John Lutz - Scorcher

But no. Dewitt had left the apartment too long after Nadine to be a decoy. He would, in fact, have left first if he’d wanted to trick Carver. Nadine had simply borrowed the Jaguar to throw Carver off the trail; possibly Dewitt hadn’t even given her permission or known about it until it was too late to stop her. Dewitt, even without a key, would have had no trouble starting Nadine’s car; every dealer knew how to hot-wire an ignition. Nadine was an independent girl.

One who might be anywhere tonight. With her brother.

As Carver watched, Emmett’s yellow porch light came on, flickering as if the bulb were loose. Dewitt slowly strolled around to the Datsun’s trunk, or what passed for a trunk, and raised the rear deck. He bent low and pulled something out of the trunk, then slammed the deck lid back down and carried the object toward the front porch, where Emmett was waiting now beneath the yellow light with the door open. The light had attracted a large moth that was flitting zanily around the porch. Though it was late, Emmett was fully dressed in bib overalls and a plaid work shirt with the sleeves rolled above the elbows.

And suddenly Carver knew for sure that, while Nadine might have taken Dewitt’s car to get past him, Dewitt hadn’t realized what she was doing or had an inkling of her purpose. The fact that his car instead of hers was missing from the garage had surprised him. He didn’t suspect that Carver had followed the Datsun from Fort Lauderdale, thinking the driver was Nadine.

And Nadine wouldn’t dream where Dewitt had gone after she’d left the apartment. Or why.

In the unsteady stream of light from the house, even from half a block’s distance, Carver recognized the bulky, cylindrical object cradled in Dewitt’s arms.

A scuba diver’s air tank.

Dominoes fell one after another in Carver’s mind, arranging themselves in a comprehensible pattern, revealing the landscape behind them.

Making clear what should have been obvious to him long before now.

He snatched up the Colt from beside him on the seat and tucked it beneath his belt. Then he quietly slid out of the car.

He limped toward Emmett Kave’s house, keeping his cane’s rubber tip on firm concrete in the dark. His shadow, a twisted, potent thing, writhed grotesquely before him like a tentative yet eager advance scout.

Carver stayed away from the pool of light cast by the yellow porch bulb and made his way around the side of the house. He checked the windows, but Emmett had all the shades drawn. The blank glass panes gave back only the night. From inside came the drone of voices, but he couldn’t make out what they were saying.

For several minutes he crouched beneath the window where the voices were loudest. Then he gave up trying to interpret them and, as quietly as possible, moved along the dirt-and-gravel driveway toward the dilapidated garage with the sway-backed roof. Ahead of him a black cat with white paws, and gleaming eyes like mysterious twin moons, glanced at him and then padded silently into the bushes.

Ivy had climbed wildly up the near side of the garage, clinging to checked paint and bare, rotted wood. Carver could smell the age and the dry corruption. There was a stone path to a bulky and crooked side door with a thick piece of rough plywood nailed over what once had been a window. The persistent vines had been cleared away from the area of the door, and moonlight gleamed off new metal-a heavy hasp and large brass padlock.

Carver limped around to the garage’s wide front doors and discovered a similar hasp and lock. Heavy-duty hardware.

He moved along the far side of the garage to the back and found a spot where the wood was particularly rotted. Stooping on his good leg, he inserted the cane into the space between two boards and pried back and forth. He had help from termites; the two boards gave like cardboard and crumbled rather than splintered. Carver wedged his fingers between them, yanked once, and rusted nails creaked and gave way and a board pulled free.

He pressed his face close and peered into the musty garage, and was hit by the stench of cat urine. He remembered the feline prowler with the pale paws.

There was enough moonlight filtering through the cracks in the garage to reveal an old but shiny blue Lincoln sedan with a white top; a jewel in an unlikely setting.

“So what’s inside?” a voice whispered behind him.

Carver’s head jerked around so quickly it hurt his neck.

He knew immediately the identity of the youth crouched behind him. The long, sensitive face. The mussed blond hair. The firm jaw contrasting with unfocused dark eyes. Poet’s eyes. Frightened eyes. Eyes of the hunted.

Paul Kave.

Carver’s heart was slamming hard and he was having difficulty breathing. He planted the cane and pulled himself to his feet.

“What’s inside?” Paul repeated in a voice more curious than demanding.

“Look for yourself,” Carver growled. He wasn’t quite sure how to treat his longtime quarry’s sudden presence. This was something Carver hadn’t figured on, this three-dimensional Paul so close to him; not separated from him by a thick pane of glass or the distance of deception, but here, speaking to him, as human as Carver himself. It was goddamned unsettling. Almost paralyzing.

Paul bent down easily and peered through the space left by the pried-out board. He was wearing faded jeans and a blue or green T-shirt that said Buccaneers across the chest in black letters. He might have been any kid roaming the Florida resort areas looking for girls. That was the thing about Paul that threw Carver-the boy’s apparent normalcy. Except for the lost look in his eyes, and the faint but unmistakable scent of desperation that clung to him the way it lingered on junkies and drifters.

He glanced up at Carver and stood, not seeming surprised at finding a near-duplicate of his car in the garage. Carver knew Paul was finally ahead of the game. It had to happen, given that he’d survived this long. Paul had access to most of the knowledge Carver had, plus what Nadine had told him. He’d analyzed the same information and reached the same general conclusion. That lofty I.Q. at work. But what did he have in mind now?

“Why are you here, Paul?”

“When I talked to Nadine earlier tonight things clicked in my mind. She told me what you’d said to my dad, about how some of what’s happened didn’t fit. I decided someone was trying to set me up. Uncle Emmett had to have told you about my being at the Mermaid Motel in Orlando; he was the only one who knew I was there. And I remembered how he felt about my father. And mother.”

“Your mother?”

“Years ago Uncle Emmett tried to rape her. Didn’t anyone tell you about that?”

“No,” Carver said. “Not the sort of dirty linen a family’s likely to air out.” He understood now the depth of Adam’s hatred for his brother. And Emmett’s intense jealousy of Adam.

“Uncle Emmett said it was all a big mistake, that my mom and dad misunderstood what had happened and he was the one who was wronged. I believed him. Up till now.”

Carver thought about a younger Emmett. And a younger Elana. What must she have been before age and illness had worn her down? The wife that was her possessive husband’s treasure.

“Why did my father hire you, Mr. Carver?”

“To find you before the police did. To protect you from harm.”

“That’s not easy to believe.”

“Doesn’t make it less true. Where’s Nadine?”

“Where I left her, I guess. Where I sneaked away from her with Dewitt’s car in Fort Lauderdale. Hated to trick her like that, but I needed a car. I thought I should drive here and talk to Uncle Emmett about this. I was surprised to see your car parked down the block. I turned off my headlights and stopped across the street, and got a glimpse of you sneaking up the driveway. But what’s Nadine’s car doing parked out front?”