the girl at Wisconsin who drowned."

His smile vanished. "You were a cop, right?"

"FBI."

"Like I said, a cop. You ever make a mistake? Arrest the wrong man? Ruin someone's life, maybe send them to death row?"

"I did my best and trusted the system to get things right."

"Well, bully for you, brother, because the system sucks. I had nothing to do with that girl's death. The university didn't ask my permission to settle that lawsuit. They gave away their money and my reputation. Now you want to talk about the dream project, I've got time. You want to dredge up what happened at Wisconsin and I'm busy."

Ask any con on a cell block and he'll tell you he's innocent, that his lawyer screwed up his case or that the guy in the next cell confessed that he did it. Ask anyone who's ever paid big bucks to settle a lawsuit and they'll point you to the fine print that says the settlement is not an admission of liability, which liability is expressly denied, thank you very much, adding that they settled so that everyone could get on with their lives.

Then there are the people who do terrible, inexplicable things and convince themselves they didn't because that's the only way they can look in the mirror. Mixed in with all of them are the ones who are innocent and blameless. Picking those hapless ones out of the crowd is dicey at best. I hadn't made up my mind about Corliss.

"Walk me through the process your volunteers go through from how they are recruited until you're done with them."

"It's pretty simple. We're not like research programs at universities. When I was teaching at Wisconsin, we got all the volunteers we needed from students who wanted extra credit for participating in psychology studies. They worked for free. Here, we have to pay people, just like the drug companies doing trials. We put ads in the local papers, things like that. They fill out a questionnaire, we do the brain scans, the EEGs, we make the video where they tell us about their dreams, and we teach them about lucid dreaming. That's the quick and dirty."

"How much do you pay?"

"Couple hundred bucks. Not enough to give up their day jobs. It's more to get their attention. The real hook is the chance to get past their nightmares. That's what these people are looking for. Some of them are flat out scared to go to sleep."

"You recruit many people on your own, like you did Walter Enoch?"

"Walter was the exception. He was too good a candidate to pass up."

"Tell me about the videos. How does that work?"

"We got a room here we use. My research assistants shoot most of them."

"What about Maggie Brennan? Does she take any of the videos?"

He shook his head. "Maggie isn't what you'd call a people person. Getting subjects to open up about their nightmares isn't in her skill set. She can read an fMRI or an EEG like nobody's business, tell you what part of the brain is lighting up and why, but that's where it begins and ends for her."

"And you?"

He laughed. "I am a psychologist. If I didn't like people, I'd have to find another line of work."

"How many volunteers have you videoed?"

"Not more than a few. I fill in if the research assistants aren't available or if they think the subject is particularly interesting."

"Like with Walter Enoch?"

"He was a mess, wasn't he? Can you imagine going through life with a face like that? People are afraid to look at you or can't stop staring. What a burden. Don't get me wrong. I'm not saying he's better off dead. People can adapt to all kinds of things. But he wasn't exactly living the good life."

"Can I get a look at the room where you and Walter made the video?"

"Didn't do it here. Walter was real shy. Hard to blame him. It took me forever to talk him into volunteering. He didn't want to come down here, so I said we could do it at his house and he said okay."

"I watched his video last night."

"You always go to this much trouble just to trip someone up? If you watched that video you knew where it was made."

"And I knew you lied to me yesterday when you acted like you didn't know that Enoch had stolen all that mail. You want to be friends? Friends don't lie to friends."

"Course they do, all the time. Hell, lying is one of the necessities of friendship. Your friend asks how do I look and you say great even if you'd never leave the house looking like that. That's what friends are for. I promised Walter I wouldn't turn him in. That was the only way he'd talk to me. Maybe that was a mistake. If it was, I wasn't going to give myself up to you on our first date. I didn't know you from Adam when you walked in that door or what you were after."