David Morrell - Desperate Measures

Maybe. Maybe not. They might be trained not to follow cars.

So what’s the worst that can happen? If there are dogs, they’ll find you and corner you and bark until somebody comes. You’ll be charged with trespassing. That’s no big deal for a guy who’s planning to kill himself eight days from now.

But what if the dogs are trained to attack?

This isn’t a top secret military installation. It’s a Scarsdale estate. Relax. And anyway, so what if the dogs are trained to attack? Do you think being killed by a couple of Dobermans would be any worse than shooting yourself with a.45?

Yes.

What standards you have.

Chilled by the rain, Pittman moved forward. At first he was tempted to approach the mansion through the cover of the trees. But then he decided there wasn’t any need-the night and the gloomy weather provided him with sufficient cover. Following the murky driveway, he came around a shadowy curve and discovered that he was closer to the mansion than he expected.

Next to a sheltering fir tree, he studied his destination. The building was high, wide, made of brick, with numerous gables and chimneys. There were several lights in windows on the ground floor, less on the second story. From this angle, he could see a five-stall garage on the left. The garage had a sundeck on top, with two sets of French doors leading off the deck into a second-story room that was lit, although Pittman couldn’t see what was in there. Mostly what attracted his attention was the private ambulance, parked, its lights off, apparently empty, in front of the stone steps that led up to the mansion’s large front door.

Now what? Pittman thought.

He shrugged. With eight days to live, what difference did it make? In an odd way, he felt liberated. After all, what did he have to lose? Knowing when he was going to die gave him a feeling of immunity.

He stepped from the fir tree and concentrated to maintain his balance on wet, slippery grass as he crept down a dark slope toward the mansion. Moving cautiously toward the lights of the mansion, taking advantage of shrubs, a fountain, a gazebo to give him cover, he came closer to the illuminated windows. The drenched grass had soaked his shoes and socks, chilling his feet, but he was too involved in studying the windows to care. Curtains had been drawn, forcing him to cross the driveway where it ran parallel to the front of the mansion. He felt exposed by the drizzle-shrouded glare of arc lights as he darted toward bushes beneath the front windows.

Moisture dripped from the branches onto his overcoat. Again in shadows, he crouched tensely, moved through an opening in the bushes on the left side of the front doors, then warily straightened, able to see through a gap in the curtains at one window. He saw a portion of a luxuriously appointed oak-paneled living room. The room didn’t seem occupied. Quietly he shifted toward the next window, moving closer to the front door.

The next window’s curtains were open. He showed as little of his head as possible while he peered in. Immediately he realized that this window was part of the same living room that he’d just seen through the other window. But why would curtains in one window be closed, while the other curtains were not? He eased down out of sight, remembered the ambulance behind him in front of the mansion, and suspected that someone must have been waiting anxiously for the ambulance to arrive. When it had, that person had hurried from the room, too preoccupied to bother closing the curtains.

But where had that person gone? A detail that Pittman had seen in the room now acquired significance. On a carved mahogany table in front of a fireplace, there had been several teacups and coffee mugs. Okay, not one person. Several. But where…?

Pittman glanced to his right toward the mansion’s front steps. They were wide, made of stone. A light blazed above impressive double doors and revealed a closed-circuit camera aimed toward the steps and the area in front of the entrance. If there were other closed-circuit cameras, Pittman hadn’t seen them, but he had no intention of revealing himself to this one.

The best way to proceed, he decided, was to double back, to go left instead of right, and circle the mansion in the reverse direction from the one in which he’d intended to go. The method would eventually lead him to the windows on the right side of the entrance, but without forcing him to cross the front steps.

He turned, stayed low, close to the mansion’s wall, and shifted past the moisture-beaded shrubs, ignoring the two windows that he’d already checked. He came to a third window, the drapes on this one completely closed. After listening intently and hearing no sounds, he concluded that the room was empty and moved farther along, rounding a corner of the mansion.

Arc lights caused the drizzle to glisten. The lights were mounted on the side of the mansion and beneath the eaves of the sundeck that topped the multistall garage. Hugging the wall, Pittman crept ten feet along the side of the mansion, then reached the large garage, where it formed a continuation of the building. There weren’t any windows, so Pittman didn’t linger. Coming to the corner of the garage, he checked around it and saw that all five garage stalls were closed.

Past the garage, he faced the back of the house. There, fewer arc lights illuminated the grounds. But they were bright enough for Pittman to see a large, covered, drizzle-misted swimming pool, a changing room, fallow flower gardens, more shrubs and trees, and, immediately to his right, stairs that went up to the sundeck on top of the garage.

There had been lights beyond the French doors that led from the sundeck into an upper-story room, he remembered. Deciding that he’d better inspect this area now rather than come back after checking the windows on the ground floor, he started up the wooden steps.

The sundeck was disturbingly unilluminated. Pittman didn’t understand. Crouching in the darkness on top, he wondered why the other parts of the building had outside lights, while the sundeck did not.

The room beyond the two sets of French doors was well lit, however. Past substantial ornate metal furniture upon which cocktails and lunches would be served when the weather got warm, Pittman saw bright lamps in a wide room that had a cocktail bar along the left wall in addition to a big-screen television built into the middle of the right wall.

At the moment, though, the room was being used for something quite different from entertainment. Leather furniture had been shifted toward the television, leaving the center of the room available for a bed with safety railings on each side. A long table beyond it supported electronic instruments that Pittman recognized vividly from the week when Jeremy had been in intensive care: monitors that analyzed heartbeat, blood pressure, respiration rate, and blood-oxygen content. Two pumps controlled the speed with which liquid flowed from bottles on an IV stand into the right and left arm of a frail old man who lay covered with sheets on the bed. The two male attendants whom Pittman had seen at the hospital were making adjustments to the monitors. The female nurse was taking care that there weren’t any kinks in the oxygen tube that led to prongs inserted in the old man’s nostrils.

The oxygen mask that had obscured the old man’s face when he was taken from the hospital now lay on top of a monitor on the table beyond the bed. Pittman couldn’t be totally sure from outside in the darkness, but what he had suspected at the hospital insisted more strongly: The old man bore a resemblance to Jonathan Millgate.

The intense young man who had been in charge of getting the old man out of the hospital had a stethoscope around his neck and was listening to the old man’s chest. The somber men who had acted as bodyguards were standing in the far-left corner.