Thomas Enger - Burned

But Henning has always believed in the simplest explanation, which was that Sture wanted a reaction. Things weren’t happening fast enough for him. He wanted results. And preferably 1–2 — 3.

‘I’m off now,’ Henning says. He needs some breakfast before he talks to Yngve Foldvik.

‘Aren’t you coming to the morning meeting?’

‘You already know what I’m doing today.’

‘Yes, but — ’

‘I’ll try to make the staff meeting.’

‘You must.’

‘I’ll remember that when I’ve a gun to my head.’

Okay, so that parting shot was a tad melodramatic, but it worked. Heidi says nothing and lets him go.

1 — 1, he thinks.

He stops off at Deli de Luca in Thorvald Meyersgate and buys a pesto chicken calzone. He also gets a couple of tabloids and a cup of coffee and sits down on a bench opposite Deichmanske Public Library. The worst of the morning rush-hour is over, but there are still cars, trams and people late for work around. He takes careful sips of his coffee and starts reading VG. Their front-page story is a scaremongering tale about a new lethal bacteria terrifying Denmark, and which the Norwegian Institute of Public Health fears will reach the country by the autumn. There is a small photo of him in the top right-hand corner with the caption ‘Tried to kill journalist’ underneath it.

He swears under his breath, doubly annoyed because not only is there actually a photograph of him, but also because Heidi Kjus was right. He finds the story on page four. Petter Stanghelle gets the by-line. Henning skims through the text until he reaches a quote: ‘Juul was lucky to escape the killer. Besides the three shots which killed Tariq Marhoni, another four were fired. None of them hit the reporter,’ says Chief Inspector Arild Gjerstad, who is heading the investigation, to VG.

Four shots, Henning thinks. He doesn’t remember there being four. He reads on: VG has been unable to contact Henning Juul, but Juul’s editor, Heidi Kjus, made the following comment on the dramatic situation: ‘We’re obviously deeply grateful that Henning is all right. I dread to think what might have happened.’

Henning smiles to himself.

You can always rely on Heidi.

Stanghelle goes on to speculate whether there is a link between the murder of Marhoni and the murder of Henriette Hagerup, but no one from the police will comment on it.

No surprise there.

Dagbladet also leads with the murder of Tariq Marhoni, but doesn’t mention Henning. Their angle is that it was a straightforward execution, carried out by a professional, it would seem. Except that Henning escaped.

He is about to get up and leave, when a silver Mercedes minicab slows down as it drives past Deli de Luca. The car stops for a red light. There are two men inside, both in the front. Henning’s eyes are drawn to them, because they are looking at him. And they carry on looking at him, even though the lights have now changed to green.

The tram behind the minicab beeps its horn and the Mercedes slowly accelerates. Henning’s eyes follow the minicab as it turns right into Nordregate and disappears behind the library. Of course, it could be nothing, he thinks. But it could also be the exact opposite. He swallows the rest of his coffee, tosses the paper cup into an already overflowing bin and heads for the junction. He looks for the Mercedes, which has turned left into Toftesgate, but fails to get the car’s registration number or its licence number on the roof.

Henning tries to dismiss the incident, but it’s not easy. He only had time to see that the two men in the car looked similar. Both dark, with black hair, dark beards. Brothers possibly? And they were immigrants.

Coincidence?

Perhaps he should get a move on, before the silver Mercedes returns? He aims for the steep incline between Markvei and Fredensborgvei, where the sleepy current of the River Aker flows under the bridge, but decides on a whim to go to the off-licence. For once, it has nothing to do with his mother.

He stands at the window in the off-licence, hiding behind the customers and flicking through a leaflet while he checks the road. Many Mercedes, many of them silver, but none containing two dark men.

A good while later, he goes back outside, glances to the left and the right, before marching briskly in the direction of Westerdal School of Communication. His breathing is faster than normal. And he keeps looking over his shoulder.

When he finally puts the traffic behind him and is back on college premises, his breathing starts to relax. He decides that if the minicab duo was keeping him under surveillance, they were pretty useless at it, given that he managed to lose them so easily. Either that or they were doing a brilliant job, since he couldn’t see them any more. They might just have slowed down to stare at his face. He decides to forget all about it. It is nearly ten o’clock. Time for a chat with Henriette Hagerup’s supervisor.

The area around the college has changed in the last two days. The cameras have gone and with them the fake mourners. Hagerup’s shrine is still there, but no tea lights are burning. He notices more cards, a couple of bouquets of flowers and roses which are already wilting, but no sobbing students in front of her photo. The few people who are outside chat with no trace of sadness in their eyes. Two students, one male, one female, are smoking at the college entrance.

Perhaps it’s the end of term, Henning thinks, perhaps they are taking their last exams? Or they might already have broken up? This could make the story considerably more difficult to investigate or, indeed, solve.

He becomes aware that the smokers are staring at him as he enters the main building. As soon as he gets inside, he sees a reception area to his left with a semi-circular counter with two people behind it. They are wrapped around each other, kissing. He makes a point of coughing slightly, as he puts his hands on the counter.

They jump, giggle and look up at him, before exchanging ‘why-don’t-we-get-a-room’ looks. Oh, to be twenty again, Henning muses.

‘I’ve an appointment with Yngve Foldvik,’ he says. The young man, who has long dreadlocks and an untrimmed beard, points towards a staircase.

‘Take the stairs up to the first floor, turn right and right again, and you’re there. That’ll take you straight to his office.’

Henning thanks Dreadlocks for his help. He is about to leave when he remembers something.

‘You wouldn’t happen to know who Anette is?’

‘Anette?’

You idiot, he tells himself, there’s bound to be at least fifteen Anettes here.

‘I only know her first name. She was a friend of Henriette Hagerup. They were on the same course.’

‘Ah, her. Yes, Anette Skoppum.’

‘Have you seen her today, by any chance?’

‘No, I don’t think so. Have you?’ Dreadlocks says, looking at his girlfriend who is fiddling with her mobile. She shakes her head and doesn’t look up.

‘Sorry,’ he says.

‘Not to worry,’ Henning says and leaves.

Suddenly he is engulfed by students. He passes some on the stairs, too. It’s like turning back the clock, twelve or thirteen years. He recalls his time at Blindern, student life, an age of few responsibilities, parties, exam stress, coffee breaks, alert eyes in the lecture hall. He liked the eyes in the lecture hall, liked being a student, liked absorbing all the knowledge he could.

Foldvik’s office is easy to locate. Henning knocks on the door. No reply. He knocks again and checks his watch. It is one minute to ten. He knocks a third time and pushes down the door handle. The door is locked.

He looks around. The place is deserted now. He can see doors. A whole corridor of them. It says ‘Editing Suite’ or ‘Rehearsal Room’ on most. He notices a black backdrop and a film poster with the wording To Elise.