Phil Rickman - Remains of an Altar

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Remains of an Altar: краткое содержание, описание и аннотация

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In 1934, the dying composer Sir Edward Elgar feebly whistled to a friend the theme from his Cello Concerto and said, "If you're walking on the Malvern Hills and hear that, don't be frightened. It's only me." Seventy years later, Merrily Watkins—parish priest and Deliverance Consultant to the Diocese of Hereford—is called in to investigate an alleged paranormal dimension in a spate of road accidents in the Malvern village of Wychehill. There, Merrily discovers new tensions in Elgar's countryside. The proposed takeover of a local pub by a nightclub owner with a criminal reputation has become the battleground between the defenders of Olde Englande and the hard men of the drug world—with extreme and sinister elements on both sides. And as the choral society prepares to stage an open-air performance of Elgar's Caractacus at a prehistoric hill fort, the deaths begin.

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‘Merrily, if the central focus of her life is producing a bestselling book on the secret source of Elgar’s inspiration … well, she can do that anywhere, can’t she?’

‘I’m not sure she can. Not the way she sees it. And I’m not sure that’s the entire—’

‘She needs to get out of here, too, the quicker the better. Out of the area.’

‘What are you saying?’

Spicer stood up and stepped out of the pew.

‘And, of course, this had to be done before Sunday evening.’

‘Oh, I see. Jesus, Syd…’

‘You have a problem with that?’

‘You mean so that, on Sunday evening, we can solemnly invite God to wipe away every last taint of Longworth and Loste’s brand of Anglo-Catholicism?’

‘Think about it. It makes sense.’ He walked towards the main doors. ‘Maybe you should stay for a few minutes on your own, get the feel of the place?’

Merrily sat down in a pew, the confluence of at least three sunbeams.

Spicer probably didn’t want them to be seen leaving together. People might talk.

What a total bloody … It wasn’t quite a sectarian isssue, but it was close. She wondered if he’d served with the SAS in Northern Ireland and something had left a bad taste.

No, that was ridiculous. His decision to stop the choral singing could be justified purely on the basis of what they’d said about puddles and wells.

But there was already a bad taste in her own mouth.

And Spicer still hadn’t told her everything he knew, of course. Merrily was sure of that.

PART FOUR

‘On our hillside night after night looking out on our “illimitable” horizon … I’ve seen in thought the Soul go up and have written my own heart’s blood into the score.’

Edward Elgar, from a letter (1899)

‘For some, it is the living on after the action that requires the final reserves of courage.’

Tony Geraghty, Who Dares Wins: The Special Air Service, 1950 to the Gulf War (1992)

44

The Plant-Hire Code

Jane thought, there are still women like this?

‘My husband’s out,’ she’d said. ‘You should really come back when my husband’s in.’

It was a detached bungalow on an estate on the wrong side of Hereford – not that there was a right side any more, with all the roadworks connected with the building of new superstores that nobody wanted except Lyndon Pierce and his power-crazed mates. Taken Jane and Gomer most of an hour just to get here, and Jane wasn’t planning on moving without some answers.

‘Mrs Kingsley, it’s you I wanted to talk to. If that’s all right.’

Mrs Kingsley was a tired-eyed woman in an apron, sixtyish, with a resigned sort of look. She didn’t seem like a Guardian reader.

‘But I don’t really understand what you want,’ she said. ‘As I say, my husband deals with our finances.’

OK, wrong approach. Stupid to say it was about her inheritance. Stupid to try and sound mature and official. Shouldn’t have nipped home to change out of the school uniform. Start again.

‘My name’s Jane Watkins. And I’m doing a project. For … for school. I’m a … you know … a schoolgirl?’

‘Oh.’ Mrs Kingsley looked happier. ‘Which school is that?’

‘Erm … Moorfield? It’s near—’

‘Yes, I know it. I had a nephew there.’

‘Well, I probably—’

‘He’s a bank manager now, in Leominster. Now, what did you want to know again?’

