Phil Rickman - Remains of an Altar

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In 1934, the dying composer Sir Edward Elgar feebly whistled to a friend the theme from his Cello Concerto and said, "If you're walking on the Malvern Hills and hear that, don't be frightened. It's only me." Seventy years later, Merrily Watkins—parish priest and Deliverance Consultant to the Diocese of Hereford—is called in to investigate an alleged paranormal dimension in a spate of road accidents in the Malvern village of Wychehill. There, Merrily discovers new tensions in Elgar's countryside. The proposed takeover of a local pub by a nightclub owner with a criminal reputation has become the battleground between the defenders of Olde Englande and the hard men of the drug world—with extreme and sinister elements on both sides. And as the choral society prepares to stage an open-air performance of Elgar's Caractacus at a prehistoric hill fort, the deaths begin.

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‘What for?’

‘Think of it as Brownie points with your mum. You might need them.’

Jane smiled. Bit watery, but it was there. He told her about Prof Levin and the recording of the choir that had to be made at Wychehill.

‘You’re looking for connections with music. Choirs. Singing. I don’t know. Any link with Elgar in particular would be good. Use your intuition.’

‘Don’t you think that’s caused enough damage?’ Jane folded up the Guardian , put it behind a cushion, out of sight. ‘I can’t bear it. Why couldn’t I have just smiled? The photographer was going, no, no, don’t smile , but I didn’t have to play along, did I? Now I totally look like some evil slapper. An ASBO waiting to be issued. Lol … ?’

‘Mmm?’

‘I’m sorry for getting you involved.’

‘Pull yourself together, Jane,’ Lol said. ‘You don’t do sorry.’

* * *

The men who’d put up the fencing had gone but it looked, as Jane had said, like a not-so-open prison. Lol was furious. The way governments, national and local, were operating now. Even the council had its cabinet , where iffy issues could be sorted in secret. Any hint of opposition, doors closed, locks turned, walls went up.

And barbed wire.

OK, there was no proof that anyone from the council was involved in this. But it was likely, at least, that the landowner had the support of the Establishment.

And they’d fenced off something they didn’t believe existed. They’d blockaded an idea .

Standing on the edge of the old orchard, Lol began to sense some of Jane’s feelings about Alfred Watkins, who stood for independence of thought. Well into his sixties, a respected local figure, when The Old Straight Track was published, and the archaeological establishment had immediately turned on him. A barrier had gone up, and it was still up.

Independence of thought. Always a crime in the eyes of the Establishment. Lol was starting to feel suffocated, as if the air had been turned into shrink-wrap, when Gomer Parry came ambling out of the orchard, an inch of roll-up gummed to his lips.

‘Lol, boy…’

Gomer extracted his ciggy, blew out a grey balloon of smoke. Lol wondered if a disused orchard was now classed as a public place where, although it might be entirely legal to light a massively carcinogenic bonfire, nobody was allowed to smoke.

Gomer nodded at the wire.

‘Janie seen this yet?’

‘What do you think?’

Gomer said, ‘What I think is, Lucy Devenish was still alive, she’d drag Lyndon Pierce yere by the scruff, make the bugger tear it down with his bare hands.’

Lol thought what a pity it was that this kind of organic, natural justice was purely the preserve of old ladies.

‘You think Pierce had something to do with this?’

Gomer’s shoulders twitched under his summer tweed jacket.

‘You know this guy Murray, who owns the land?’

‘By sight. Never worked for him. Big farm, and does his own drainage.’

Does his own drainage . Lowest of the low in the planthire world.

‘Knowed his auntie, though, Maggie Pole, her as left him the meadow. Nice lady. Always very fond o’ that meadow.’

‘I don’t think I knew her.’

‘Left before you was here, boy. Went to an old folks’ home, over towards Hay. Hardwicke.’

‘The Glades?’ Lol smiled. ‘I used to know somebody there. How do you mean, fond of the meadow?’

