Gregg Hurwitz: The Tower

When he was moved to the Tower after the "lawyer incident" (as it was referred to in the vague prison memo), he rode the elevator down through the Hole, bound, with an armed guard on each side and a sack tied over his head. He didn't flinch as the other inmates taunted him and screamed, banging the bars. It wasn't often that a new visitor came for them to play with. Allander was thirty-three years old.

He was placed in Unit 10A, and asked to turn around and back up against the door. From the safety of the platform, the larger guard reached through the bars and unlocked his handcuffs and thigh strap, then pulled the sack off his head and untied the gag. Allander wore a mask of calm, apparently not intimidated by the shrieks that carried up and down the Hole.

The ruckus quieted as the prisoners tired of their new toy. They resigned themselves to bed, their heads settling to rest on the stained yellow pillows. After the shouts stopped echoing, after not an inmate stirred in the jet, black night, Allander drew the thin blanket to his face and shook uncontrollably.

On rare occasions, high tide was moderate enough that the top three levels stayed above the ocean's brink. The water would remain just under the vents of Level Ten, so the guards would open them to aid the air circulation. In the deathly heat of the summer, the prisoners would lie bare-chested on their cots, fanning themselves with their blankets and dousing their bodies with water from the toilets. But as dusk fell like a funeral veil across the sky, the cool San Francisco air crept through the vents and into the bones of the prisoners. The guards would laugh as the inmates shuddered and clamored in their metal rooms.

On these nights, Allander would retreat to the safety of his bed and stare through the thin gaps in the vents. As moonlight spread across the water, it engendered figures and shapes, creatures and monsters that crept in the swirls and eddies. He stifled his cries as he saw clowns dancing above the whitecaps, their long, white arms reaching toward him through the waves, their laughing red mouths rippling in the water's surface, mouthing threats and delights eternal.

Only once did he lose control, and he hurled himself against the metal bars, screaming in despair. "JUST COME IN! Come in now and take me. TAKE ME!"

He collapsed, cowering in the corner under the vent. His eyes bulged wide in dreadful anticipation as he slowly became aware of the laughter filling the air around him.

In Unit 2A of the Dungeon was Tommy "Cuckoo T" Giacondia, perhaps the most famous living Mafia hitman. Tommy at one time had weighed over two hundred and fifty pounds, but since his imprisonment five years before, he had lost over a hundred. Now he looked thin and weak, his cheeks and eyes filled with shadow. His weight loss had no effect on his vocal capacity, however; he constantly bellowed complaints up the Hole, most of which dealt with the food. Evidently, Tommy was used to a more varied diet than a loaf for every meal.

"This shit," he would say. "I wouldn't feed this to my worst enemy. I wouldn't make his dog eat this shithouse brick if it pissed on my mother's grave."

This was perhaps because he dealt with his worst enemies (or those of the Berlucciano family) in far more colorful ways. His signature disposal method was an original one. He would tie up his victim in a closet of an abandoned warehouse, and then cut off the tips of his fingertips about midway down the nail. He would leave them to bleed to death or to die slowly of dehydration. They were usually found weeks after he left them, their fingers scraped down to the top knuckles from trying to escape.

Tommy ran into trouble on the Merloni hit. He had finished only the first two fingers of the right hand when the cops arrived at the scene. Tommy came out shooting and took two bullets to the gut, but was rushed to the hospital and lived to stand trial.

The victim testified with a large bandage wrapped around his hand. When photographs of Tommy's last hits were circulated to the jury, an accountant in the front row fainted. Needless to say, Tommy wound up with life, no parole. Perhaps even worse, he never found out who'd tipped off the police. This question consumed him, swimming through his mind on long afternoons until the bittersweet thought of revenge tightened his hands into fists.

But Tommy was a different man now. His time in the Tower had worn him down, like water over a rock. His edges dulled, he smoothed against opposition.

Although he was a horrible artist, he loved Sketch Duty passionately. One day, he refused to return his crayons when his hour was up. And when the time came for him to relinquish his picture, he would not. Using his semen, he pasted his childish drawing of a single potted flower on his wall bars and admired it as if it were a Renoir. The guards could not have prisoners disobeying the rules, and although they wouldn't open the unit door to retrieve the picture, they could render it worthless from outside.

Tommy regarded them nervously as they rode down on the elevator trailing a thick hose usually used for washing down the inmates. "Whaddaya want? Whaddaya want with my flower?" They didn't answer him; they just turned on the water full blast, dousing the unit and drenching the picture.

He shrieked and tried to block the stream with his body, but it was too late. The colors faded into the darkening paper and the ruined picture fell in a wad through the floor bars. He started crying like a child, big, round tears running down his cheeks. "My flower," he said over and over. "My beautiful flower."

That was the last time Tommy got Sketch Duty. In the Tower, one chance was all you had.

Although he kept up his contentious front, Tommy Giacondia was gone on the inside, rendered totally harmless. That was a bad thing to be in the Tower, surrounded by men who smelled weakness more strongly than anything else. So, as a means of protection, Tommy kept loud.

Across from him was Safran Habbad, a bomb specialist who worked contracts for Third-World countries. During a South American coup in the early eighties, he had taken out an entire government cabinet.

He was captured in the United States a few years later, fulfilling a contract on a Massachusetts senator who was a strong advocate of gun control. Safran was cornered in the house after he'd set the bomb, and he'd refused to surrender. It exploded in the kitchen, and although he was on the second floor, he still lost half the flesh on his face to the blast, as well as a considerable amount on his back, arms, and legs. He'd attempted to burn down his hospital room to avoid his trial, hoping perhaps to rise from his ashes and spread his wings, but his escapade had failed and he was sentenced, ironically, to life.

The first day Safran moved to Level Two, Tommy greeted him in his usual manner.

"You stupid falafel-eating Seven-Eleven prick. You shut the fuck up if you gonna live here by me. Bombing houses of families, you're a sicko. A spaccone."

Safran swore back at him in several languages before commenting on Italy's paltry effort in the Second World War, implying that it was due to the deficient genital dimensions of the soldiers. The two men were quickly embroiled in the first of many violent arguments in which neither understood much of what the other said.

Alone on Level Three was Mills Benedick. The guards decided to leave Unit 3A vacant rather than subject even a Tower prisoner to Mills on a daily basis. He stood hunched over, his rounded shoulders heaving as he loudly drew breath.

An unusual amount of body hair covered him, curling thickly around his shoulders and arms. There was no line where his head hair ended in the back and his body hair began. Mills ate by shoving his loaf against his mouth, grunting and sucking the food in.