‘Well, it’s this project on … on my great-grandfather? Alfred Watkins? You know who I mean? He was a county councillor and a magistrate, back in the 1920s and…’

‘Mr Watkins?’ Mrs Kingsley smiled at last and nodded and came down from her front doorstep. ‘Yes, I know about Mr Watkins. And his photography, and his ley lines. And he was…’ She looked suddenly uncertain. ‘Your great-grandfather?’

Oh no . ‘Sorry…’ Jane did some rapid arithmetic. ‘I always get this wrong. Great -great-grandfather. It takes me ages to trace it back through the generations. We’re all over the place now, you know, the Watkinses.’

Jane glanced back at Gomer, sitting at the roadside in the old US Army jeep he was driving now. He’d said he probably wouldn’t be much use, not knowing Mrs Kingsley, only her late aunt.

‘Of course, it was my grandmother knew Mr Watkins, not me,’ Mrs Kingsley said. ‘I’m not that old. My grandmother, you see, was very well connected, that was what I was always told, although I was quite small when she died. I imagine she could’ve told you some marvellous stories about Mr Alfred Watkins.’

‘Really … ? Well, that … that’s what I heard,’ Jane said. ‘You see, we live in Ledwardine—’

‘Yes, that’s where my aunt—’

‘And all the main people in Ledwardine told me the person I could’ve spoken to, if I wanted to know about Alfred’s connections with the village, was Mrs … Pole.’

‘Do you know Mr Bull-Davies?’

‘James Bull-Davies! Absolutely. James said Mrs Pole was, erm … he said she was a real lady.’

‘Oh, she was. I’m so glad Mr Bull-Davies remembers her.’

‘They all do, Mrs Kingsley. Ted Clowes, the senior churchwarden? Ted said, Jane, you want to be sure and get Mrs Pole into your project. And her family. Which, erm, could eventually be published, of course, by the Ledwardine Local History Society.’

‘So that was what you meant when you mentioned my inheritance,’ Mrs Kingsley said.

‘Well, it…’

‘You meant Coleman’s Meadow,’ Mrs Kingsley said.

‘I think that was what it was called.’

‘Well, I’m afraid I didn’t inherit the land, dear. That was my cousin. He’s the farmer.’

‘Well, yes, but—’

‘As you’d probably have known if you’d seen the local television news tonight,’ Mrs Kingsley said. ‘Where he was interviewed.’

‘Oh.’

Shit .

‘The reporter did say they’d tried to find the instigator of the protest, but you were keeping a low profile. Although they did have quite a good photograph of you, from one of the newspapers.’

Just when you thought you were being so smart.

‘It was strange, though,’ Mrs Kingsley said, ‘that they didn’t mention you were the great-great-granddaughter of Alfred Watkins.’

‘Well, it’s not something I…’

‘Talk about,’ Mrs Kingsley said. ‘No. I don’t suppose you do, you silly little girl.’

Which was when Gomer came over.

He wasn’t even smoking, and he’d buttoned his tweed jacket.

‘Gomer Parry Plant Hire.’ Handing one of his cards up to Mrs Kingsley. ‘Once put in a new soakaway for your auntie, but I don’t suppose her’d’ve talked about it much at family gatherings.’

For a man of seventy-odd he moved fast. Must have seen Jane’s face folding up, and he’d been there before she reached the bottom of the steps.

Mrs Kingsley stood on the top step, holding the card. The ambering sunlight flashed from windows all over the estate and boiled in Gomer’s bottle glasses.

‘Brung Janie over on account o’ the importance o’ this, see. Good girl, means well, but her gets a bit … emotional. Takes things to heart.’ Gomer took off his cap. ‘Got herself in a real state over this argy-bargy, missus, as you can likely see.’

Mrs Kingsley looked at the card, said faintly, ‘Plant hire?’

Gomer looked solemn. It was touching, really. The words plant hire, for Gomer, represented some old and honourable tradition of saving the countryside from flood and famine, bringing mighty machinery to the aid of the needy. A plant-hire code of decency was implied and it shone out of Gomer’s glasses.

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