John Lutz - Darker Than Night

It was all thanks to her landing a supporting role in the continuing Broadway comedy Hail to the Chef. Claire, with her newly dyed blond hair and faux French accent, played Mimi the restaurant owner, in love with her insane but talented sous chef.

A slender woman of medium height who looked taller due to her long neck and erect posture, Claire tucked her fingertips in the side pockets of her tight jeans and walked over to peer out the window.

Twenty-nine stories below, she saw the movers dolly her flea-market antique china cabinet out of the van and roll it down the truck’s steel ramp into the street. The cabinet was tightly wrapped in thick padding to prevent damage. She smiled. Claire was glad to have hired this moving company, Three Hunks and a Truck, on the recommendation of one of the dancers in Hail. Despite their gimmicky name, they were careful and hardworking movers. Not to mention hunks, as advertised. The moving company, actually more like twenty men and several trucks, based across the East River in New Jersey, was fast gaining a reputation in Manhattan for reliability.

Claire left the window and wandered around the rest of the two-bedroom West Side apartment. She’d had only the living room and kitchen painted; the bedrooms were good enough for now, and only one of them would be used for sleeping. The other would be for storage, a home office, and would contain a small sofa that could be made into a bed-a sometimes guest room. It was a luxury in New York to have an apartment with a spare room, but Claire had always wanted one. It fit into her plans that, even to her, weren’t fully formed.

She heard voices, scuffing sounds, then the hall door being shoved open. She went into the living room and saw one of the movers holding the door while another wheeled in the china cabinet. The one with the cabinet was husky and blond, with long, lean features and clear blue eyes, handsome enough to be an actor. And maybe he was one, Claire thought. Manhattan was like that. Anyone might be an actor. Anyone might be anything.

“That wall,” she said, pointing. She wanted them to be careful with the old mahogany cabinet, even though it wasn’t particularly valuable. She was fond of it, and it would hold the stemmed crystal left to her two years ago by her grandmother, now buried in Wisconsin.

“Nice piece of furniture,” said the blond one, as he and his almost-as-handsome dark-haired partner stripped away straps and padding and wrestled the cabinet against the living-room wall. “’Bout here okay?”

“A little to the left, if you don’t mind,” Claire said.

“We don’t,” the dark one said. “You’re the boss.”

“And a pleasure to work for,” said the blond one with a wink.

Claire couldn’t help smiling at him. He was definitely a magnetic guy, like a sort of modern-day Viking. If she weren’t involved with Jubal…

But she was involved. She altered her smile, trying not to make it mean too much.

It took the three movers about an hour and a half to bring up the rest of the furniture in the service elevator and place it more or less where Claire wanted it. All the time they worked, the blond one paid special attention to Claire, which seemed to amuse the other two, the dark-haired man and a handsome, bald African American who had a dancer’s build and way of moving.

When they were finished, it was the blond one who presented Claire with something on a clipboard to sign and told her she’d be billed. She preferred to write them a check today, she said; she didn’t like leaving things hanging. That brought a wide smile to the blond one’s face.

“That’s good,” he said. “You can sometimes get stiffed in this business.”

He was waiting patiently for her reply, but Claire decided not to play the double-entendre game. Strictly business. She wrote a check, adding a large tip, and handed it to the Viking. He was sweating, standing closer than he had to, emanating heat and a scent that should have been unpleasant but wasn’t. Claire had to admit he made her uncomfortable in a way she liked.

He made a show of examining the check, then smiled and said, “My name’s Lars Svenson, Claire.”

“Lately of Sweden?” She didn’t know what else to say and the inane question had jumped out.

“Not hardly,” Svenson said. “Well, a few generations ago. What about Briggs? What kind of name is that? A married one?”

“Not yet,” Claire said. “Soon, though.”

“Soon is no. The date been set?”

“No.”

“Question been popped?”

“Not in so many words. We have an understanding.”

He gave her a wide, sensuous grin. “Understandings aren’t exactly contracts.”

She shook her head no to his obvious intention. “I’m afraid this one is.”

Svenson shrugged. “Well, if he turns out to have murdered his last three wives…”

She laughed. “Then I’ll need a mover.”

He gave her a jaunty little salute, then shot another smile at her as he went out the door.

“Whew!” Claire heard herself exclaim.

She walked again to the window and watched below as Svenson swung himself into the truck’s cab with the other two men, and the blocky little van pulled away from the curb.

Claire toured the apartment again, checking on where the furniture had been placed. She moved a table closer to the sofa, then exchanged two lamps.

She was standing with her hands on her hips, planning on where to place wall hangings in the living room, when her cell phone chirped in her purse.

She hurriedly crossed to where the purse sat on the floor in a corner and dug the phone from it.

“Claire? It’s Maddy,” came a woman’s voice on the other end of the connection. Madison Capp, the dancer friend who’d recommended the movers.

“Hi, Maddy,” Claire said.

“The movers been there?”

“And left. Thanks for recommending them. They were terrific. They didn’t dent or scratch anything.”

“And they’re very decorative, aren’t they?”

“I have to say yes.”

“Was the big blond one there? Lars whatever?”

“Yeah. Lars Svenson.”

“He come on to you?”

“Somewhat. He an actor or something?”

“Nope, just a hunk with a line of bullshit. A friend of mine went out with him after he helped move her into an apartment a few months ago.”

“Oh? She give you any reports?”

“Haven’t seen her. She left the city. I heard she got a movie part in Europe in one of those erotic coming-of-age flicks. She’s bi.”

“Bisexual?”

“No, bilingual. But she must have been more than satisfied with Lars in any language.”

“Must have been,” Claire said, laughing.

“Anyway, you’re serious about someone, right?”

“Right. Jubal Day. He’s an actor.”

“Ah! Played in Metabolism in the Village last year?”

“Same Jubal Day.”

“Then I can see why you’re serious. What’s he doing now?”

“ Metabolism ’s touring. He’s in Kansas City.”

“Too bad he can’t be with you. Well, if you need anything, Claire, give me a call.”

“I will. And thanks again, Maddy.”

“So be happy and get back to nesting.”

Claire replaced the phone in her purse and did just that. She continued her rounds of the apartment, touching, adjusting, rearranging, feeling very domestic.

She was feeling that way more and more-domestic. It was strange. Maddy had used the word nesting. Birds did that, made a nest, a home. Homemaking. That was what was on Claire’s mind these days, and there was a deep pleasure in it.

She wondered what was wrong with her.

She realized suddenly that in the excitement of moving, she’d forgotten to check the box downstairs to see if the postal service had started mail delivery at her new address.