Mons Kallentoft - Autumn Killing

Malin called the staff nurse at Bjorsater old people’s home on the way back, and she confirmed Anders Dalstrom’s alibi, checking the rota to see that he had been working that night.

Malin lowers her mobile, steps out into the street and looks at the pub’s sign, radiating a soft, warm, enticing glow. Her hangover is still lingering in her body with undiminished force, and is now exacerbated by vast amounts of regret and longing and desire, but she still wants to go into the pub, to sit down at the bar and see what happens.

Then the familiar sound of her mobile ringing.

Dad’s name on the screen.

She answers.

‘Hi Dad.’

‘So you got home OK?’

‘I’m home. I’ve been working today and yesterday.’

‘You realise Mum wondered where you got to?’

‘Did you explain?’

‘I said you got a call about work and had to rush off.’

White lies.

Secrets.

So closely related.

‘How are things with Tove?’

‘She’s fine. Waiting for me up in the flat. I’m just outside at the moment. We’re about to have some supper, egg sandwiches.’

‘Send her my love,’ Dad says.

‘I will, I’ll be back with her in a minute or so. I’ve another call, I’ve got to go, bye.’

Malin puts the key in the lock.

Opens the door.

Post on the floor. Advertising leaflets from various discount warehouses.

But beneath the leaflets.

A white A4 envelope with her name written in neat capital letters in blue ink.

No stamp.

And she takes her post into the kitchen, tossing the adverts on the table, takes out a kitchen knife, opens the envelope and pulls out its contents.

Pictures.

Loads of pictures.

Black-and-white pictures, and Malin feels herself going cold, then fear gives way to anger, which soon turns back into fear again.

Dad outside their block in Tenerife.

A grainy picture of Mum on the balcony.

The two of them in the aisle of a supermarket pushing a trolley.

Dad on the beach. On a golf course.

Mum in a terrace bar, alone with a glass of wine. She looks relaxed, at ease.

Pictures that look as if they’ve been cut from a Super 8 film.

Pictures taken by someone spying, documenting, stalking.

Black, black-and-white pictures.

A message.

A greeting passed on.

Goldman, Malin thinks. You fucking bastard.

Sven Sjoman leans back on the wine-red leather sofa in the living room of his villa, pointing at one of the photographs that are spread out on the tiled coffee table. The grandfather clock in the corner has just struck eight, the sound echoing perfectly from the case he made himself. Hand-woven rugs on the floor, large, healthy pot plants hiding the view of the dark garden.

Sven looks at Malin, who is leaning forward in the Lamino armchair opposite him.

She called him, and he told her to come around at once.

The photographs on the table. Carefully laid out with pincers. Sven’s finger in the air.

‘He’s trying to frighten you, Malin. He just wants to scare you.’

And Malin gives in to panic: ‘Tove. What’s to say they’re not going to go for Tove?’

‘Calm down, Malin. Calm down.’

‘It can’t happen again.’

‘Think, Malin. Who do you think’s behind these pictures? What’s the logical answer?’

She takes a deep breath.

In the car she tried to think clearly, force her fear aside.

She ended up back at her first instinct: ‘Goldman.’

Sven nods.

‘This,’ he says, ‘plainly isn’t something we can ignore. But I don’t think you need to worry. It’s just Goldman playing one of those games that he obviously loves so much.’

‘You think so?’

‘Who else could it be? It must be Goldman. He’s playing with us, enjoying the fact that he can scare you. And all the pictures are from Tenerife.’

‘But why?’

‘You’ve met him, Malin. What do you think?’

Jochen Goldman by the pool. The sea and the sky in competing shades of blue, his body down on the beach, the way you were playing with me, getting me where you wanted me. And here: the rain like castanets on the plastic roof of Sven Sjoman’s porch.

‘I think he’s bored. He just wants to show who’s in charge.’

Sven nods.

‘But if there’s any truth in the rumours about what he does to people who get in his way, we have to be careful. Take this seriously.’

‘But what can we do?’ Malin says in a resigned tone of voice.

‘We’ll send the pictures to Karin Johannison. She can check for fingerprints and see if they can find anything else. But I doubt they’ll find much.’

Sven pauses before going on: ‘You don’t think it could be anyone else? Someone you put away who wants to cause trouble?’

In the car on the way to see Sven, Malin had thought through who might want to get back at her. There were a lot of names, but no one she thought would go as far as coming after the police officer who caught them.

Murderers.

Rapists.

Muggers.

A biker gang? Hardly.

But it would make sense to check if anyone had been released and was putting some sort of warped plan into action.

‘Not that I can think of,’ Malin replies. ‘But we should check if anyone I put away has just got out.’

‘OK, we’ll do that,’ Sven says, and his wife comes into the room, says hello to Malin and asks: ‘Would you like a cup of tea? You look half-frozen.’

‘No, thanks, I’m fine. Tea stops me sleeping.’

And Sven chuckles and his wife gives him a curious look, and Sven says: ‘Just a private joke,’ and Malin laughs, feeling it’s the only thing she can do.

‘I’d like a cup,’ Sven says, and his wife disappears into the kitchen and when she’s gone he asks Malin how she is.

He asks the question slowly, in a voice Malin knows he wants to sound both sympathetic and hopeful, and she replies: ‘I had a bit of a slip-up last night. I’m sorry you had to see me like that this morning.’

‘You know I ought to do something?’

‘Like what?’

Malin leans further forward over the table. Asks again: ‘Like what, Sven? Send me to rehab?’

‘Maybe that’s exactly what you could do with.’

And Malin stands up, hissing at him angrily: ‘I’ve just had a threatening letter containing pictures of my parents taken in secret, and you’re talking about rehab!’

‘I’m not just talking about it, Malin. I mean it. Pull yourself together, or I’ll have to suspend you and get you checked in for some sort of treatment before you can come back to work. I’ve got strong grounds to force you to do that.’

Sven’s voice without any softness now, the boss, the man in charge, and Malin sits down again and says: ‘What do you think I should do with Mum and Dad?’

‘It might do you good, Malin. Get you back on track again.’

‘Should I tell them?’

‘Think about it. Once this case is cleared up.’

‘Can we ask the police in Tenerife to keep an eye on them? And on Goldman?’

‘That’s what we’ll do, Malin.’

‘Do what?’

‘Wait and see, as far as you’re concerned. As for the rest, we’ll contact the local police on the Canary Islands. I presume you’ve got a contact there?’

Malin feels the last remnants of the day’s nausea leave her body. Rehab.

Over my dead body.

Got it, Sven?

Not a chance in hell. I was just a bit down. I’m dealing with it, you’ve got to believe me, Sven.

A hand on Sven’s shoulder, a cup of tea on the table in front of him.

‘Your tea, Earl Grey, extra strong, just the way you like it.’

The rain is tapping stubbornly at the car roof.

Her stale breath fills the car as she pulls out her mobile and brings up Jochen Goldman’s number, but there’s no ringing tone, just a bleep followed by a message in Spanish, presumably saying that the person cannot be reached, or that the number is no longer in use, or something equally bloody irritating. Malin clicks to end the call, puts the mobile phone on the passenger seat, and wonders if it’s her or the damp air making the car smell of mould.