‘Used t’ be a bench near the gate, and her’d go and sit there sometimes on a nice day. Peaceful place, nobody disturbed her. That was all I remembered, but after Jane come over the other night, I went to see an ole boy name of Harold Wescott. Know him?’

Lol shook his head. Gomer pinched the ciggy from between his lips with his thumb and forefinger.

‘Gotter be over ninety, now, has Harold, but still got his own house. Can’t tell you what he had off the meals-on-wheels yesterday, but you wanner know about anything happened in Ledwardine fifty year ago, he’s your man. Anyway, Harold, he knowed Maggie Pole pretty well, and he remembers her was real careful who her let the meadow out to, for grass. Wouldn’t have no overgrazin’, no ploughin’ up. Said it was a piece o’ history.’

Did she?’

‘Don’t get too excited, boy, wasn’t nothin’ to do with ley lines, far as Harold knows. ’Fact, he didn’t know nothin’ about ley lines. Not many of the old folks does. That was harchaeology – not for the likes of we.’

‘So why was the meadow a piece of history?’

‘Dunno. Harold reckoned it was Maggie’s mother used to go on about it. Maggie’s dad, ole Cyril Pole, he was a bit of a rough bugger, but her ma was a lady – real cultured, read books, had her own wind-up gramophone. Point is, Harold Wescott says Maggie told him her ma always said Coleman’s Meadow wasn’t to be touched.’

‘And it … you’re saying it was left to Maggie Pole on that basis?’

‘Sure t’be. But things get forgot, ennit? No kids, see, Maggie, never married, so that’s why it all went to the nephew and the niece. Niece got the money, this Murray had the ground.’

‘Did anybody else know the meadow wasn’t to be touched? Could be important, don’t you think?’

Gomer put the last inch of ciggy into his mouth, took a puff.

‘Hard to say, boy. Been all overgrown, round there, see, for a good while, since the orchard started goin’ to rot. Hell, aye, I’m sure some folks knowed, over the years, but mabbe they thought it best kept quiet about, like all these things. I’ll keep askin’ around. Where’s Janie now?’

‘My place. Should be at school, really, but she’s hiding from the papers and the TV. Not so sure any more that she’s got it right, you know? What are people saying in the village?’

‘Hippie thing,’ Gomer said. ‘That’s what they’re sayin’, boy. Sorry.’

Figured. In this area, the antique term hippie applied to any incomer of relatively unconventional appearance who couldn’t afford a luxury executive home.

‘What about the housing scheme, the loss of the field, the view of Cole Hill?’

‘Don’t affect many folks, see. They’ll do bugger-all, ’less it affects them personal. You listens to ’em, spoutin’ off in the shop…’

‘What are they saying about Jane?’

‘Leave it, Lol. These is just folks as don’t know the girl. Not like what we does.’

‘No, come on … what are they saying?’

Gomer squeezed his ciggy out.

‘They’re just ignorant people with too much time.’

‘Gomer … ?’

‘Ah … sayin’ it’s no wonder her’s goin’ off the rails when her … when her ma en’t around half the time. And no wonder Janie’s livin’ in a bit of a fantasy world when the vicar spends her time chasin’ things as don’t exist.’

‘Instead of looking after the parish.’

‘Ar, more or less. Sorry, boy, but you assed.’

35

Three Choirs

Walking down the lane towards the church, Merrily tried Lol’s number again. Still engaged. Tried his mobile and Jane’s. Both switched off. Left a message that just said, in a voice which she hoped did not sound over-hysterical, ‘The Guardian ?’

She’d asked Stella Cobham if they happened to take the Guardian . They didn’t.

She replayed the message from Amanda Patel of BBC Midlands Today , watching Mrs Aird leaving the church with a shopping bag, crossing the road and becoming gradually shorter as if she was sinking into the green verge on the other side. Wychehill people disappearing into their homes like rabbits into burrows.

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